جستجوی مقالات مرتبط با کلیدواژه « یوسف الخال » در نشریات گروه « ادبیات و زبان ها »

Undoubtedly, many contemporary Arab poets were influenced by Western literature, and the traces of world-renowned poets such as T. S. Eliot, left in that literature. Eliot's famous poem, The Waste Land, with its tragic aspect had great influences on the contemporary Arab poets, especially after the occupation of Palestine and in the time of the socio-cultural crisis of the Arabs, because they imagine that their land is the same as Eliot's the waste Land. They expect water to revive their life. It can be said that the unfortunate reality of the political and social conditions of the Arab countries has been the main reason for inspiring the mentioned poets from the devastated land. Meanwhile, the Syrian-Lebanese poet Youssef al-Khal is among those who have been influenced by Western literature, especially Eliot. He founded a magazine called 'Poetry' and caused a new development in the concept of poetry in the Arabic language, which undoubtedly influenced the literature of the West, especially Eliot himself. In the light of the importance of the issue and its pivotal role in understanding the poetry of Yusuf al-khal, in particular, and contemporary Arabic poetry, in general, the present study tries to reveal Eliot's influence on the thought, view and poetic form of Yusuf al-Khal through a descriptive-analytical method. One of the most important achievements of this research is that Yusuf al-Khal's concept of poetry is in line with Eliot's poetic concept in areas such as the application of historical or mythical induction, depicting the problems of a generation and a nation, Christian or Tamuzi approach.

The study of the works of poets and writers based on literary theories has paved the way for the study of various aspects of literature, and this is how theories are applied in the works. Such studies and their application in different languages and literatures are a good field to make these theories more tangible and objective. Linguistic metaphysics is one of the new theories of literary criticism that has been articulated within the school of Russian formalism. Yusuf al-Khal and Ahmad Shamloo are two other great and almost contemporary poets in Arabic and Persian literature who have used abnormalities and de-familiarization in their poems. Vocabulary aberration (creating a new word that is an evasion of syntactic rules And the meaning changes the appearance of words and phrases and makes the poem seemingly abnormal in this article. And while showing the written aberrations, at the end, the poet's use of abnormalities is depicted in the form of a diagram.

Abnormality, that is, deviation from the rules governing the language of the norm and non-conformity with the standard and conventional language, which causes the dynamics of the language, which has caused poets in different languages ​​to show great interest in this way. Abnormality as an outstanding linguistic technique can enrich poetry and bring it to the border of poetry. This technique can be manifested in various components of poetry. In this regard, an attempt has been made to examine this issue in the divan of the four poets considered in this research, namely Yousef Al-Khal, Boland Al-Heydari, Nima Yoshij and Ahmad Shamloo as a poet-making element.From the commonalities of the poems of these four poets, the high frequency of semantic aberrations in their poems and what is evident is that these poets in their time were considered as poets breaking the tradition and the voice of protest and anger of the society in which they lived. They have reflected with this type of norm-breaking, and thus each of them has been introduced as a poet with a style, and in the same way, they have attracted their audience to them.

  The presence of myths is visible in the literature of every nation. In the meantime, Arabs and especially its poets were familiar with mythical figures. Mentioning the names of mythical heroes with their legendary features in the poetry of Jahili (pre-Islam) period indicates this familiarity. After literary resurrection and establishing connection with Western culture and civilization, using myths was reformed which dates back to mid-twentieth century. In this period Arab poets have used myth for expressing concepts and applied it as a useful means in poetical illustration. 

  Arab contemporary poets aimed to benefit from extraordinary power and capabilities of myth for their goals and wishes. For the realization of their goals the heroes and mythical figures are revived in order to objectify their ideas, emotions, and passions and in this way poetical experience is mingled with mythical concepts.    Among all the myths, the religious ones have also appeared in poems of Arab poets. The figures of prophets including Mohammad (pbuh), Jesus (AS), Moses (AS), and Job (AS) have been frequently used in the poetry of contemporary poets. The poets by benefiting from these figures and their related issues tried to induce their concerned concepts.   Among the prophet figures that can be found in Yusuf al-Khal’s poetry are Abraham (AS), Job (AS), Adam (AS), and Jesus (AS). Jesus (AS) is one of the most frequently used figures among these figures. Considering the unbalanced circumstances of Arab society, Yusuf al-Khal wishes for a savior of mankind to set up a global resurrection. He wishes for a great resurrection which brings a better life for the Arab nation. By using the symbols of this religious myth he protests against political failures, unorganized conditions of Arabs, and the presence of terror atmosphere. So, in this article we study the different aspects of Jesus Christ (AS)’s personality in Yusuf al-Khal’s divan. The main research question is: in what aspects the mythical function of Jesus (AS) character is represented in poet’s divan?

Since myth and mythical function in Arab contemporary poetry is transformed from a simple, ordinary function to an influential function with predetermined goals, the goal of this research is to extract and express myth function in one of the greatest contemporary Arab mythographer’s divan that is Yusuf al-Khal and to study its contemporary social function. The extended and different function of myth in al-Khal’s divan shows the necessity of this research.   

In this research by using descriptive-analytic method first, poet’s divan was carefully studied and the examples of myth function were extracted and finally analyzed and studied.       

  In a section of ‘Al-Ustura fi al-She’r-e-al-Arabi al-Mo’ser’ book by Yusuf al-Halavi the myth in Yusuf al-Khal poetry is dealt with that is not specifically about Jesus (AS). Also, As’ad Razogh in ‘Al-Sho’ara-e-Al-Tamozion: Al-Ustura fi al-She’r-e-al-Arabi al-Mo’ser’ published in 1996 studies the style of myth usage in poetry of five Arab contemporary poets including Khalil Havi, Sayab, Adonis, and Jabra Ibrahim Jabra. In one of the chapters he has dealt with some of mythical odes of Yusuf al-Khal including ‘Al-Bae’r al-Mahjoureh’ however, it doesn’t include other odes concerning Jesus (AS) myth. In the article “Myth in the Arab Contemporary Tamouzi Poets’ Poem” (Akbarizadeh, 1393: 27-46) which is published in Lyrical Literature No.23 myth in three Arab poets including Adonis, Sayab, and Bayati are dealt with but no mention has been made to al-Khal divan.   In this field, the most important article is “Al-Masih va al-Romoz al-Masihiyah fi Divan Yusuf al-Khal” (Roshanfekr, 2014: 61-90) published in Al-Loghat al-Arabiyah va Adaboha No.1 magazine. Reading present article and comparing it with mentioned article shows the similar and different aspects clearly, because the goal of present article is to illustrate mythical aspect of Jesus (AS) character in the form of (4) a mythical symbol. It is a method which the mentioned article does not have and instead it generally have dealt with Jesus (AS) character in divan and have not emphasized on the mythical and symbolic aspect of Jesus (AS). 

Freedom is one of the greatest and highest human values and of necessities of life and evolution that all nations have wanted its realization. The word freedom dates back to human history and it has found criterion and rate through indicators such as truth-seeking, justice and human's existential growth and defines its own limits and is manifested in literature of different nations in various forms. Freedom in contemporary Arabic Literature is proposed in different ways especially existentialistic freedom origin of which is human's knowledge and wisdom that were revealed in Salah Abd-al Sabour's and Adonis’ poems. This inquiry is going to investigate and analyze this concept in the thoughts ofYusuf Alkhal, contemporary modernist Syrian poet, from political, social and existential perspective as he has been tired of Zionist's oppression and believes that freedom will not be achieved without effort, great suffering and sacrifice. He sees social freedom as establishment and stability of freedom in society as far as people's presence will be provided in various areas and is an existentialist whose thought’s main and axial issue is man and his concerns. His thinking and thought is focused on freedom for reaching the truth and power of reasoning is the most important basis of freedom and considers it as a tool for reaching true freedom.

The Arabic contemporary poem has faced a period in which, the poets tended to employ the prophets characters to utter poetic experiences, and social, cultural, and political conditions of their own era.The character of Jesus Christ(peace be upon him),is one of the most prominent character used among the contemporary pioneer poets who found it the most appropriate character to express pain, grief, loneliness, and the stagnation of their own society. little by little the Jesus character got its right place among Moslem and Christ poets in comparison with other prophets. Yosof Alkhal the most prominent Christ poet who commenced using Christ point of view in Arabic literature, and his poems have the colour of Christianity.This paper aims to study the Jesus Christ character and Christ symbols in this Lebanese poet by using descriptive-analytical method. the results show that understanding the poems of this poet is impossible, unless being aware of such symbols, because of the excessive number of such symbols in his poems. he has used such symbols to express the duality of death and the Resurrection Day. he has opened the window of hope and freedom through the killing death and devoting and sacrificing. and his long poems seem to be optimistic in contrary to its pessimistic commence.

Human as the Superior of the Creature was More Important for Pre-Socrates، But by Emerging Socrates this Remark Become Pale Because he Pointed to be Average of Human''s Powers. After many Decades، Some Grand-Phipspher Such as Kierkegaard، Nietzsche، Martin Heidegger and Jean-Paul Sartre Entered and they have Taken Attention to Human and Established Existentialism. This Academy Spoke about Human and His Gentry and Emphasized on Existence Primacy on Identity and that Human is the Only Creature who can Make his Identity. from This Academy Point of View، all Things are for Hunan. this Academy has Influenced in World Literature، Especially in Arab''s Contemporary Literature، and Affect an Scholars and Poets. One of Them، Joseph Alkhal Named Modernism Poet in Contemporary Arab Poetry. Man and His Originality is Important for Him and Criticals the Communist Systems، Because Ignore the Individual Genius of Man and His Talent. of his View، Human is Everything and Freedom is His Right. Freedom that Help Him for Forming Freedom Society and Recognize the Fact. he Knows the Literature in Serving of Human. he Knows Poet the Value that be Committe to the Human and Society. this Paper by Analyzing his Distiches Try to Describe Existentialism in Joseph Alkhal Poem and Deals thery Element of it Like: Human، Freedom and Commitment.