جستجوی مقالات مرتبط با کلیدواژه « Manuchehri Damghani » در نشریات گروه « ادبیات و زبان ها »

Manuchehri Damghani was one of the prominent composers of the 5th century AH/ 11th century. He moved from one state to another several times, joined various courts, and praised various high-ranking people for acquiring a patron who would accept him and his poetry and reward him greatly. He praised people from Qumis, Gorgan, Ray, and Ghaznavid courts. One of them is the patron that Manuchehri called “Sepahbad” in one of his poems. Some researchers have said that this Sepahbad is Manuchehr ibn Qabus, the king of the Ziyarid dynasty who ruled Gorgan at the time. Some others have claimed that the patron was one of the Sepahbads of northern Iran, not the king of the Ziyarid dynasty. This article tries to provide some information about the Sepahbads in North Iran based on Manuchehri’s poems and other available sources to suggest the possible patron of Manuchehri.Manouchehri Damghani, who is one of the prominent composers of the 5th century, has moved from one state to another several times, and he has joined various courts and praised various high-ranking people; in order to find an patron who would accept him and his poetry and reward him greatly. He praised people from Kumis, Gorgan, Ray and Ghaznavid court. One of these people is the one whom the poet called "Sepahbad" in one of his poems. Some researchers have said that this "Sepahbad" is the same Manouchehr bin Qaboos, the king of Ziyari dynasty who ruled Gorgan at.

This article studies the function of the personal style of Manuchehri Dāmghānī (d. 433 AH) in panegyric poems and boasting poems. Manuchehri has written various eulogies and panegyric poems that have been distinct in their own ways among all his contemporaries due to their poetic features and his mastery of the Arabic language and literature. Deploying a descriptive and analytical method, the writers try to answer the following questions: what is the relationship between boasting poem and panegyric poem in Manuchehri’s poetry? What are Manuchehri’s techniques in his panegyric and boasting poems? What are his differences from his contemporaries in this regard? And which factors have led to his use of this new style? After elaborating on Manuchehri’s personal style in eulogy and boasting, it is argued that Manuchehri’s new method has rooted in his knowledge of Arabic literature as well as his awareness of famous Arab poets and literary charaters. It is concluded that Manuchehri has deployed not only Arabic language -- as a means to express grace and antagonism-- but also known literary characters of Arabic literature along with some quotations, poetic images, themes, and implication. It is understood Manuchehri’s personal style is the result of his delicate mixture of panegyric poems with that of boasting poems, and it has been done consciously since he has eulogized himself for that.