جستجوی مقالات مرتبط با کلیدواژه « معاصرسازی » در نشریات گروه « ادبیات و زبان ها »

Contemporaneity is concerned with the application of the literature of earlier eras in contemporary literature and the harmonization of this type of literature with the spirits and minds of today's human beings This plays an important role in the creation of literary works, their enrichment and the connection between culture in different periods. SiminDaneshvar is one of the storytellers who has used this method in creating her stories. In the novels"Jazire-ye Sargardani andSareban-e Sargardan" (Island of Wandering and Wandering camel-driver), the poems of various poets such as Hafez, Moulavi, Saadi and Khayyam have been contemporaryized.The purpose of this study is to investigate the role of these poems and the way of their contemporaryization in the novel based on the descriptive-analytical method. The results of the research show that Daneshvar has used Hafez's poetry more in the mentioned novel and in the new reading of old poems and harmonizing them with the atmosphere of today's Iranian society, she has given them more meaning and social-political meaning. Also, these poems have become part of the structure of his novel and have a very important role in the characterization, showing the type of thoughts and mental dependencies of the characters in the novel, plot design, strengthening the themes, describing the place, the verisimilitude and connections between Iran's cultural and social past and its present time.

Contemporaryization of ancient poetry is one of the ways in which contemporary literature interacts with ancient Persian literature. In the process, the ancient literary world becomes a contemporary reality, and writers and poets try to recreate ancient literature in accordance with the spirits and minds of modern man by creating a link between ancient literature and their works.The aim of this study is to investigate how to Contemporaryization of  ancient poems in the Atash bedun dud Novel by Nader Ebrahimi, based on the documentary method and with a descriptive-analytical approach. The results show that Ebrahimi has used the poems of poets such as Ferdowsi, Anwari, SaadiMolana, Hafez and Saeb by making changes in their meaning, it has been used to raise political, social and cultural issues such as anti-oppression, despair of the status quo, difficulties of the struggle, humiliation and showing the unworthiness of individuals. These poems have played an important role in creating a cultural connection and coexistence between the beliefs and ideas of the past and present Iranian society. They are also a tool for conveying the theme and showing the atmosphere of the story. Through them, the author also shows the identity, spirits and feelings of the characters in the story, and by referring to them, he adds to the realism and credibility of his story.

Julia Kristevaintroduced theterm “intertextuality’’ based onthe votes ofBakhtin,forthe first time.In her opinion, the intertextual relations extricate literary text from a limited and rigid semantic system. From then on, sheandotherpoststructuralists such as Roland Barthes developed many of the concepts and principles related to the concept of dialogism and intertextuality. Finally, the second generation theorists of intertextuality such as Laurent Jenny and MichaelRiffaterrehave tried to to apply the theory of intertextuality in literary texts seriously. According toviews of Laurent Jenny, intertextuality that remains in the surface layers of text is unimportant to some extent andagainst it there isanother kind ofintertextualitywhichpenetrates in thestructuraldepth and context.In addition, Mikhail Bakhtin comparesfiction with epic atdefensing of it as a distinct literary genre. According to him,Epic is reflection of the reality in the absolute past which is incapable of any evolution and transformation.Butthe novel puts the reality that is not done in front ofthe reader eyes, based on Principleor philosophy of becoming.In this article, we have choosen the short story of “The Night of Sohrãb's Killing’’ by Bijan Najdi fromthe set of“panthers thatthey have runed with me’’ for consolidated application of the two theories andweseek toanswer these questions: 1- Is the story Najdi able to reconstruct the epic past using intertextual relations in a contemporary text? 2- Whether this story can be regarded as a serious critique of the monologue in literature?