جستجوی مقالات مرتبط با کلیدواژه "omen" در نشریات گروه "ادبیات و زبان ها"

One of the prominent features of all the fictional works is their mystery, so that this feature in the Shahnameh and the Haft Peykar has a certain prominence as the kings and heroes fought the divine power and wisdom of the evil forces to unravel the complex codes and spells. And sometimes they used to do difficult, unraveling of the closed and difficult knots to perform the decadence of cheerfulness and grandeur. The heroes of the stories used tools to unravel the secrets and secrets of tools such as astrology and divine prediction, and to consult with priests, clergy, and dreamers. Most of the codes in Shahnameh and Seven Bodies have been used to test the worthiness of heroes and princes, the bridegroom and the bride, and sometimes to determine the right time to celebrate a wedding, coronation, and important tasks, etc. Desirable and undesirable stars are turning. The main question of the research in this article is to pay attention to the factors that set up the feasts and celebrations and to unveil the passages and tales in the stories of Shahnameh and Haft-Peykar. The research method is descriptive-analytical and comparative, and the results show that most celebrations and celebrations have their roots in the opening of codes and spells.

Chehel-soroud is one of the most popular and current types of omen among Lorestan people which they perform collectively. In every presage, forty couplets are attributed to interpret the intended 40th couplet. In the present research and based on library resources, the aesthetic function of the 500 chehel-soroud couplets  collected by the field method was analyzed in two parts of "Phones , Vocabulary, Musics and figures of speech " and the surface structure including  Emotion, Thought and Meaning. The research findings showed that at surface structure of phones movement with music is sometimes created with serenity and sometimes with violence. The association of vocabulary plays a role in the association of emotions and the meaning of poetry. The association of vocabulary plays a role in the association of emotions and the meaning of poetry. In some parts of the verses, meter and rhyme are unacceptable, which is to some extent negligible. Internal music is due to figures like phonotactics , morphophonemics and pun. Spiritual musics in its turn is as a result of figures like Mora’at al nazir, Hossn-e- Ta’lil and hyperbole. Metonymy and assimilation play a key role in the creation of figures of speech. Emotionally, at deep structure level, good omens are accompanied by enthusiasm while sinister ones lead to despair. In terms of meaning and regarding the frequency , themes of love and friendship, natural resources such as mountains and trees, religious beliefs and interests such as hunting, breeding, agriculture etc. are evident in the couplets.

It was not just the uneducated human in ancient times who believed in an invisible magic powers in the world، and people have always believed in “ANIMISM” and “FITSH”. From many long time ago، people used to think that some objects، animals، and sky and stars have these invisible magic powers. Because of his little amount of knowledge، he had no chance of understanding the scientific rules that run the world. So he began to believe in the influence of these invisible magic powers over his daily life in order to make reason for bad events of his life or even to prevent them. He had to adjust every little things of his life to these believes. In Iranian religion before Islam، like other ancient religions، many superstitions looked legal and rightful، and also believing in the influence of sky and stars on days and years; in astrology، and in prediction was very usual. In this research، different kinds of prediction according to the middle Persian texts will be studied: prediction based on inspiration، influence of sky and stars on days and years، the things that should be done and not should be done on specific days، soothsaying texts based on numbers in a Zoroastrian Omen Manuscript، including: the number omen with numbers1-5، the omen of JAMASP E HAKIM، and omen of ANAAMOL.

Studying the circumstances under which sciences in the 7th and 8th century A. H developed, one notices the improvement and development of logical sciences and astronomy alongside rhetorical sciences and one finds out that among the shining stars in the realm of Persian Literature, Mowlavi is the eternal poet of all times. This article familiarizes the reader with Mowlavi’s extrovert thoughts, astronomy, astronomical devices, atmospheric phenomena, siding with the stars, omen, sinister, heavens, stars and constellations in Masnavi.