جستجوی مقالات مرتبط با کلیدواژه « sohrevardi » در نشریات گروه « ادبیات و زبان ها »

The most dominant theme of the richest works on mysticism is perceptive imagery which has its origin in mythology and philosophy. Given their intrinsic link to the meanings and concepts, images are considered as the intellectual life of the writer and the poet. They attempt to create images depending on their own mental and intellectual capacity as the very same images distinguish the poets and writers from one another. One of these images is the "Sun or Sunlight" which is abundant in Masnavi as a macro metaphor and in Sohervardi's works as a pattern of thought. The present study aims to first decode the dominant thoughts which led to the creation of the image of "Sun or Sunlight" for the concept of the "Perfect Man" and second, to analyze how a single image is created for different meanings or how the same concept is depicted in different images. One possible answer is that man's understanding of various phenomena is influenced by the different "states and situations" he experiences to attain different perceptions leading these understandings to be pictured by various images.

Sohrevardi’s “Simurgh-become hoopoe” passes by meandrous physical lingual paths and creates new concepts under their influence. In the discussion of “Simurgh-become hoopoe” by Sohrevardi, we are encountered with a type of indication that not only appears in the status of a bird, but also emerges in other status as well. Investigating this, we enter the realm of structural lingual substitution. In this study, the researcher has tried to investigate conversational and cultural functions with an analytical-descriptive approach in order to pass from a physical-action status to a symbolic tranxendental one and to delineate indication-semantics characteristics in the story of “The Calling of the Simurgh” by Sohrevardi. “Hoopoe” as a substitutional order in Sohrevardi’s discussion, is gradually forgotten as a bird and is altered to a meaningful indication through the impact of conceptual transformation: in fact, “hoopoe” is everything besides being “hoopoe”. Such transformation that leads to an alteration from appearance to multi-conceptual and tranxendental type in language is called evolutionary path of indication.

The aesthetics of Iranian cinema based on illuminated stranger consciousness under the title of exemplary cinema is the subject of this article. How the concept of stranger consciousness which means reminding human of his homelessness is created. Escape to the world above in traditional art is the beginning of our reflection on the connection between illuminated aesthetics and cinema. With Sohrevardi's objective aesthetic approach and with exploring beauty from premiere hypostase de la lumiere des lumieres to the world and confinement of human in exile under the management of the lord of all kinds, one can analyze exemplary films in the Iranian cinema. In this article the theme of homelessness in the Iranian cinema with reference to sheikh Ishraq 's allegorical treatises and with the help of Henry corbin's interpretation and phenomenology has been examined. On the basis of descent and enlightment, in the narratology of films with the theme of stranger consciousness it has been revealed that in the three – dimentional unity of the story ( narrator, narration, and the subject of narration), the narrator is the subject, object and the theme of the epics

This article tries to examin and analyze various allegory in Persian literature and in the paper of In Reality of iove sohrevardi.
It is worth mentioning that they are compatible with each other and existential temperament.That is, in analytical and comparative thought, the above philosophical treatise on Persian literature is controversial. There is a kind of linguistic, empathetic and intellectual harmony between literary and Philosophical Lliterature as well as sohrevardi.This article deals witg the category of allegory in the paper of In Reality of love. It also examines the tree themes of love,Goodness or Beauty, and Grief.To Sohrevardi love belongs to goodness and beauty On the earth, as Goodness comes whith Zoleikha, Grief comes with Jacobe. It has been said that the speaker expresses his intention in a mysterious and closed way.

Mystic etiquettes are a set of principles and guidance that Sufi elites have established to train novice disciples in their articles and books. Shahab al-Din Sohrevardi –renowned, seventh century mystic- and Kamal al-Din Hossein Kharazmi -renowned, tenth century mystic- were amongst those who have guided novice disciples and explained mysticism etiquettes in Awarif al-Ma’arif and Ershad al-Moridin, respectively. This study investigates the aforementioned etiquettes through a descriptive-analytical approach. For convenience, mystic etiquettes are divided to two main categories of outer and inner aspects. Outer refers to aspects such as fasting, prayer, pernoctation and inner refers to aspects to which disciples ought to attain in order to approach the mere truth. The findings represent that Sohrevardi has explained the outer aspects in Awarif al-Ma’arif in detail, whereas, Kharazmi has mainly looked upon outer aspects.

Before Muslims could create the first Islamic government-Delhi Sultanate -in India and popularize Islam in that region, another group of Muslims were busy popularizing Islam there. Sufis, especially Chishti and Sohrevardi sects, were propagating Islamic thoughts in that region. With the creation of Delhi Sultanate, governor and Sufis established wide relationship. This relationship was sometimes turned into conflict of the two sides. However, it resulted in the mutual influence of the sufis and the rulers. Using an analytical-descriptive methodology, our purpose in this study was to determine the sufis’ influence on the promotion of Islamic approaches in Delhi Sultanate in 7-10 AH. To examine and clarify the principal question of study, the most important historian, literary sources of that period were used to answer this hypothesis: Did the presence of sufis in India and their activities in the subjects mentioned above have any effect in the formation and improvement of Islamic approaches in court of the Sultanate and Indian society?

Persian literature and especially mystical literature, is largely mixed with illuminationist thoughts of Sohrevardi (Suhrawardi). This blending and the resulted effect are mainly due to his mysterious works in which he expressed his philosophical ideas in a literary language. In his works, the religious experiences are expressed in different ways: sometimes directly, sometimes in the form of mysterious stories, and sometimes he classifies and systematizes these experiences as an external observer. Hafez as a poet, who has always been connected to the previous literary heritage, sometimes communicates such unique experiences through sonnet which considered being significantly similar to Sohrevardi’s experiences. Facing a holy idea which is indefinable and formless in nature, this is the experiencer’s mind which forms the experience in this process. It can be claimed that Sohrevardi’s works played a role in forming the structure of Hafez’s mind. Sometimes these experiences are similar regarding the location of the events which is Sohrevardi’s “world of ideas” or “hovargheliya”, and sometimes the similarity is in the quality of the experience manifested in the form of visual, auditory and olfactory experiences. The description of experiences as a fleeting lightning or midnight son, meeting the sacred witness (Shahid) and the holy Pir (leader) are some of the common features in Hafez and Sohrevardi’s works.

Between the literary schools of the west and the ideas، latent in the old Persian literary texts، there are many similarities. Rereading these similarities with a new and comparative look can result in many great findings and also expand our knowledge of these two domains. Surrealism is an influential school whose characteristics can be seen in the philosophy of illumination، though they are different in many aspects. Referring to Sohrevardi’s texts on one side and also the manifesto of surrealism and surrealist works on the other side، this study compares the seven techniques of surrealism— 1. grotesque 2. dream 3. automatic writing 4. madness 5. objective chance 6. ready-made. and 7. Satire— with the ideas of Sohrevardi. The findings show that، despite many similarities between these two، they have different beginnings، ends and also different approaches.

From Plato’s viewpoint, love is intermediate between gods and humans and it causes for the interconnection of the universe. Real love is beyond metaphor and achives the real beauty in “world of ideas”. Also, from Sohrevardi’s viewpoint, love is current in the universe and it is the reason of the creatures’ movement. All pleasures of this world (even pleasure of marriage) result from the rational and light pleasures and separating from soul forwards a man to the “real love.” Thus, from both theologians’ point of view, “metaphorical love” is like a bridge, but Plato knows it the only way and Sohrevardi knows it as one of the ways to access “real love.”

This article surveys the influence of Sanayi's Hadigheh poets on Sohrevardi's mysterious stories .This study shows how Sanayi's philosophical thoughts and poetic images in Hadigheh  leads Sohrevardi to benefit from them in creating his books like 'Gabriel's Feather Song","Red Wisdom"and "The book of lovers' companion." and uses Hadigheh's poets in his stories. The other issue discussed in this article is the difference of attitudes of these two 9Sohrevardi and Sanayi) on the actual meaning of "The old".The central part of the mysterious books is about the event of meeting "The old"In Sohrevardi's philosophical system "The old stands for the" active wisdom" in Peripateticism philosophy and Gabriel in religion.In Sanayi's classification of the universe,in accordance with the Neo-Platonists, the"General Soul"meets the disciple and becomes his guide.As a matter of fact, within Hadigheh and "Seir-Ol-Ebad" ,Sanayi introduces the" Genaral Soul" as a medium for the grace of the "Comprehensive Wisdom" to the material world,while Sohrevardi benefits from the Peripateticist philosophers in this regard. The method of study in this article is comparative and we compare Sohrevardi's mysterious stories like "Gabriel's Feather Song","Red Wisdom"and "The book of lovers' companion." with poets of Sanayi's Hadigheh.