جستجوی مقالات مرتبط با کلیدواژه « black color » در نشریات گروه « ادبیات و زبان ها »

The present paper investigates the semantic dimensions of black color and its positive and negative functions in the poems of 'Antarah Ibn Shaddad, a pre-Islamic virtuous poet. It shows that the positive dimension of black color sometimes appears in a simile like likening it to musk and ambergris, sometimes as blackness of lover's hair or eyes and sometimes in the dark and tense atmosphere of battlefield.in all these portrayals, however, the poet tries to alleviate his hurtful soul, though passing. In negative dimension, the black color often appears as a defect which is used as a pretext by 'Antarah's relatives and friends to excommunicate him. However, using logical methods such as suggesting that blackness is blameworthy when describing bad acts or that whiteness of act cleanses bodily blackness, the poet appears as a social reformist who tries to reform wrong and meaningless beliefs of the society and replace color and gender-based discrimination with the rule of moral values. A descriptive-analytical method is used to elaborate on two contradictory dimensions of black color in this poet's Diwan (complete poetic works).

Some of the colors in different period of Persian literature have mysterious aspects of human life that have been decoded. Among these colors، black is one of the colors that has been used in the area of theology، religious، mysticism، spirituality، Sufi، literature and folklore. However each one has had different view points toward this special color. A short look at Persian literature shows in different periods the contents and educational missions and mystical aspect of this color has been emphasisedd. Accordingly، this study analyses this color in two styles of Persian poetry (khorasani and Iraqi). We found that in khorasani style، less than hundred cases، these colors have been used based on virtual language. The rest use of it has been for simple description and sensory metaphor. However، in Iraqi style often mystical text of Mathanvi education as well as a metaphorical and virtual language has been used.

The analysis of black color in the Nima''s poetry and Mahmoud DarwishColoColor is a deep link with literature، especially with the literature of resistance. The colors represent different emotions and symbols، through which we can find out a lot of secrets and codes، and we can find the political and social situation of the contemporary poet. in the Nymayvshyj in the Persian Literature and Mahmoud Darwish in the Arabic Literature have used the colors in the poems themselves. In this paper، we examine the extent of black color. Both poets alike have used this color، indicating that they are not optimistic about the political and social issues. Black is the most color in the poetry of Nima. Black means oppression and injustice in the Nima''s poetry. Black is also used on Mahmoud Darwish، which is showing the displacement and oppression.