جستجوی مقالات مرتبط با کلیدواژه "ناخودآگاهی جمعی:" در نشریات گروه "ادبیات و زبان ها"

This study emphasizes the importance of interdisciplinary studies in achieving the goals of comparative literature based on the American literary school and the archetype of death and rebirth. It also uses analytical descriptive and inductive methods to test the theoretical capacities of Jung's collective unconscious and the archetypes to analyze the why and the how of literary similarities between Iran and Arabi literature, and especially in Khayyam and Bayati's poetry, the study explores and reveals the deep and common layers of archeology of these two texts, while emphasizing the relationship between literature and psychology which confirms the use of archetypes in the creation of the best literary works of different nations of the world and, most importantly, it shows the role of archetypes in justifying the literary similarities between Iran and Arab literature. The results indicate that both texts have deep and common foundations of the archetype of death and rebirth, which have led to widespread literary similarities and the closeness of the aforementioned texts. In the meantime, their minor differences in the manifestation of these archetypes can be seen in the manifestation of archetype, fore example, in Bayati's poetry, the archetype of death and rebirth are mostly expressed in the form of the Sumerian myth of Ishtar and Tammuz, the Egyptian myth of Isis and Osiris, and in the symbol made by Bayati, named: Aisha; but in Khayyam's poetry, it is mainly reflected in the transformation of man into dust and its transformation into greenery and plants and vegetables

Art and literature are the most important evidence of human‟s civilization and culture that have unbreakable bond with deep layers of unconsciousness. Archetypes base on Jung‟s theory are the images, patterns and symbols that rise out of the collective unconscious and have left the similar and common concepts in human‟s unconscious in myths and cultures over the time. In Golshane Raz, the archetypes rise out of the collective unconscious. The archetypes in the Islamic theosophy is the standing property. The archetype in this ancient couplet-poems (Mathnavi) is interpreted as the archetypes: sun, sea (water), fire, mirror and journey. Jung's archetype in Islamic mysticism, permanent archetype is called. The concrete and abstract ideas in Golshane Raz is originated of Qurans and hadiths. Analyzing the mystical symbols was an opportunity that the gnostic poet manifests his education treasure. In Golshane Raz in addition to the key role of symbols, the salient portion of deviation and defamiliarization is effective in more highlighting the verses. In some couplet-poems, the symbols are replaced with the reality. The similarity of eastern and western symbols in concepts are ambiguous. The gnostic points to some part of reality with paraphrase and interpretation in this couplet-poem(Mathnavi).