جستجوی مقالات مرتبط با کلیدواژه « محمدخان دشتی » در نشریات گروه « ادبیات و زبان ها »

Lyrical literature is the delicate expression of the poet's personal feelings and emotions and pays attention to sufferings, reluctance, love, friendship and everything that affects the human soul. What distinguishes this type of literature from others is the dominance of the element of feeling and emotion over other elements of poetry. The more subtle the poet's feelings and the deeper his emotions, the more penetrating and pleasing his speech will be. Lyrical literature has a more prominent poetic character than other types and is considered to be the most imaginative, purest and oldest type of literature. In this research, descriptive-analytical method and library tools have been studied on the components of lyrical literature in the emotional poems of Fayez Dashti, Mohammad Khan Dashti and the Maftoon Bordkhuni. The purpose of this research is to study and compare these components in the poems of these three poets and what are the similarities and differences between the mentioned poets in the application of such concepts? And the depth of sorrow in the words of which of these poets has the most crystallization? The result of this comparison and adaptation is that all three poets have dealt with this issue equally and there are differences in the way of expressing and using poetic images and images. The difference between the three poets' view of processing the case is in the use of images that carry the text with them. Fayez and Maftoon have mostly used the metaphorical array to convey the idea and concept of grief, and Mohammad Khan has used other literary arrays such as recognition to convey such emotion.

One of the stylistic periods of Persian poetry is the period called the period of return. Returning poets do not have a personal style and only imitated the style of ancient poets; But sometimes, with the same method of imitation, they created original works. As a result, reflection on how they came to be from previous poets can yield results for literary lovers. This article introduces one of the poets of the return period named Mohammad Khan Dashti and examines the stylistic features in his poems.

In this research, the poems of Mohammad Khan Dashti are studied by the library-documentary method for linguistic, literary and intellectual characteristics by the method of qualitative and quantitative content analysis.

Mohammad Khan Dashti is one of the poets of the second period of the school of return. His work is based on mere imitation and there is little innovation in it. Both in terms of word and style of expression and in terms of content, content and description, it only tries to approach its own examples, which, of course, has been somewhat successful in this way.

In terms of structure and form of poetry, the two forms of ode and lyric are the place of reflection of the lyrical themes of this poet. There is no mention of heavy and abandoned weights in his divan, and the weights used are all widely used weights. He has used simple words in his puns and has added to his music by using examples of repetition. Most of the words in his poems are simple and understandable and far from ambiguity and complexity. At the syntactic level, the use of grammatical features of ancient Persian has caused the antiquity of his language. Rhetorically and literary, pun and array arrays are more frequent than other arrays. The use of industries such as contradiction, allegory and equation proves his influence on the Indian style (pre-style). At the intellectual level, Mohammad Khan tries to express the thoughts of Saadi and Hafez eras and romantic themes, praise and lamentation are among the most important themes of his poems. But despite holding political office, social and political issues of the poet"s time are not reflected in his poems.

Lyrical literature is the delicate expression of the poet's personal feelings and emotions and pays attention to sufferings, reluctance, love, friendship and everything that affects the human soul. What distinguishes this type of literature from others is the dominance of the element of feeling and emotion over other elements of poetry. The more subtle the poet's feelings and the deeper his emotions, the more penetrating and pleasing his speech will be. Lyrical literature has a more prominent poetic character than other types and is considered to be the most imaginative, purest and oldest type of literature. In this research, descriptive-analytical method and library tools have been studied on the components of lyrical literature in the emotional poems of Fayez Dashti, Mohammad Khan Dashti and the Maftoon Bordkhuni. The purpose of this research is to study and compare these components in the poems of these three poets and what are the similarities and differences between the mentioned poets in the application of such concepts? And the depth of sorrow in the words of which of these poets has the most crystallization? The result of this comparison and adaptation is that all three poets have dealt with this issue equally and there are differences in the way of expressing and using poetic images and images. The difference between the three poets' view of processing the case is in the use of images that carry the text with them. Fayez and Maftoon have mostly used the metaphorical array to convey the idea and concept of grief, and Mohammad Khan has used other literary arrays such as recognition to convey such emotion.