جستجوی مقالات مرتبط با کلیدواژه "هنر و ادبیات" در نشریات گروه "ادبیات و زبان ها"

One of Stalin's policies in the Cultural Revolution was to censor art and literature. After the October Revolution there were major changes in Russian art and culture. By censorship, the political rulers tried to replace the old culture with the proletarian culture and give a justified face to the revolution and its achievements. One of the most important organizations created to accomplish the goals of the revolution was Proletcult. One of the main theorists of this organization was Bagdanov He oversaw the writers' activities and, after rigorous scrutiny and censorship, permitted the publication of literary works. Literature and art have become tools for the realization of the purposes of the revolution. In the Soviet era, art and work were in the same category of importance In this article will be examined the content of the Proletcult directives. The role and impact of the Proletcult on Russian literary of the 20th century will also be examined.

Plato knows all of the world’s phenomena as the shadow of truth and he doesn’t include their existential identity independent. In this research the author has tried to deal with justifying and analyzing his aesthetics system. According to Plato the artistic works are the imitation from the absolute beauty that is eternal and everlasting. On the other hand he regards the beauty as a useful and working thing and says the art have to be in service of morality and society and he doesn’t like the exciting art. As well as, he doesn’t oppose with unexciting art, although it be without moral and social role. The author after the analysis of Plato’s thoughts concludes the contradictions in aesthetic and philosophic system of Plato that they have questioned the absoluteness of principle of beauty in Plato’s thoughts.

What is imagination and image? How is a mental picture formed? How does the product of imagination appear as an artistic or literary from? What are the factors that cause man to prefer the world of imagination over reality, making it, his/her choice and becoming an artist or a writer? These were the questions that made Jean-Paul Sartre busy between 1920 to 1940, and after that he was thinking about the lives of the poets and writers. Sartre has based his idea of imagination, on the quality of “Conscience” from mental images; emphasizing on the “existence” of these pictures, and their relationship with real experiences, he considers the world of imagination as a far fetched world and the result of “rejection of the concrete world.” Meantime, looking for the reasons that attract a person to the world of imagination and then to the “writing profession”, he evaluates the position of the writer and his own position as a writer.

In the present paper, ten small excerpts of tourfan Manavi texts collection have been studied. Theses excerpts are relevant to those Manavi's manuscripts of which some have been remained. These excerpts are usually empty of text and writing and mostly contain special paintings of Manavi's illumination books. The author has attempted to analyze artistic dimensions of these excerpts and compared them with other manuscripts of collection of Tourfan Manavi which are more intact. In addition, he has read some manuscripts containing texts from Manavi's script and explained their lexicon. Hence, 10 new unpublished manuscripts of Tourfan Texts remained incomplete have been analyzed. These excerpts are:MIK III 4967b, c- M 871a- MIK III 6261- MIK III 4969- M 1887- MIK III 6258b- MIK III 6377c- MIK III 4966a- M 4831- MIK III 6379b, e, f, g, h.