جستجوی مقالات مرتبط با کلیدواژه "ساختار زبانی" در نشریات گروه "ادبیات و زبان ها"

Haft Peykar is the fourth poem of the five Nezami treasures, the story of Bahram Gour"s joys and the stories of women from seven climates. In this research, the text of the poem is examined with the aim of showing the linguistic structure of allusions.

This research is of theoretical type based on library resources and descriptive-analytical method. The statistical population of the study is Haft Peykar poem edited by Hassan Vahid Dastgerdi. For this research, 280 samples of irony have been extracted from the system and their linguistic structure has been examined from the perspective of superstructure. And to avoid duplication of samples, it is enough to mention one sample for each of the categories. And to avoid duplication of samples, it is enough to mention one sample for each of the categories

In the Haft Peykar, there is a close connection between the spread of words in content, form and linguistic and rhetorical methods. And the text is very integrated in this regard and in this context, we cannot mention the poet"s excess in spreading words but the shortness of the sentence in expressing the allusions is not as evident in the works of lyricists such as Hafez.

In terms of the structure of metaphorical sentences, almost all the allusions in this work are in the form of compound verbs, sentences, prefix verbs or prefix compound verbs, and finally compound nouns and adjectives, respectively. The grammatical structure of the allusions of this system is in the form of present expressions, compound verb, prefix verb, compound prefix, master group, compound adjective and compound noun.

The ease and perseverance of Sadi's words in the first encounter with each poet is very appealing and pleasant, especially when it becomes more apparent that Sadi's attention to artistic practices in exploiting the rhetorical rhetoric in his sonnets.One of the topics discussed in the science of meanings, bound and limitation. In fact, this method is one of the factors of the emphasis in theology used to highlight and influence. The rhetoric scholars of Arabic have pointed to various ways to create a falsehood, which in the Persian language, like other topics of semantics, has been referred to in the same way, regardless of the specific structure of the Persian language, while many of these are not compatible with the structure of Persian language.There are other things that are not at stake.In this research, we tried to investigate the linguistic structure of the false poster created in Saadi's lyrics, in Persian, what methods exist to create a confinement in the word which is considered from the point of view of the aesthetics of art, rhetoric, and applied semantics siege of cases and generalizable laws , thanks totheartand interest Saadi, speaking in the trick also pointed out that the language and found that the language persian rhetoric measure of artistic speech in Saadi poem lyric

Kashf al-Mahjub Hjvyry and Mesbaholhedayeh Kashani, At a distance of more than two centuries are written and they are mainly related to the style of simple prose . But the possibility of this hypothesis has not been thought and investigated.
In this article, we attempt to analyze structure language of Mesbaholhedayeh and Kashf al-Mahjub from different aspects and their similarities and differences that coordinate with the language in the two works and also to show that this division is not quite accurate and there is a need for further research and divisions . For this purpose, the language is divided into two groups: first, the words or morphologies = sub-collections: Keywords frequency and specific terms and the use of new vocabulary, abandoned words, synonymous and phonetics, grammatical and syntactic properties of sub-second = series: it is widely and successfully the use of verbs and their branches (past continuous, subjunctive, past doubt, the distinction between (a) the negation of the verb, present verbs, verbs prefix, delete the action, etc.) widely and successfully these letters are used with (the emphasis, means, types, kinds, "the" man Noun that, enduro, etc.) and the use of the adjective and pronoun of these collections (he abiotic, he in his place) and in the end, the effect of Arabic grammar on the language structure of these two ​​ books will be discussed.