جستجوی مقالات مرتبط با کلیدواژه « interrogative » در نشریات گروه « ادبیات و زبان ها »

Abolmajd Majdood Ibn Adam Sanāi Ghaznavi also called Hakim Sanāi (473-545 AH), is one of the greatest poets of Persian language who wrote in ode and Masnavi form. Praise, guidance and admonition are among the frequent themes of his odes. Sanāi well understands language and is fully acquainted with its features and capabilities. Description, praise, wisdom and advice, admonition, story of the soul, blame, and reproach exist in Sanāi's odes. Many instances of compositional sentences (interrogative, imperative, exclamatory, and prohibitive) exist in Sanai's odes used in their indirect (or secondary) meanings. He has been successful in choosing the expressing methods, grammatical patterns (according to the type of message and communication), and in selecting words by considering their harmony, rhythm, and subject. The secondary meanings of the compositional sentences, in fact, express Sanāi's inner thoughts and they can be understood by analyzing the poet's thoughts. This research deals with interrogative and imperative based upon grammatical and semantic categories in Sanāi's odes in order to determine the relationship between the poet's moral thoughts and the meanings of sentences. clarifying and explaining Sanāi's aim in using such kinds of sentences analytically, the researchers use diagrams.

Non-declarative expressions especially the optative ones are used a lot in every language. Interrogative, imperative, negative, vocative, and optative expressions are considered the versions of optative sentences. Each of these versions is used for expressing a particular meaning. However, as they are sometimes deviated from their original meaning, just due to eloquent reasons, they denote an indirect meaning, which is detectable on the basis of the context of use. The experts of eloquence have tried to investigate the secondary meanings in addition to investigating these versions. Sometimes some of the eloquence authors, in order to innovate and on the basis of their personal tastes, use a kind of titles to study the indirect meanings by thinking of which we can realize that these titles are the same as the titles to which other experts have referred and the only difference relates to the choice of entitling. This article, having a critical approach, aims at investigating these titles in the books of eloquence and showing that a majority of these so-called new titles are the same as those aforementioned titles in the books of eloquence.

In this article, according to the differences between Makki and Madani verses, we respond to the question about how different the style of addressing of Almighty Allah to Payambar (PBUH) in Makki verses is as well as what their charactersitcs are. It must be noted that our purpose in this article, is addressing the lexical meaning of the word, which means face to face speaking with a person and giving direction of speech to the audience. Thus, to answer the above question, the Quran addresses are divided in various types such as: call, imperative, negative, interrogative, statements, and conditional and the verses related to each style were explored. The findings show that the frequently used verb "say" in Makki verses indicates that words and meanings of the Quran have simultaneously been inspired on behalf of Almighty Allah to Payambar (PBUH) who has delivered it in a secure and complete form to the people. Moreover, most of the addressing in the forbidden style has virtual meanings and the most important meanings are: comfort, guidance, durability. In the interrogatve style the pattern “do you remember” or “did you see” is repeated more than others. The new styles of interrogation in Quran may be referred to the use of “hamzeh (ء)” in the words - إن, .إذا

Muhammad Al-MaQut is considered as one of the most important pioneers of blank verse in Arab world. His literary works include different forms such as novel، drama، blank verse، movie script and diary. Simplicity، pragmatism and sadness are characteristics of his works. This article attempts to study the language used by Al-MaQut in “Badvi Al-Ahmar”. The simplicity of the terminology applied by Al-MaQut and avoiding difficult vocabulary is a characteristic of his poetry. Repetition of the pronoun “I” is another characteristic of his poetic language. Also is using vocative cases and interrogative forms.

This study tends to investigate the effect of gender on the imperative, interrogative and exclamatery sentences in the Persian language. For this purpose, eleven short and long Stories from ten contemporary writers were selected. The results show that the gender effects are two kinds: some of the sentences were used only by a particular gender and some others were used due to some social factors such as social status and age of the user. For instance, the women with lower social status tended to use less imperative and more interrogative and emotional sentences than their counter parts. It seems that, for the sake of clarification and discovery, women tend to ask men more questions. The application of more emotional statements on the part of women in their interaction is also worth noting.

Muhammad Al-MaQut is considered as one of the most important pioneers of blank verse in Arab world. His literary works include different forms such as novel, drama, blank verse, movie script and diary. Simplicity, pragmatism and sadness are characteristics of his works. This article attempts to study the language used by Al-MaQut in “Badvi Al-Ahmar”. The simplicity of the terminology applied by Al-MaQut and avoiding difficult vocabulary is a characteristic of his poetry. Repetition of the pronoun “I” is another characteristic of his poetic language. Also is using vocative cases and interrogative forms.