جستجوی مقالات مرتبط با کلیدواژه « story structure » در نشریات گروه « ادبیات و زبان ها »

Mohammad Bagher Khosrawi (1338 AH) is one of the most prominent writers in the field of historical stories. Shams and Toghra's novel is his most important work, the events of which are related to the period of the Mongol rule. The author addresses the issue of love and the strict Moghal laws on marriage. In this work, the story of love is a completely reasonable and logical flow, with solidity and loyalty, with all the wishes and desires of a lover that eventually leads to marriage, and contradictions and dichotomies are transformed into a alchemy of love for unity. Considering the importance of the historical novels in this article, the structure of the historical romantic story of Shams and Toghra has been discussed in a descriptive-analytical way. The results of the research show that the development of characters, strong cause and effect relationships between events, environment, scene, diverse conversations and the current situation, the types of conflicts and the use of most of the elements of the story have made Shams and Toghra as a very coherent set of work in narrating the story.

Although some texts in classifying of literary types are compiled under the genre of Epic literature, they are not empty of lyrical aspects. Perhaps, lyrical sections of these literary works have a key function in the whole story, such as, love stories in Ferdowsi’s Shahnameh that based on the researchers’ opinion have a special and different structure than non-epic stories. As far as our studies show, love stories in Zarrin Qabanameh haven’t been investigated from this aspect. In this survey with a descriptive-analytical approach, based on the library resources, the focus is on the comparison of peculiarities and structure in Zarrin Qabanameh attachments with the similar cases of Ferdowsi’s Shahnameh, that earlier had been under the observation of other researchers. One of the results of this survey signposts though love stories of Zarrin Qabanameh have similarities with love stories of Shahnameh, in most characteristics and structures are different from similar cases in Ferdowsi’s Shahnameh. The deep connection of structure and elements of love stories in Ferdowsi’s Shahnameh with Persia ancient history and myths, which is the general characteristic of Shahnameh has contributed to the increasing richness of the regarding stories. A point that despite similarities between these two literary works, is less vital in Zarrin Qabanameh.

Ancient literary stories must be told in a simple and fluent language in order to be compelling and comprehensible to today's audience. The process of narrating these tales in contemporary language should be in accordance with the principles that have two main axes: First, maintaining the structure of the story and the style of the author, and second, its conforming to the audience’s language and understanding. In this regard, rewriting and returning the stories of Shahnameh to prose, in addition to paying attention to the level of the audience, also requires knowledge about Ferdowsi's style and expression. On the other hand, attention should be paid to summarizing and simplifying stories. Each of the Shahnameh's rewrites has some degrees of summarizing and omitting story or artistic effects. But the omission of some sections damages the original structure of the story, does not reveal Ferdowsi's art in composing stories for the audience. There are several ways to convey these points and the story to the audience as completely as possible. Considering the linkage of the Shahnameh headers with the structure of the story, our suggestion in this article is to use this manuscripts of the Shahnameh based on their headings. As a notable example, we have used the Florence version, which is the oldest available version of the Shahnameh and while reviewing some of the problems in rewriting this work, we have provided solutions for more accurate rewriting.