جستجوی مقالات مرتبط با کلیدواژه « mithras » در نشریات گروه « ادبیات و زبان ها »

Mithras is one of the oldest mythical, religious, and cultural characters of Indian and Aryan tribes. The god, expression of common beliefs in gods, before migrating Indo-European and long before the advent of Zoroaster were formed. On the one hand, religious texts and sacred hymns India and Iran represents the ideas and religious beliefs the land millennium BC. Mithras too one of the gods and common characters the two old people, which after the separation, his special position with both retained.The present study tries to study Mithras based on the oldest indigenous and Iranian populations and by direct reference to Rig Veda and Avesta, it seeks to stamp the role of the intellectual-cultural context of these tribes in determining the actions and characteristics of a mythical face. The findings show that the common actions and attributes of the goddess are rooted in the period of the unity of these tribes and the root of the differences in this mythical face must be found in the Iranian branch and after the physical and spiritual separation of the Indian branch. So, after ethnic separation, intellectual and cultural differences also appear in common mythical characters. These characteristics and influences have evolved or evolved under the influence of cultural context and social factors.

Shabdiz and Golgon, two beautiful horses of Khosrow Parviz’s court, have been the subject of many historians, especially Shabdiz, that according to some historical sources, was one of the wonders of the court of Khosrow Parviz. The fame and glory of this historic horse brought it into the world of myths as far as many Persian literary works came out and many poets used it to create unique works. Since the name of Shabdiz is linked to night and darkness, it is a beautiful theme for the poet's imagination to fly in the night sky; however, the poet's imagination was not limited to the night sky, but the sky of the day, with its companionship, Golgon, was seized by him. Nizami is one of the most talented poets in the field, which illustrates the story of these two beautiful horses in the style of Myth-Lyric. The symbolic birth of Shabdiz's birth is somewhat reminiscent of the birth of the Mithras from the Stone and a marker of the new processing of the ancient myths, which undoubtedly derives from the past ritual beliefs in the drawing of day and night as a horse; it is possible that Nizami depicted Shabdiz and Golgon to associate them with Mithras and Bahram and as the symbols of day and night. Golgon symbolizes the day and the brightness of the god Bahram, and his counterpart, Shabdiz, is the night sky, and is a symbol of Mithras, the god of the night, as if they are a concept of time in a hall of symbols and similes. The magic of the Nizami’s word, with the preservation of the historical and structural framework of narrative, has tied the story of these two horses to the ancient beliefs, rituals and mythologies, so that the names of these two always shine in Persian literature.