جستجوی مقالات مرتبط با کلیدواژه "morning" در نشریات گروه "ادبیات و زبان ها"

The factors of nature have long been considered by many Persian language poets. In the meantime, morning and dawn have been depicted in the poetry of poets more than other factors due to their aesthetic, artistic and semantic capacities. This study intends to investigate the use of these words in terms of additional combinations, metaphors and poetic images in the poetry of great Persian poets up to the eighth century.

In this research, with the method of theoretical analysis and library study, the use of the word morning and dawn in different dimensions in the poetry of great Persian poets such as Rudaki, Ferdowsi, Manouchehri, Naser Khosrow, Masoud Saad Salman, Khayyam, Sanai, Anvari, Khaghani , Nezami, Attar, Rumi, and Saadi.

The image of morning and dawn in the poetry of Persian poets was at first realistic and aesthetic, but after the introduction of mysticism to the language of poetry that Sanai started, morning and dawn due to night solitude and the time of revelation and Mystical manifestations and, on the other hand, the inclusion of the temporal capacity of prayer and supplication in the Qur'an, found a high frequency in mystical poetry. After Sanai, among the poets Khaghani, Rumi, and Hafez, they used the most semantic and metaphorical uses with morning and dawn.

These words were first developed by mystical poetry in Persian language and finally, both in semantic level and in linguistic level, they have expanded the vocabulary and richness of Persian language to the extent that few poets can be found who illustrate with This word is not paid

Mullah Hussein Kashefi's Martyrs Elegies book (910 A.H) which depicts Ashura's Events is one of the first books about the killings of Ashura which enjoy a literary language attraction of great influence. Since its writing, this book has been criticized its wrong narration of the history of this event. It is considered one of the first books giving wrong historical accounts with poor historical supports about event happening on Ashura. In this article, after a brief  account about the late Timurids era and Kashefi's biography, different ideas about this book and its author have been discussed along with the reasons for distortions mentioned in the book and public interest in it. Also resources used and his narration style have been studied.  The findings show that the main reasons for such distortions are Kashefi's lack of source, fictional narration style like Sufis, relying on his own memories as an orator, lack of accuracy  in his narrations of events, and Kashefi's intention to motivate Shiites of his time to create a connection with Prophet Mohammad 's family (PBUH). It can also be said that Timurids in Khorasan created an atmosphere from which a kind of Shiites was born by which the Safavids advertise this kind of shiism.