جستجوی مقالات مرتبط با کلیدواژه « equation style » در نشریات گروه « ادبیات و زبان ها »

One of the unrecognized poets of the Indian style is Salek Qazvini, a poet of innovative themes and solid meaning, with an emphasis on subtlety and anti-vulgarity. He has created new themes concerning human relationships and characteristics of his time with precision and subtlety. A major part of his creative themes is related to and depicted in his use of the equation style. By innovative ideation to connect the reasonable to the tangible, Salek has been able to convey his thoughts to the audience as best as possible through the use of the equation style and highlight the literary and artistic significance of his verse. The purpose of this research is to investigate thematic and conceptual diversity of the use of equation style in Salek Qazvini's sonnets. Accordingly, the study focuses on extracting and explaining conceptual diversity within the equation style. The findings indicates that the most frequent meanings within the equation style in Salek Qazvini's sonnets are mystical, moral-pedagogical romantic and social themes as well as poet's complaints and literary sublimity. Inspired by nature and romantic and mystical bonds as well as human and social relationships, the poet aimed to express his complaints and dissatisfaction with the misfortunes of his time, while highlighting the sublimity of his own poetry and making use of equation style in this manner, he has both engaged the audience with his verse and distinguished among his contemporaries.

Parallel imagery is one of the lesser-known artistic tricks in the world of fiction, in which the author uses some of the important mental and intellectual concepts in the plot in the form of objective and tangible images without showing the direct relation between them once or more time. It directly embeds these concepts in the text of the story, and these objective images are, in a way, confirming and embodying those abstract concepts. This artistic trick is formed in such a way that usually one or more sub-stories run parallel to the main story, which are, in fact, another form of the main story; Or the main and sub-characters of the story are embodied and reproduced in the form of several other characters. The sum of these characters and parallel narrative actions, which are not very visible in the first reading, makes the plot more powerful and effective. Obviously, such sub-stories should not be confused with the ancient artistic technique of "story in story". It seems that the function of visual parallelism in fictional literature has many similarities with the function of equation style in Persian poetry tradition which is a kind of compound simile. In some contemporary Iranian short stories, this artistic trick has been used well. In the equation style, the poet, in one hemistich, presents a statement or a mental and rational proposition, and in another hemistich, to confirm it, he/ she presents an objective and tangible image of the world around him. This paper, while showing and analyzing examples of this artistic and literary technique in “The Old Man and The Sea” by Ernest Hemingway, and two Iranian stories “Owsane ye Baba Sobhan” by Mahmud Dowlat Abadi and “Jayi digar” by Goli Taraghi, considers the parallel imagery as an extended form of Persian poetry equation style in fiction and shows that parallel imagery has a wider and more obscure range of art than the equation style.

Allegory is one of the most important topics in old and new rhetoric, which is structurally divided into short or concise allegory and wide allegory. In compact and descriptive allegory, the most important types of which are allegorical allegory, allegorical metaphor, parable and equation style, it does not exceed one or more sentences and has a special place in the poems of ancient poets. But so far a complete and separate research. Compact allegory and its types have not been written in Hafez's sonnets. It seeks to answer questions such as: What is the use of compact allegory in Hafez's lyric poems and what types of compact allegory are most used? Hafez's concise allegories are more of an allegorical metaphor, an equation style, and a parable, and allegorical allegory is very rarely used.

One of the literary types is an allegory. In the history of Persian literature, many poets and writers have chosen allegory as a template to express their thoughts and ideas. The allegory born of imagery and imagery is the product of the strong imagination of a poet or writer and even of a nation. Allegory in Persian is structurally divided into two parts: descriptive (short or concise) and narrative (broad). Narrative allegory has more than one form of the story that includes human, animal, fable, etc. anecdotes, and descriptive allegory consists of one or more sentences, some of which are: allegorical simile, equation style, allegory, and allegorical metaphor. In this descriptive article, by analyzing the manuscript of Mirza Ahmad Motavali Bashi, one of the poets of the Qajar era and the period of literary return, he searches for different types of narrative and descriptive allegories in his poems and how they are used and the types of allegories used in his poetry collection. We express.

Allegory is one of the best Bolaghi methods to persuade the audience, by which poets and writers provide the audience with sensible and tangible things. Therefore, this literary trick is a wise way to express one's intentions. In this paper, using analytical-descriptive method, allegorical simile, allegorical metaphor, natural allegory and equation style in Masnavi, Abushkour Balkhi's Afarin Nameh is examined. Therefore, first, the allegory is summarized from the point of view of the experts, and then the types mentioned in Abushkour Balkhi's Afarin Nameh is examined. Abu Shakur has used allegory not only to make sense of things such as contentment, to know friend and foe, the necessity of teaching in childhood, but also to make the audience more believable and influential.

Concept creating is making or discovering the relationship or finding a new integration between a subject and an object which have no apparent relationship. Concept creating is more common in one of the Persian poetry styles called Indian style that Kalim Kashani, a famous poet of 11th century, is an adherent of this style, and his book (complete poetical works) containing 590 lyrics is one of the significant works of the era. One of the prominent characteristics of his lyrics is concept creating. Methods and tricks of concept creating include: equation style, exaggeration, wide simile and motifs, which have been used in perfection by Kalim. In order to examine the methods and tricks of concept creating, Kalim’s book has been studied and facts containing concepts have been extracted, evaluated and described in some sections of equation styles including: exaggeration, wide simile and motifs.  Examining concept creating in Kalim’s poems, it became clear that this poet has used equation style to create concept more than all the other methods by applying wide simile, motifs and exaggeration.