جستجوی مقالات مرتبط با کلیدواژه "descriptions" در نشریات گروه "ادبیات و زبان ها"

Among the many descriptions and explanations that have been written on Sa’di’s Bustan, Gholamhossein Yousefi’s explanation is more important than other explanations in the literary and academic community compared to other explanations. The questions are whether Yousefi’s description is completely reliable and without any problems? and does Yousefi’s description make other explanations unnecessary? In response to these questions, the author has quoted the verses in which there are problems in their explanations, and the explanation of Yousefi and some other commentators (Khaza’eli, Sudi, Naseh, Anzabinezhad and Qarabaglu). Then, in an analytical-critical way, by mentioning the reason, she criticized Yousefi’s explanation on each verse. And referring to Dehkhoda’s dictionary, she provided a meaning and explanation about the verse and word in question, which seems correct or more accurate. And wherever necessary, she has also quoted verses from Sa’di and other poets in support of her opinion. Out of the total of thirteen verses reviewed in this article, nine of the problems are related to the meaning of some words (verses: 7, 19, 46, 49, 72, 283, 2028, 2093, and 3381). Two problems are related to the pronunciation of the word and its meaning (1175 and 2020). The other two are related to the meaning of the verses. (277 and 2503).

This article is about critical review of the Book of ‘hediye Jān’ (A Report on Stories of Divan of Khaghani Shirvani) by Dr. Ata Mohammad Radmanesh. In this paper, we will show that for some reasons, such as lack of research in the history of the research, tolerance and latitude, the failure to cite all references and misunderstandings of parts of the text, the present text is not reliable and its shortcomings needs to be revised and redefined to increase its richness. Also, since this book of has been prepared to explain a number of Khaghani odes, it is necessary to study this book parallel to the other one; therefore, in the first part of the article, we review the book and the field of critique of structure and in the second part of the criticizing of describing the content of the book has been considered and then the shortcomings of each one has been examined.

The admirable book “Nafsat ol-Masdour” isone of the most important and authoritative books in the realm of literature and history. Despite the praiseworthy efforts of Professor Amir Hassan Yazdgerdi to correct and describe this book, the extremely difficult and artistic text of the book has led some of the content remains obscure and/or some of the explanations soundsto be not correct.This difficult text has always been discussed in various ways. In this paper, the author has been focused on some of these ambiguities and errors to uncover some of the difficulties and complexities of this seminal work. To this end, in the preface, a brief introduction of Nafsat ol-Masdour was given, as well as the goals and background of the research. Thenthe discussed issues have been immediately addressed and an attempt was to analyze and explain them.The goal is to make the enthusiasts of this important book safer and smoother than this book.

This article is about critical review of the Book of ‘Mashateh Bekr Sokhan’ (A Report on the Eight Stories of Divan of Khaghani Sharvani) by Dr. Ahmad Ghanipour Malekshah. n this paper, we will show that for some reasons, such as lack of research in the history of the research, tolerance and latitude, the failure to cite all references and misunderstandings of parts of the text, the present text is not reliable and its shortcomings needs to be revised and redefined to increase its richness.Also, since this book of has been prepared to explain a number of Khaghani idols, it is necessary to study this book parallel to the other one; therefore, in the first part of the article, we review the book and the field of critique of structure and in the second part of the criticizing of describing the content of the book has been considered and then the shortcomings of each one has been examined.

Simile is one of the most widely discussed topics in eloquence, the emergence of which in early human speech has coincided with the creation of the man. To express complicated and vague concepts, early humans needed different figures of speech as well as a strong imagination. The use of simile has played an important role in achieving this aim. It is wrong to assume that the use of rhetorical devices has been specific to a certain ethnicity or era. The use of figures of speech varies among poets and authors under different circumstances.
Rudaki is the father of Persian poetry and one of the greatest poets in Samani epoch, who has done a great service to Dari Persian in the early centuries of Persian literature and with the aid of his genius used exquisite imagery in his poetry. The question in this research is that for what purpose Rudaki used simile and to what extent he has used different kinds of simile?
This article reviews different kinds of simile and attempts to extract and review different kinds of simile in Rudaki’s poetry. To reach this goal, in some instances the similes used by Rudaki are compared with those used by poets of following eras.

Poet Khalil Mardom Bak excellent example of the men released this statement of the era in literature and its effects. Raise high the name of his country، and he fought all his life. It was among the first to Made huge gateway luxury hair literature solid، and reported it، Was link between the ancient and the modern، money to the description، the collection of delicacies and say Beautiful images images، And presented in a beautiful dress and best costume، and tough for the sake of it is not what our generation profoundly regret the loss of sources، and the scarcity of cupboards، and lack of culture، and the diminutive education، drier springs. This article is a study on the life of poet Khalil Mardom Bak and his penchant for description، nature and art، and a few in the national tour of his poet and important source is the Divan poet.

Love is one of the most basic subjects in Persian poetry. Celestial and spiritual loves have created superior concepts and beautiful interpretations in poems written by the clerics, mystics, scholars and common poets. Kamal al-Din Vahshi Bafghi, the poet of the tenth century of H.A., is one of the influential poets in love school. With great skill in employing words, he has portrayed love in different forms. This research aims to identify the characteristics of love presented by Vahshi Bafghi. The results show that the characteristics of love are not so different from love motifs in poems composed by other passionate and mystic poets. The position of love is exalted in his poems and its celestial form has been influenced by spiritual love. Different aspects of love in Vahshi’s sonnets are investigated in this study.