جستجوی مقالات مرتبط با کلیدواژه « Differences » در نشریات گروه « ادبیات و زبان ها »

There are many commonalities between the science of meanings in Persian and Arabic languages. Most of the scholars of Persian language rhetoric have imitated in their works and have mentioned the same contents of the semantics of the Arabic language without change or with Persian evidence. The present study has analyzed the existing differences regarding the topics of calling, mourning, asking, praising and condemning, wondering, wishing and recommending with the help of experts in the semantics of Persian and Arabic. The final result is that in the above-mentioned topics, while there are commonalities, there are also differences, and the structural model of Arabic sentences is often rule-based and analogical, but in the Persian language, the above-mentioned topics often do not have special and coherent structural rules. Receiving the content is usually done with methods such as the speaker's expression and tone.Receiving the content is usually done with methods such as the speaker's expression and tone.

Love stories such as Lily and Majnoon, Khosrow and Shirin, Zal and Rudabeh, etc. are a rich part of the love and lyrical literature of this region. In addition to these written narrations, sometimes the narration of passionate loves is common among the general public, which has been less studied. One of these narrations is a narration narrated by Ali Hossein Alinejad, a 73-year-old narrator from the village of Romqan in Fars province. The author has tried to record this myth first in the field method and then to compare it with Ferdowsi's narrative through library method and content analysis. The main question of this research is what are the differences and similarities between written and oral narration and what are the results of these changes? The findings of the research show that the folk legend is composed of two completely separate parts: the first part is very similar to the story of Zal and Rudabeh except in some details; But the second part of the story suddenly changes and the reader is confronted with a completely different show. Regarding this folklore narration, in general, two hypotheses can be proposed: 1- Folk myth is an imitation and intercourse of Zal and Rudabeh narratives and love stories that have been made and narrated by the narrator and narrator. 2- Narrators and The narrators have established a new story by mixing a common love story among the people with the story of Shahnameh and other narrations. However, this narration differs from the narration of Ferdowsi's Shahnameh in various aspects such as the place of the story, characters, space, some narrative events, the end of the story, etc .; But in general, it has many similarities with the Shahnameh narration.

The subject of comparative linguistic research is the comparison between the different languages belonging to a language family to determine similarities and differences in languages. The classification of language into Indo-European or Semitic languages family is the result of discovering similarities between different aspects of languages, including phonetic, syntactic and grammatical and morphological aspects that they originated from one original and were separated over time from the mother tongues. The main strategies of comparative linguistics are the comparison of phonological systems, understanding the history of lexical change, grammar and vocabularies of two or more languages in order to detection of similarities and differences between them; It is also useful for understanding the nature of human languages which are not static. The Arabic, Hebrew, Phoenician, Akkadian and Abyssinian languages have some basic common features that derived from the early Semitic principle called (Proto-Semitic). The Arabic and Hebrew languages of the Semitic language family are comparable in many respects; One of these aspects is the verb. In this research, descriptive weak verbs and their types in both languages are introduced by descriptive method, and then by mentioning examples from both languages, they are analyzed and adapted, and structural differences and similarities of weak verbs are expressed.

In many studies, the philosophical hermeneutics of Gadamer has been contrasted with Derrida’s deconstruction so as to emphasize their differences and oppositions. Pointing out the conceptual congruence between these two important contemporary interpretative currents, the present study, while acknowledging the differences in the works and writings of Gadamer and Derrida, empathetically attempts to reflect on the similarity and convergence of the singularities of their thought. Therefore, this paper discusses and explores Gadamer’s and Derrida’s views on concepts such as language and sign, truth and meaning, interpretation, and method, and attempts to show that the two thinkers come together in terms of intellectual relations, as illustrated by principles such as: Being is divisive and different in itself, the rejection of the transcendental signified, the emergence of the most self-sufficient language in writing, the risk of the creation of ambiguity and deception by speech and writing, the disbelief in a unified interpretation and truth, the concrete, and fluid nature of understanding, the creation of meaning, and the rejection of method. Thus, this study attempts to rectify some of the common theoretical misconceptions about philosophical hermeneutics and deconstruction.

Gothic is a style in story writing in which there is supra imagination, exciting factors, exaggerated events and ambiguous parts of human mind which are beyond human intellect and ration. This style was common during 18th and 19th centuries and now days are used by various novelists and story writers in various forms. This style was entered to novel writing in Iran and (blind owl) is the first novel which was written in this style. Some other Iranian novels which are affected by this style are including: Ehtijab prince, kingdom, gouge and guard. Distress and loneliness of characters, tingling, battle of characters with inner and outdoor worlds, monsters and ghosts, death, madness, imaginations, strange, stressful and irrational events, fear and so on are some characters of gothic. The man question is that what are most important gothic style factors in novels Ehtijab prince, gouge and guard?

Myth, which is one of the major building blocks of literature throughout the world, portrays through symbolic language exquisite stories of social and cultural values of the nations, and is considered as significant sources of social and cultural research. By comparative analysis of tales, the thought and the bases of them are recognized from one hand and it is feasible to find the common grounds of nations throughout the world on the other. Magical tales and fairy tales are among the most important and marvelous myths which present extraordinary and metaphysical incidents in unreal and imaginary worlds. Since duality is a vital basis of magical myths and is among major motives in fairy tales, the aim of this study is to comparatively analyze this factor and also the role of the protagonist in confrontation with vice and virtue in Germanic and Iranian myths to highlight the similarities and differences of the two cultures.

“Figures of speech” is one of the most common expressions in literary criticism and it is among those expressions most frequently defined. Exploring poetic figures of speech is one of the ways to distinguish the similarities and differences of literary works. Examining from this viewpoint eventually highlights the style, the artistic value, the power, innovation and the use of past heritage. Through their subtlety, Bidel and other poets of the Hindi school looked closely at their surrounding elements and phenomena, and sought for novel meanings just to leave numerous innovations in all kinds of figures of speech. These innovations have innate properties so that Nima has used them in his innovations as well. This study firstly defines figure of speech, examines the four figures of metaphor, simile, irony, and imagery, studies them in the poetry of the above mentioned poets, and finally compares the two styles in the form of diagrams.

Classical and Modern Kurdish fiction has its own elements each. This paper is an attempt to explain the important movement from classical narratives to modern story-writing in the light of recent narrative theories. The study provides an analytical classification of classical Kurdish tales in order to define their characteristic features and determine their differences from the narrative techniques applied in modern stories. By doing so, the important shift from classical to modern story-writing is explained. Identifying the cultural, linguistic, historical and narrative traces of Kurdish tales in modern Kurdish fiction, on the on hand, and identifying its modern elements, on the other hand, will help Kurdish authors to produce works which have a firm root in Kurdish history and culture and, at the same time, appeal to modern audiences.

Applying descriptive-analysis method, this study aims to examine English and Persian onomatopoeia, sixty of which are described in terms of meaning and usage, and then classified into certain groups using the three following theories, ding-dong, pooh-pooh, bow-bow. Furthermore, analogy has been drawn to identify their contrast and comparison. Findings of this research indicate that different phonology (phoneme limitation), different syllable pattern and different interpretation of onomatopoeia as well as different reduplication are determining factors which make contrasts while similar/common phonemes act as comparison between the two languages. The results illustrate that despite of the same sound source (nature, animals and emotional sounds) and the common arguments supporting a natural relation between sound and meaning, remarkable differences can be found in cross-linguistic studies of English and Persian onomatopoeia.

The epic stories heroes of the various cultural and civilizational aspects, aside that there are some distinctions between them, the characteristics, values ​​and ideals of them are shared. These features can be used as a useful insrument for defining and describing them. The epic heroes such as cultural intermediaries who can be an agent of cultural transplantation. This, determine the necessary of compatetive study on literary epic of all nations. In this essay, some of the characteristics of epic heroes in Borzuname and Beowulf and Similarities and some differences between them are analyzed