جستجوی مقالات مرتبط با کلیدواژه « theory of abjection » در نشریات گروه « ادبیات و زبان ها »

The story of Siavash is one of the most tragic stories of Shahnameh which has a great potential to be studied in different ways. Furthermore, it contains some of the principal messages regarding national epic and Iranian myths, like the battle between good and evil, Iran and Aniran, fighting the dirt and filth in human soul, and etc. One of the theories that has a psychological approach to the analysis of literary works, and seems appropriate for analyzing this story is the theory of Abjection introduced by Julia Kristeva, a post-structuralist critique, based on this theory, the poet or writer projects the filth and dirt in human souls through the text. The story of Sudabeh’s sinful love, Siavash passing through fire to prove his innocence, and his tragic death in Touran are some of the obvious aspects of the story that makes the theory of abjection appropriate for the analysis of this story. Therefore, in this article, the story is analyzed focusing on the such elements of the story like Sudabeh’s love, and other events that led to his tragic death. The article tries to answer these questions: how much is the application of this theory efficient in this story? Is it possible to achieve a new analysis by applying this theory? The results are as follows: Using Kristeva’s theory of Abjection in the analysis of this story can provide us with an explanation, and a novel reading of the story from this point of view. It also provides the readers with a new judgment about Ferdowsi, the poet of the story.

By emphasizing on the correspondences of linguistics and psychoanalysis, Julia Kristeva has presented new theories about the analysis of literary texts. “The Theory of Abjection”, which is derived of her post-structuralism researches, considers the author as a speaking subject who, through a poetic and semantic language, moves away from the ravages of his around. Kristeva has examined the applicative possibility of this theory in European literature. In this paper we focus on a contemporary Persian poem ("I am concerned for the garden" by Forough Farokhzad) for demonstrateing an application of the analytic approach of the “Theory of Abjection”. Hence, we aim two principal firstly, we try to represent an exhaustive panorama of the analytic approach of the Theory of Abjection, and secondly, we examine the possibility of creative interpretations of this poem According. Finally we try to examine the possibility of application of analytic approaches of this theory for the contemporary Persian poetry.

By emphasizing on the correspondences of linguistics and psychoanalysis, Julia Kristeva has presented new theories about the analysis of literary texts. “The Theory of Abjection”, which is derived of her post-structuralism researches, considers the author as a speaking subject who, through a poetic and semantic language, moves away from the ravages of his around. Kristeva has examined the applicative possibility of this theory in European literature. In this paper we focus on a contemporary Persian poem ("I am concerned for the garden" by Forough Farokhzad) for demonstrateing an application of the analytic approach of the “Theory of Abjection”. Hence, we aim two principal firstly, we try to represent an exhaustive panorama of the analytic approach of the Theory of Abjection, and secondly, we examine the possibility of creative interpretations of this poem According. Finally we try to examine the possibility of application of analytic approaches of this theory for the contemporary Persian poetry.