جستجوی مقالات مرتبط با کلیدواژه "تقیه" در نشریات گروه "ادبیات و زبان ها"

Saad al-Din bin Shams al-Din bin Muhammad Nizari Qohestani is one of the poets of the second half of the 7th century and the beginning of the 8th century. The Nizari family was one of the Ismailis who survived the Mongol invasion. During the period when he lived, the Alamutian government was destroyed by the Mongols, and the Ismailis were persecuted and harassed because of their beliefs. Nizari was a poet and court official of two Mughal governments, Al-Kurt and Mehrabani. The main question of the current research is whether Nizari used Sufi words and terms in a symbolic way and with a Sufi appearance in order to spread Ismaili thoughts, or was he deeply influenced by Sufi thoughts and is considered a Sufi poet? The result of the research shows that Nizari lives under the cover of Sufism in order to preserve his life, and in order to have the opportunity to speak and publish his opinion, he turns to mystical terms, mysticism was a common and acceptable thought at that time. Nezari's constant care in hiding his Ismaili identity from his supporters, who were anti-Ismailis, is inevitably reflected in his works; In this way, the poet has expressed his Ismaili beliefs in a symbolic or implied way and apparently with Sufi concepts. Nizari's subjugation and accusation at the end of the work is more than a result of supporting Ismaili people, it is a kind of reflection of Ismaili thoughts in his poems. The poet's lines of thought and its compatibility with the sources of Ismaili thought of that period, as well as the display of Nizari's art for the covert and durable publication of the idea, show the commonalities and differences of his thought with Sufi thoughts

Taqiyyah was used in the Shiite religion amongst the Shiite Imams (AS), scholars, and the poets of the early Islamic centuries in the Middle Ages in order to achieve the transcendental goals or to preserve their lives in the face of an adverse ruler or hostile public opinion against Shi’ism. Strangulation, poverty, and anti-Shi’ism can also be regarded as some influential factors in practicing Taqiyyah in relationships between people and their government and , since both poets,Sanai Ghaznavi and Seyyed Sharif Razi, regardless of their spatial limitations, lived at a specific period of time, they used Taqiyyah, considering their social, political, and family circumstances. By using descriptive-analytical method, in a comparative study, this paper is an attempt to analyze the concept of Taqiyyah in the poetry of Sanai Ghaznavi, as a Persian Shi’ite poet, and that of Seyyed Razi, as an Arab Shi’ite poet. The two poets were contemporaries; however, they have used Taqiyyah as a means to defend Shi'a ideals and to achieve their goals in their works, in a different way: Seyyed Razi was an Alawite political poet, and, therefore, he used Taqiyyah in his poetry as a tool to achieve the highest political and religious power in Shi’ism, which is the establishment of an Alawite government by himself. Sanai Ghaznavi, on the other hand, taking into consideration the social common sense, the government, and the strangulation of the Shi’ites as a result of Shi’a-phobia, used Taqiyyah in order to explain the Imamat of the Imams (AS).