جستجوی مقالات مرتبط با کلیدواژه « Perdition » در نشریات گروه « ادبیات و زبان ها »

Perdition as the ultimate step into God and the highest efforts of the mystics in the Divan of Shams is an excellent manifestation. In this concept, dance has a significant role and the music has a great importance. Hence, in Sufism, music and its instruments are respected and desirable, and have impressive effects in the ascension of the peripatetic to the highest level of mysticism.What is happening to a peripatetic is unutterable, the tongue is unable to interpret it, and somewhat can be comprehended by the excitement of the peripatetic, which is accompanied by sounds of music instruments. Mawlawi has benefited greatly from the influence of music on the way to the God, and he repeatedly used the musical instruments in describing the area of perdition and saw himself as many of those instruments as the beloved in those levels. This research has been implemented on evaluating the extent of perdition and its relationship with music and dance and its effect on the nature of the peripatetic.

perdition and survival, enjoying a special status in Islamic mysticism, are important issues in the first mystical tradition and are manifested in the works of poets and mystics in various forms. Each of the mystics has tried to express these two issues based on their personal experience. Sanai, the great poet and mystic of the sixth century AH, is no exception. This research has tried to focus on Perdition and survival from Sanai's point of view. In the first mystical tradition, man and God are two distinct beings whose essence, attributes, and actions dissolve into one another. Perdition and survival are divided in two general categories: inwardness and appearance. In Perdition, the mystic willingly loses his existence and returns to god, the eternal.  Perdition is a prelude to survival. Here, human being is endowed with the attributes of God and achieves true eternal survival. In this research, documentary-library and descriptive-analytical methods were used. First, notes were taken of the issues related to the perdition and survival. Then, they are analyzed and explained. To the best knowledge of the researcher, this is the first time that Sanai's view on perdition and survival, their types, varieties and status have been scrutinized. He enumerates the perdition and survival of the appearance and interior, assigns degrees to each, and confers the highest degree to the perdition of the essence, being dissolved into the essence of truth. At this stage, all gaps (veils) are removed.

Ibn Farez is one of the greatest composers of mystic poetry in Arabic literature. Hafiz is also the master of mystic love poetry. Mysticism is one the most favored and most important human issues and that’s finding the real truth and being perished in the nature of the divine love. The aim of mysticism and a mystic one is finding serenity within and leaving the mean qualities and being drowned into the ocean of truth. The importance of this issue and the similarities which exist between Hafiz and Ibn Farez in this regard is the subject of this comparative study.