جستجوی مقالات مرتبط با کلیدواژه « fariba wafi » در نشریات گروه « ادبیات و زبان ها »

The understanding of narratives is examined and analyzed through a theoretical science known as narratology, and what has emerged from the structuralist foundations of narratology is known as combining narratives. The structuralist idioms and key narratological issues of narratologists' ideas that have been established in this subject will be examined in this study, as well as examining the story of My Bird by Fariba Wafi utilizing the content analysis approach and the information acquired from it. Wafi is one of the female writers who, in the context of female narration in the story of My Bird, has been able to embrace the audience with this story and build a narrative story based on the components addressed in this study termed characterization, focus, and narrative time. The evolution of the characters in the story can be noticed in its evolutionary process by studying these components in the topic of characterization in the realm of direct and indirect description, action, speech, appearance, character strength through analogy, and environment. And the discussion of travel and migration in the external and interior features of the minds of the male and female characters of the story leads to their psychological structure in the discussion of the narrative chain and in the discussion of centralization, Individuals got focalized in discussions of psychological components, and the frequent use of the verb in narrative time discussions became a generalizable result for underdeveloped characters. This article has been done by descriptive-comparative analytical method.

The basic assumption of the research is that with the beginning of modernization in the first Pahlavi era and its intensification in the second Pahlavi era, the contradiction between tradition and modernism and the impact of modernity on women in society increased and some of this contradiction is represented in Iranian literary works. The research question is: Iranian women in the years leading up to the revolution of 1979. and at the same time, how did he live and experience the social changes and modernization of himself and society? and how is this experience represented in Persian fiction?. The paradigm used in this study is qualitative, the implementation method is qualitative and the sample selection is purposeful. Tarlān's long story has been selected as a representative example, considering the presence of feminist representational elements in it. Several feminist sociological approaches have been used to examine the assumption and the main question of the research. The results show that although the contradiction between traditional and modern society and the impact of capitalist modernization on superstructures such as individualistic and egalitarian rights, family, literature, women and Iranian feminism are represented in the sample, but this representation of strong structure and manifestation It is not transparent.

In the present study, the novel Tibetan Dream by Fariba Wafi is examined in the framework of critical discourse analysis using Van Leeuwen's model. In this novel, the representation of social actors is a platform for presenting the views and ideologies that the text seeks to establish. The identity of the actors at the beginning of the novel is designed in such a way that the reader is accompanied by the text to discover this identity in order to identify the implicit meanings in the text in relation to the actions of the actors. Using Van Leeuwen's sociological-semantic components, the relationship between ideological processes and discourse structures can be identified. In this way, he evaluated the mechanism of formation of the current of power and ideology and its role in the explicitness and secrecy of the actors and how they interact or confront. Accordingly, in the present study, an attempt has been made to explain the ideological attitudes of social actors from the perspective of women's class system in relation to discourse-oriented components through qualitative analysis. This study shows that most of the sociological-semantic components used in the novel include omission, activation, passive representation, naming, categorization, confusion time and symbolization. These components serve to describe the social and ideological mechanisms governing the social system of women.

The Suspense in the story is a quality that the author creates for the events that are taking place in the story to create passion and motivation in the reader to read the story. The present article tries to examine this element of story in a descriptive-analytical way in three novels by this author (namely, My Bird, the Dream of Tibet and Tarlan). These novels do not have a strong suspense element and the reason for this is the author's greater attention to characterization and representation of the identity of fictional characters. This does not mean that this element is missing in the mentioned novels. Rather, the author uses some tools to create this element and compensate for its weakness, one of which is the inclusion of parallel narratives throughout the novel.

"Dream of Tibet" like previous works of Fariba Wafi has been a successful story, but still has reiterated her earlier concerns. The success of this work at the same frequency lies on paying attention to plan, method and the new styles of author for effective writing of her contents and concerns. Due to achieving this, methods, plans and outline of the novel are to be considered due to analyzing relationships between themes and innovations of the novelist to advance the novel. Theme of the novel represents the importance of dialogue and love in life. The plot of the novel is based on dialogue. The author has studied the effects of lack of dialogue and the creation of an opportunity for dialogue, on the other hand to understand the causes of the crisis of a life without dialogue turned to dialogue, in which of this dialogue discovers the factors that make their life critical. The author also has used characterization and narrative modes of expression based on mystery to know the status of women and the factors affecting women's lives. First person point of view and female narrator coincided with tis layout and content are selected; the narrator is not involved in the main story, and she just narrates the story to uncover the secret of a woman's life crisis.