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جستجوی مقالات مرتبط با کلیدواژه « مکاشفات عرفانی » در نشریات گروه « ادبیات و زبان ها »

تکرار جستجوی کلیدواژه «مکاشفات عرفانی» در نشریات گروه «علوم انسانی»
  • زیبا قلاوندی*، احمدرضا شکوهی خانمینی

    از اواخر قرن هجدهم با تبعیت از شلایر ماخر، این اندیشه میان فیلسوفان دین رواج یافت که باید دین را به عنوان تجربه ای شخصی از زیر تیغ برهان های عقلانی بیرون آورد و به تجارب دینی و معرفتی اهمیت بیشتری داد. پس از معرفی تجربه ی دینی و ویژگی های آن ازنظر فیلسوفان غربی و اینکه تجربه ی عرفانی در زیرگروه تجربه ی دینی قرار می گیرد، این نوع تجربه ازمنظر عارفان و فیلسوفان ایرانی واکاوی می شود. ازآنجاکه سفر یکی از موضوع های اصلی در عرفان بوده است و عارفان برای تهذیب نفس به سفر سفارش می کرده اند و درواقع عرفان و تصوف را نوعی مسافرت دانسته اند که مسافر و سالک، در این مسافرت خداوند را تجربه می کنند و از ابتدای پیدایش تصوف همواره سیروسلوک و طی طریق با واقعیت تصوف آمیخته بوده است و بسیاری از عارفان سیرآفاق را مقدمه ای برای سیر انفس دانسته اند. در این مقاله، عطار به منزله ی یکی از عارفان و اثرش منطق الطیر در پیوند با این موضوع با عنوان سفرنامه ای انفسی و روحانی معرفی شده و با نگاهی به اسفار اربعه ی ملاصدرا، این پندار و ابعاد آن بررسی می شود. به منطق الطیر عطار به دید سفرنامه ای نگریسته می شود که کاروانی مهجور را تا حریم حضور دستگیری می کند؛ اسفار اربعه در قالب سفری واحد دیده می شود با کاروانیانی که همگی تجربه ای دینی و عرفانی را دریافته اند. مقاله بر این پرسش استوار است که معرفت عطار بر چه پایه ای قرار داشته است؟ و با کاوشی در منطق الطیر و همگامی با پرندگان به آن می رسد که عطار علاوه بر اعتقاد به دین تجربه محور، تلاش می کند تا قدم به قدم سالکان را به این تجربه ی دردآمیز برساند. همچنین مقاله ی پیش رو از زبان عطار، ویژگی های تجربه ی دینی و موانع رسیدن به آن و زادوتوشه ی سفری که به این تجربه ختم می شود، بیان شده و محصول این تجربه ی دینی مورد تحلیل قرار گرفته است.

    کلید واژگان: تجربه ی دینی, عرفان اسلامی, عطار, مکاشفات عرفانی, منطق الطیر}
    Ziba Ghalavandi *, Ahmadreza Shekoohi Khanamini
    Introduction

    From the end of the eighteenth century, following Schleiermacher, religious and epistemological experiences gained increasing attention. In this article, after introducing religious experience and its characteristics from the Western philosophers’ point of view, this type of experience is investigated from the perspective of Iranian mystics and philosophers. Travel has been one of the main topics in mysticism and many mystics have considered the journey of horizons as a prelude to the journey of the soul. Attar, as one of the mystics, and his work “The Conference of the Birds”, are introduced in connection with this subject as a personal and spiritual travelogue, and by looking at Mulla Sadra's "Four Journeys", this notion and its dimensions are examined. “The Conference of the Birds” is seen as a travelogue that arrests an abandoned caravan to the confines of its presence; The “Four Journeys” is seen as a single journey. The article is based on the question: What was the basis of Attar's knowledge? The article concludes that Attar, in addition to believing in an experience-oriented religion, tries to bring seekers to this experience step by step. Also, it quotes the characteristics of religious experience, obstacles and travel equipment that end in this experience in Attar’s terms and the product of this religious experience is analyzed.
    Research method, background and

    purpose

    The research method of this article is the library method and its contents have been provided by examining books and articles.
    Regarding the background of the article, it should be said that although the phenomenon of religious experience has existed in all religions and sects from the beginning, its idea has been proposed since the late eighteenth century and many books and articles have been written about it. Mystical experience and revelations are under the religious experience and the life and works of great people such as Rumi, Attar, Sanai and Hafez have been studied from this perspective and several articles have been written about them.Few articles have been written about Attar and religious experience in his works, which are: "Investigating Attar's mystical revelations in lyric poems based on the theories of William James" by Dr. Homayoun Jamshidian (2013); "Qalandarian Themes in Attar's Divan" by Mahin Panahi (2013); "A Comparative Study of Attar and Jung's Opinions on Religious Experience" by Marie Ikhlas (2006). Maria Ikhlas's study can be considered as the only text that has specifically studied and analyzed Attar's religious experience and has seen his Conference of the Birds from this perspective.

    Discussion

    Schleiermacher was the first to propose the issue of religious experience. Emphasizing the "feeling of absolute reliance" as the essence of religion, he tried to bring religion back to the intellectuals. There is no complete consensus on "religious experience". The "contradiction" of the concepts of "experience" and "religion" and "the lack of access to a single concept of religion" have doubled the ambiguity of the meanings of religious experience. Religious experience is an unconventional experience that belongs to a supernatural being. The characteristics of this experience are "indescribable", "epistemic quality", "being ephemeral" and "passive state".Attar's religious experience belongs to the logic of God, which according to him is far from the reach of reason and is beyond "simile" and "anthropology" and all manifestations of creation are manifestations of his essence and attributes and only through the heart and soul, one can know him and must experience him. Attar’s Conference of the Birds expresses religious experience in a symbolic language. He likens himself to birds who have taken a moral path to achieve religious experience by having communications with one of the prophets and by breaking the cages and freeing themselves from lusts have achieved spiritual degrees.By looking at Mulla Sadra's four journeys and examining the frequency of words related to travel, Attar's works can be considered as personal travelogues. In the general plan of Conference of the Birds, at least two of the four journeys discussed by Mulla Sadra can be found. The first journey is the movement of birds towards Simorgh and the second journey is taking a step into the essence and becoming qualified and falling in love. Attar in Conference of the Birds intends to fulfill his spiritual duty, which is to give the indescribable experience of beloved and eternal lover to the seekers of love, and he carries out this mission in the guise of Hodhod.In the beautiful story of Sheikh Sanan, one can also find the four journeys.Some similarities can also be found between the states of the Conference of the Birds and the characteristics of mystical experiencesOne of them is reaching a passive state in which the seeker feels that he has lost his will and has been conquered by a higher force. This feature can be seen in the state of independence. The indescribability of mystical experiences can be seen in the state of wonder, in which the seeker is amazed and considers himself indescribable.

    Conclusion

    Considering the empirical nature of religion and the salvation of empirical religiosity has led to the survival of religion in recent centuries. The great mystics of Islam also realized that religion is effective in the destiny of man if the religious person has reached a destructive and constructive encounter with the transcendent and has felt that infinite existence immediately. Attar is also of this type who has reached this sweet and painful experience and knows that the experience he has been through is indescribable and one can only be placed in the position of gaining this experience and his conference of the birds is a travelogue to help travelers reach this state; A healing prescription for the pain of the whole sick human community; The pain of love and longing. Salvation from hereditary religiosity and guidance to the threshold of oneness with the Creator. They state that God can be known with God or with a heart and soul and a true theologian is someone who loses himself as a shadow in the sun of God's radiant existence.

    Keywords: Religious Experience, Attar, The Conference of the Birds, Mystical Revelations, Islamic Mysticism}
  • مهسا رون*، محمد شفیع صفاری
    نقطه مشترک نظریات روایت شناسان ساختگرا این است که در تحلیل یک گونه روایی، به جای تحلیل جزءجزء عناصر بر پایه بلاغت کهن، می توان آن را به مثابه یک ساختار نظام مند دید که تمام اجزای آن ارتباطی درونی با یکدیگر دارند. «پیرنگ» یا «طرح» یا همان «توالی رخدادها»، مهم ترین عنصری است که نسل اول و دوم روایت شناسان هردو بدان اهتمام ویژه ای داشته اند، با این تفاوت که نسل اول بیشتر بر توالی علی و معلولی رخدادهای روایت تاکید کرده اند و نسل دوم، به ویژه ریمون کنان، توالی زمانی را نیز بر توالی علی و معلولی رخدادها افزوده اند. در این مقاله، با بررسی 300 روایت از مکاشفات عرفا از مجموع 30 کتاب عرفانی قرن چهارم تا هفتم، مشخص شده که ترکیب رخدادها در این روایات، هرچند در ظاهر تفاوت هایی با یکدیگر دارند، اما از الگوهای نسبتا محدودی پیروی می کنند. این پژوهش نشان می دهد که علاوه بر مکاشفاتی که بر اساس توالی علی و معلولی یا زمانی روایت شده اند، در مواردی به نمونه روایاتی برمی خوریم که هیچ یک از توالی های مذکور در آن ها به چشم نمی خورد. در این گونه روایات، فقط لحظه ای ناب از دریافت های صاحب مکاشفه به صورت کاملا موجز روایت شده است که این دسته از مکاشفات را با الهام از نام نوعی داستان کوتاه در فرانسه، مکاشفات «کوتاه لحظه ای» نامیده ایم.
    کلید واژگان: مکاشفات عرفانی, روایت شناسی, ساختارگرایی, طرح مکاشفات}
    Mahsa Rone *, Mohammad Shafi Saffari
    What structuralist narratologists have in common is that, instead of analyzing the actants of a literary genre based on traditional rhetoric, they analyze a literary genre as a systematic structure whose actants have internal links together. The plot or the sequence of events is the most significant element that both the first and the second generation of Narratologists have considered attentively. Although the first generation emphasizes on causative and effective sequence, the second generation, especially, Raymon Kenon, has also added the periodic sequence to that. The present study aimed at considering 300 Sufis’ revelations selected from 30 mystical prose from the 4th to the 7th Century. It was found that even though the combination of events had numerous superficial differences, they followed few similar patterns. The results also showed that, in addition to the causative or periodic relevance, the revelations had another kind of sequence whereby a unique moment of the mystic’s incoming is briefly narrated. These kinds of revelations are highly inspired by a type of French story which is called “Nouvelle - instant” revelation.
    Keywords: Mystical revelation, narratology, structuralism, plot of revelation}
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