جستجوی مقالات مرتبط با کلیدواژه "هوشنگ" در نشریات گروه "ادبیات و زبان ها"

In Iranian mythology, we rarely find the name of Wekard. In the few remaining texts from pre-Islamic Iran, it is briefly mentioned that he was Houshang's brother and the founder of agriculture, which was also called Pishdadi. In Islamic texts, although he is mentioned as a prophet, there is not much news about him. But Abu Rihan al-Biruni is one of the few writers who has paid more attention to his life and his character that based on some theories suggested about his name, origin, duties and his relationship with social classes. Abu Rihan al-Biruni by equating dehghani and writing, has considered the dehghani as the dignity of the Dibiris class and has considered the star of Mercury to be the special star of writers and dehghani. However, in this article it has been tried to introduce Dehghans and to examine their role in transmitting the culture and literature of ancient Iran to the Islamic era and their relationship with the Debirs, as well as to the educated class of Iranian society. In addition, by analyzesing the role and position of Wekard in ancient times, we try to find out the causes of the anonymity of this mythical character.

Ferdowsi's Shahnameh is the document of our national and religious identity and analyzing its structural and conceptual dimensions and particularly studying it comparatively with other religious and mythological texts seems to be necessary in order to achieve greater understanding of its mysteries and to attain its moral and spiritual doctrines and messages in any era and for any generation. In this study, through analyzing Shahnameh and taking advantage of valid sources on Shahnameh, mythology and history, initially the main subjects and titles in the mythology section were studied, particularly three mythological characters ( Kiumars (Qmars) and Houshang), then symbolic and Gnostic interpretations were analyzed and compared etymologically, and finally conclusions were presented according to available evidences. Accordingly, each character and hero in Shahnameh demonstrated a manifestation of religious beliefs, moral characteristics and his Ahura and evil nature, and he was given an appropriate title.

Houshang، second mythical king of Iran، is introduced as Pishdad in historical texts. He had the most important duties such as collecting water in ponds، ordering to hunt wild animals، clothes making، carpeting using animal''s Skin، and encouraging people to agriculture. Arabic historical texts are written in the early Islamic centuries narrating the stories of Persian kings. They were derived from Khodaynameh and then translated. Ferdowsi in Shahnameh has introduced Houshang as the second Persian king and has written on his actions. The analysis and comparison with other narratives based on the hypertextuality not only reveals the origins of these texts، but also shows the differences in narrative texts representing the fact that the texts have used Various versions of Khodaynameh. source of Ferdowsi and tha''alibi was not a common and work of tha''alibi is hypertext that history of tabari is its hypotext.

According to the Iranian myths, creation is divided into four periods of: Minu(heaven), Guity(universe), the battle of Ahura with Ahriman(devil) and rebuilding of the universe. These four periods have left most of their symbolism and mysteries in the mythical periods of Shahnameh. Kayumarth period is the memorial of the creation of Minu and Guity wherein human beings possess heavenly features within life and soul. By the murder of Siyamak the third period, that of battle starts and extends to the period of Hushang and Tahmureth when we have the victory of Tahmureth over demons and darkness. This is followed by the fourth period of rebuilding the universe and rejoining Minu.