جستجوی مقالات مرتبط با کلیدواژه « ری » در نشریات گروه « ادبیات و زبان ها »

Characteristic in the Blind Owl to establishes different interpretations. The ethereal atmosphere woman is one of the mysterious personalities this story witch was to expressed opinions about that. This article wants to know which this woman is an imaginary personality or an actual personality. Our studies to shows which ethereal atmosphere women similar to princess of ale Bouie which obtained from Ray’s place where the drums are beaten at fixed intervals. Also come back of ancient spirits to the living world in the Sadeq Hedayats effects is one reason another for to confirm of this subject.

The place is one of the story’s important elements. Point to some times of places in the parts of Hedayats “Boof-e- Koor”, but it appears that be able to paraphrase this effect, act secret that’s locality. And to cause some times to imagine mistaking that without time and place, whereas you may to see in this effect Ray and Tehran’s historical geography. This is including ancient period, Middle Ages and safavi as qagar. In this article to recover this places with help primitive map so we can to show the places in three details: origin, destination and cemetery route and out of city castle. This article is continuation to article: “Rereading Hedayats Boof – e Koor based on the socio – cultural and historical geography of Ray” for to open this cryptic effect. Rereading Hedayats Boof – e Koor based on the socio – cultural and historical geography of Ray” for to open this cryptic effect.

Sadegh Hedayat, famous Iranian writer, was always interested in history and presented Iran with a look of worshiping the past. Thus most of his books can be viewed in this respect. The Blind Owl is one of his works that can be analyzed from this aspect. This work includes some points about a traditional culture. This culture is famous as gray earthenware culture belonging to immigrant Aryan peoples in Rey (Rages), Turkmenistan and India. Hedayat constantly refers to gray color, and signs of Aryan people’s immigration in this story and the place of event that is the archaic city of Rey, and his tendency to ethnography suggests that there might be some link between this culture and The Blind Owl which this paper searches for.

This paper was a report of the preliminary results of archaeological investigations of the settlement pattern of the Islamic period of the Tehran Plain which was trying to analyze the overall shape of the settlement of this plain as the most important center of social, historical and cultural change during different historical periods with emphasis on historical sources. Moreover, the vicissitudes of the city of Rey and its villages related to human factors such as political and religious disagreements or natural phenomena such as earthquake or drought were considered In addition, the relation between settlement patterns and economic and social interactions of the residents of the Tehran plain, from the archaeological perspective was clarified and consequently the pattern for social and economic relations of satellite suburbs of Tehran Plain with Rey was established. Finally, the mechanism of producing agricultural and industrial products in the Plain was considered and the way of trading and exchange of goods between rural and urban communities in Tehran Plain were studied.

Deviation from collocation rules and disordered syntactic structure in normal and standard language is the common method used by all poets in their poetic language. Syntactic deviation in classical Persian poetry is generally applied to maintain the musical system of poem –that is, observing the metre and the rhyme of the peoms-and, thus, this process is considered as a integral part of “poetics”. Nāser Khosrow is one of the poets who has used this technique in order to distinguish his poetic diction; his poetical works are replete with instances of this kind of deviation. Hence, it seems that he has tried to achieve his unique stylistic distinction in his poems through syntactic deviation. In an attempt to explore syntactic deviation in the poems of Naser Khosrow, the present study compared his poems with those of three contemporary poets, namely, Onsori, Farrokhi and Manoochehri. The results indicated that, among 14 instances of syntactic deviation in Naser Khosrow’s poems, as compared to those of the other three poets, 7 cases were considered salient deviations.