جستجوی مقالات مرتبط با کلیدواژه « چهل سرود » در نشریات گروه « ادبیات و زبان ها »

Chehel-soroud is one of the most popular and current types of omen among Lorestan people which they perform collectively. In every presage, forty couplets are attributed to interpret the intended 40th couplet. In the present research and based on library resources, the aesthetic function of the 500 chehel-soroud couplets  collected by the field method was analyzed in two parts of "Phones , Vocabulary, Musics and figures of speech " and the surface structure including  Emotion, Thought and Meaning. The research findings showed that at surface structure of phones movement with music is sometimes created with serenity and sometimes with violence. The association of vocabulary plays a role in the association of emotions and the meaning of poetry. The association of vocabulary plays a role in the association of emotions and the meaning of poetry. In some parts of the verses, meter and rhyme are unacceptable, which is to some extent negligible. Internal music is due to figures like phonotactics , morphophonemics and pun. Spiritual musics in its turn is as a result of figures like Mora’at al nazir, Hossn-e- Ta’lil and hyperbole. Metonymy and assimilation play a key role in the creation of figures of speech. Emotionally, at deep structure level, good omens are accompanied by enthusiasm while sinister ones lead to despair. In terms of meaning and regarding the frequency , themes of love and friendship, natural resources such as mountains and trees, religious beliefs and interests such as hunting, breeding, agriculture etc. are evident in the couplets.

Residents of Lorestan province have two distinguished dialects: “Bakhtiari Lori” and “Persian Lori” and Laki dialect where Laki speakers of North and west of Lorestan express many of their traditions, customs and cultural attributes in the form of distiches in Laki oral or written. From these distiches, which express people’s traditions, customs and culture in this region, we can mention some of distiches of divination in “Chelsoru” and “Mur”. The aim of this article, which has been done based on the sources of library benefiting from descriptive and analytical method, is to dis cover the relationship among distiches and Laki women and men, and in this field, it is noted in the distiches of divination in “Chel soru” , which is called happy poems, women’s clothing has been described as “ Sarvan, Sardari, Kolanjah, Koush, Keras, Zeir Jamah and different jewels where we can easily observe their social status and properties. In “Mur”, poems which contain sad and melancholic themes, it seems that men’s clothing is better described than women’s cover. In some verses of these poems, the similarity of clothing between Median authorities and Zoroastrian speakers of this province has been noted.