جستجوی مقالات مرتبط با کلیدواژه « طنین » در نشریات گروه « ادبیات و زبان ها »

Borzunameh written by Attaii Razi has a special state among Persian celebrated epic works. What has made the poems of Attaii distinguished among others is his appropriate use of rhythmic words as well as the cohesion and coherence of his poetry. A technique used by Attaii for giving flexibility to the words and creating an epic and passionate atmosphere is to apply rich epic rhythm in his discourse. His metrical style of poetry has given an energetic and zealous tone to his poems bringing great joy to the audience. Understanding the metrical characteristics leading to the epic atmosphere in Barzunameh can familiarize the readers with the manifestation of various techniques used by this great epic poet. This study attempted to analyze a variety of metrical features such as the melody of letters, morphological derivations, synonyms and coordinations, ringing words as well as prefix verbs in the poems of Attaii. The authors in this study concluded that giving melody to the poems and creating affinity between the reader and profound epic concepts were among Attaii Razi’s main motives to focus on rhythm in his discourse.

This essay is an analytical deliberation on the fact of the matter between ‘Poet` and `Narrator` in poetic texts and has two sections:TheoreticalandFunctional .In theoretical part, According to contemporary theorist`s approach, for instance:Jakobson, Scholes, Bakhtine, Genette and new critiques, during discussion about theory of being a distance between narrator and poet as a person at the moment of creating poem, the fact of the matter of presence of them has been analyzed.In the functional section, some samples from Hafiz`s odds and Shamluo`s poems have beenselected and analyzed according to the theoretical discussion in the first section of this essay. Also,during analyzing of subjects in this essay, the differenceof narrator`s song and poet`s song, and the fact of the matter of the sound power of them has been considered.Although, in this essay according to necessity of circumstance of analysis of narrator`s song` has been refer to another discussions like personal presence and absenceof the second person. Although, paying attention to discuss about the fact of the matter of the second kinds, needs another discussion. Therefore, the main focus is on the separation of ‘narrator’ and ‘poet’ in poetry in this essay.

Poetry independent of language is unimaginable to exist, and the emergence of a poem is rooted in the changes imposed to language.Persian poetry, specifically poetry in Ancient Persia, has always been of interest to both Iranian and foreign scholars. The present paper suggests a new hypothesis regarding the "She´re now" in farsi and its relevance to poetry in Ancient Persia. The author hereby tries to manifest the necessity of the comparative analysis of "She´re now" in Farsi with poetry in Ancient Persia.