جستجوی مقالات مرتبط با کلیدواژه "یوسف العانی" در نشریات گروه "ادبیات و زبان ها"

The character is a main element in a dramatic text as a playwright often relies on specific dimensions of the fictional character to convey ideas, hence the character plays a significant role in developing the events. This study, based on a descriptive-analytical approach, examines characterization in Youssef Al-Ani’s I am your mother, Shaker!. This play is one of the pioneers of socialist literature in Iraqi theater due to the intertextual relationship between Umm Shaker and the character in Maxim Gorky’s The Mother. The most important findings of the study are the following: Al-Ani is the first Iraqi writer to present a woman (Umm Shaker) as the hero of the play, the mother with an iron will, extraordinary political awareness, and unwavering faith in the victory of the national revolution. Al-Ani draws the characters from ordinary people, so the audience identifies with them quickly. The message that Al-Ani intended to convey prompted him to use the colloquial dialect delivering his theatrical and intellectual speech to the illiterate members of society. It seems that Al-Ani paid more attention to conversation (monologue) than characterization as do not find any transformation in the characters throughout the play. The characters are hostage to the popular revolution and the theatrical event.

The concept of time is considered as one of the most important elements of a literary work and its artistic creation is a diagram of the author's power and adds an aesthetic view of the text. Unlike most traditionalists who use chronological time to explain and calculate narrative time, modern writers have disrupted the plot by using this basic element and the features of Anachronism. Russian formalists have been pioneers in explaining the mechanisms of narrative time.
This study intends to use a structural-analytical method, while examining the Anachronism in the artistic structure of the drama AL"Sarir" for Youssef Al-Ani, to deal with how and methods of using time components in the plot of this drama. And continuity is profitable. And with artistry, he has used all the components of time, Flash back, Flash Forward, expansion and contraction.
The results of this research show that the linear chronological time order is disrupted during the use of narrative time. In the meantime, the external retrospectiveness of the preface has filled the gaps in the story, created a variety of narratives, and introduced his characters. Forecasts are often mixed. Descriptive pauses have a special dynamism. In this play, unlike the classical narrative methods, implicit omission is more than obvious omission.

Youssef Ismael – Iraqi great artist – is one of the nobles in playwriting either in writing or in criticism. Al – Aani has enjoyed Beresht’s theories and ideas while his idea were based on political requirements which was dominant in that era; he wanted to choose a frame for playwriting which considered all types of people of the society. The present article which is analytical – descriptive, studies the intertextual elements such as theme, characters, events and battles, time and place of the play.