جستجوی مقالات مرتبط با کلیدواژه « جنایت » در نشریات گروه « ادبیات و زبان ها »

Abdullah Pashew and Mofdi Zakaria are contemporary poets who lived during the reign of Ba’ath in Iraqi Kurdistan and the colonization of Algeria by the French, respectively. As committed poets in such situations, the two have turned their poetry into a mirror for reflecting the suffering of the colonized Kurdish and Arab peoples and by emphasizing the necessity of decolonization, they consider revolution as the only path to freedom from the clutches of colonialism and occupation. In addition to the suffering caused by the occupation of the lands, feelings of humiliation and frustration as the main reasons for these poets' revolutionary tendencies, deprivation, cultural assimilation of the colonized people and other crimes have pushed Pashew and Mofdi to take action in the form of rejectionism and revolution. Due to a lack of independent research on the causes for Pashew's and Zakaria's tendencies for revolutionary action, the present paper intends to do a comparative analysis of this phenomenon as reflected in these poets' works. The main questions to ask are, how and in what forms the underlying factors for revolutionary action are manifested in their poetry and to which concepts these factors are tied. To do so, the author has used a descriptive-analytical and comparative method based on a sociological study of their motifs. The study shows that issues originated from the hegemony of colonization and occupation have forced these poets towards rejectionism and revolutionary action. The scope of Mofdi's revolutionary poems is much wider than Pashew's, but Pashew's poems express a much deeper anger, which is at times mixed with cursing and eruptions of rage and hatred.

The Gothic style, which first appeared in the 12th century in the Effect Architecture, represents mystery and horror. In the eighteenth century, it became a genre of story. In these stories, the writers, by creating terrifying atmosphere and imaginative description, make the readers more Horror and secret. The characters of this genre are unbalanced, psychotic and sometimes criminal. Another property of this genre is existence the faraway, abandoned, and dreadful places in the stories. In this paper, the analytical-descriptive method of the novel Symphony of the Dead is reviewing from the perspective of the Gothic style that because of its mysterious space and Characters with devious, sickly and cruel features can be categorized as a Gothic style. Places like the cemetery and the basement, which is mostly dark and full of symbolic icons such as snow, fall yellow leaves, the sound of the crows, and the wolf ... creating a good atmosphere for provoking horror. But the most important Gothic component of this story is in its characters, all of whom are involved with a problem and their common feature is their loneliness, which, although they seem living in together, are lonely within themselves, and this causes disagreements and misunderstanding, which occurs in the form of melancholic, illness, death or suicide and murder-abortion.