جستجوی مقالات مرتبط با کلیدواژه « travel » در نشریات گروه « ادبیات و زبان ها »

Tagore mainly famous as a poet. Tagore's works and poems have to be analyzed from various literary, philosophical and political dimensions. Although most of the features of the school of prose are contained in the prose of Tagore, his poems are more influenced by the school of Romanticism. in a descriptive-analytical method and quantitative evaluation the most important components of the school of romanticism, such as: nature, individuality, excitement and feelings, death,... have been investigated in Tagore's poetry. First, his position in world and Indian literature is briefly introduced, and then the main features of the school of romanticism in his poetry are examined and evaluated. Nature is described in a metaphorical and life-giving way in his poetry. Tagore is more concerned with mystical love. Death is frequent in his poetry and he is not afraid of facing death. In general, characteristics and themes: nature with a frequency of 79%, individuality 61%, the relationship between human behaviors and natural elements 56%, love 38% and... have higher frequency in his poems.

Mantiq al-Tair is an important mystical poem in which Attar depicts "Journey to God" in symbolic language and expression. The important theme of this work is "Journey"; Journey from the people to the right; "Discovery" and "unveiling" are important meanings and meanings of travel.. The most important issue that can be addressed in this regard is what is meant by Simorgh and how it can be referred to even hypothetically and theoretically or even as a new discussion. Most commentators have interpreted Simorgh as the essence of truth. But in a new reading of the allegories and symbols in the logic of the bird, even in the form of a new design and opinion, especially in the symbol of birds, namely Simorgh, it can be said that by referring to close intellectual sources and worldview and measuring internal compatibility. A mystical text refers to Attar as Simorgh, a true "sheikh" or "old man" or "target" who addresses the "King of Birds" at the beginning of the story and in his allegory and introduction of birds; The discovery of "Simorgh" and reaching the position of "Simorghi" is an important principle and a special education and reminder that Pir Neishabour offers in his work and explains it with different techniques of storytelling and poetry.. The research method in this article is citation, analytical and inferential.

Hezar-O-YekShabis one of Fakhri's fictional works originated in various oriental cultures especially in Iran. This work is very beneficial in terms of teaching, and if it is based on a solid theory, the results obtained from it will be scientifically and documented. In this research, the ethical functions of the narrative of "Aladdin AbulShamat" have been explored using the principles of the "Jericho Travel" from Joseph Campbell, in particular the components of "departure" and "intimacy". The reason for choosing this theory was the educational capacity of Campbell's opinion, revealing a new dimension of a literary work in the field of education. The research method is descriptive-analytic. The results of the study show that Aladdin, by inviting a person called MahmoodBalkhi, who is an expression of the old wise, is an adventurous journey and goes individually through the numerous moral tests issued by internal and external factors. The results of these tests, which are presented below, are the following: a sense of worldly affiliation; self-confidence and assurance of their existential capacities; commitment and commitment to fulfill the covenant and promise; avoidance of pride and self-esteem and thinking About yourself; A companion to well-behaved humans; The importance of returning to yourself and respecting the family institution; Removing the blindfolds of ignorance; Understanding the reality of reality; Attending the right people; Gaining useful powers such as dignity.

Seyr Al-Ebad of Sanaei and Iqbal Lahori's Javidnameh are spiritual travelogues and as confession letters that have been created with beautiful form and content. Iqbal's influence in Javidnameh is quite evident from the thoughts of Rumi and Seyr AlEbad of Sanaei, and Iqbal's guide in this spiritual journey is Rumi. The source of Iqbal's views and thoughts in the first place of the Qur'an are the hadiths of the Prophet and the guidance of the guide (Rumi), and the basis of both stories is the story of the soul and its condition in a long and arduous journey. Both poets have been influenced by works such as the Ascension Letters of the Holy Prophet (PBUH). By examining the content of the two works, including the state of the soul, the world of death, life after death, heaven, etc., the common themes, purposes and meanings between these two travelogues can be achieved; But due to different temporal and spatial conditions, change, development of thought and attitude that prevailed in the time of Iqbal, it seems that he acts as a social thinker and reformer who wants to be more than a mystic like Sanaei. Moral vices and selfishness should be eradicated and it should be possible to reach the destination by connecting the partial intellect with the whole. In the present article, while briefly introducing these two works, their commonalities and differences in some narrative and content elements have been studied and analyzed.

The poet's artistic imagination is the most important factor shaping his poetry, but the place and time has a significant impact on his discourse. In connection with this subject, Persian poetry, especially Ghazal, is the result of a poignant sensitivity and affection in times of turbulence. Such a time has taken two reactions from the poet: to crawl into the world inside or out of the real place and to seek a place free of chaos. In this regard, two poets from two Persian literary styles, the Iraqi and Indian style, who spent a significant part of their life in travel and migration due to profound cultural, religious, political, and cultural changes, led the attitudes Different in the position and characteristics of the beloved in the ghazal, which has previously been unprecedented, Saadi's romantic lyrics and one of his followers (Talib Amoli) are reviewed in order to review the changes created by these two poets. The result of this study indicates that the main roots of the two poets' thinking influenced by the context and time of immigration or traveling to the West and the East (Iraq and Indies), the consciousness led to a change in the angle of the poet in the sense of love, The influence of the beloved and the lover and the description of their appearance, new concepts and discourse in the field of Persian poetry. Most of the changes created by Sa'di and Taliban are related to the synchronic axis and the succession of Ghazal.

The Haft Keshvar (the seven Countries) is the work Fakhri Herawi, the famous writer poet of the court of Iran and India in the 10th century AH. This research, with a structural approach, has examined the introduction of this work, which is the special and artistic part of it. The questions emphasized in this research are about identifying the structure of the Haft Keshvar's introduction, showing the pattern of the plot of structure of the introduction, and expressing the connection between the introduction and the main content. In addition to the recognition of the totality of the literary work, the purpose of such studies is to make possible the comparison of the structural approach of the work with pre- and post-texts. This adds to the systematic collection of studies on Persian literature. This study uses the structuralism method, which emphasizes the structure of the work, and attempts to find a link between the form and the meaning using the ideas of scholars such as Propp in classifying the personality of the story, and Saussure and Strauss in the discourse and Tzvetan Todorov in episodic anecdotes, to explain the distinct levels of the narration of the introduction of the Haft Keshvar (Seven Countries).

The mythical critique as one of the approaches to contemporary literary criticism explains the nature and characteristics of myths and their role in literature. In this article, we analyzed Garshaspname Asadi Tusi's based on Pearson's view, which is one of mythical critique viewpoints. Garshasb's life consists of various trips that each journey gives rise to one of the characteristics of his personality. And then his personality is complete. The giraffes of the Gershaphas show his passage from his stage to life and then himself. With the advent of the ancient pairs of the pattern, the background to the birth of the sacred child, Khodabano, the death and rebirth, the ideal of the city and .... Garshasb, the hero of these trips, fell in love with his inner and social journey through various obstacles and trials. And conquer on fairy instead of blending with him and perform Sacrifice ceremony And what inspires the immortality of the spirit of Garshasb is the awareness and cognition that the traveler gains from the father and other helpers during the journey.

An element or elements that unite the story of a single entity, the elements and its elements are interconnected, are called essentials. It strengthens the element or elements of the structure of the story and gives it, in certain narrative situations, its prominence and meaning, due to its repetition, prominence and meaning. These materials, in addition to highlighting, are also effective in moving the story. In many Persian fables, the foundation forms the story structure. In this sense, the story circles around it in its entirety, and the events that occur in the story form around the same material. The most important elements that are active in the epic works of action are: hero, hero journey, dream and dream, concealment of name, prophecy, war, castle, dragon and dragon, magic and wizards, war instruments and more. As a religious epic in the creation of the story and the theme of the work, Khavaranameh has used these materials well and has promoted its artistic and influential influences as well as the prominence of the story. We will look at these materials in this article

The study of literature has lost its traditional form over the past decades, leaving more room for interdisciplinary studies to flourish. One of such interdisciplinary fields is Translation Studies, which is closely interwoven with literature. Convergence of Translation Studies and Literary Studies best manifests itself in the field of Comparative Literature, where acculturation of literary traditions among different nations are investigated through translation. It is from this perspective that the present authors are attempting to study Sa’di’s Golestân and Bustân, to reveal the fact that how translation, in its both literal and metaphorical broad sense, may play a role in creation of even those literary works which seem to be the result of the author’s own thoughts and imaginations. Such a wide perspective on the creation of literary works arguably contributes to literary historiography as well as to the genealogy of the notion of translation in a culture.

Travel is a long-standing tradition in Sufi thought. Looking at the background of this tradition in Islamic sources, we find that the Sufis had specific goals and functions for their travels, based on which their travels can be categorized and defined. In this article, by examining the main sources of Sufism from the first to the ninth century, we have extracted these goals and functions in both external and internal parts, and we have studied the etiquettes, stories and anecdotes that have been narrated in Sufi books appropriate to each of these types. Is. The results of this study show that during these nine centuries the travels of Sofia have not been the same in terms of quantity, quality, goals and functions. We tried to introduce the traveling Sufis in each century and their goals, and to mention the special events of these journeys that the Sufis have referred to. Our method in this research has been the library method and according to the research findings, it can be said that the journey of the horizon is of secondary importance compared to the journey of the soul and the main purpose of the journey of the horizon has been to know and cultivate the soul or garlic in it.

Among French writers, Pierre Loti was a of rare ones who, because of his position as a navigation officer, traveled around the world and visited many countries and enjoyed other peoples’ customs. Mixing his fine and detailed observations of these real travels to his poetic imagination, he wrote unique stories in an agreeable prose. Loti is not unknown in Iran. Though he is generally considered as an Orientalist, but his knowledge about Iran and some other countries was limited to a superficial and quick glance. In fact, the reputation of Loti is, above all, for his lyrical works, especially the description of landscapes and characters. Given the very few Persian sources -except the introduction of Mohammad Mehryar in the second edition of the book Towards Ispahan- and sometimes superficial and incomplete information in some articles in a number of publications and websites in Persian language, this article attempts to give a better understanding of this famous writer and more comprehensive information about topics and sources of inspiration on his fictional characters.

Journey is one of the most accentual customs of Sophism and it is documented to Quran and anecdote which called “Journey of Universe” versus “Journey of Self”. The importance of journey in this occultism point of view is highly emphatic as Jonid, one of them, believed journey is one of the pillars of sophism. In the surface of this purpose some particular goals like gaining knowledge, pray, self-lucubrating, searching for anecdotes are notable.
But under the surface of such goals, some political notions and aims are laid; as in some deconstructive movement of mythism like Akhavan Abad in Saphavieh era, journey was a kind of quarrel with government. Searching this notion in the life of three well-known Sophies, who spent most of their life in migration, proves the idea that one of the most important causes of migration was social advisable and their political trends.

The History of literature classification based on the structure, content and emergence of a new branch of literature science, called "literary genres", goes back to Aristo and Horas era. In old literature theorizing, the emphasis is on the immutability of the characteristics of different literary genres. However, in new theorizing of literary genres, the belief is that different literary genres can be merged, changed or affect each other. Therefore, literary history basically means history of changing literary genres. An example is "Epic" which itself was changed over time while it affected the content and style of other genres. Epic elements can be found in Persian lyrics which appeared after epics. In other words, heroic epics have changed to romance epics which are more relevant society. But nonetheless one cannot ignore the old origins of lyrics. In this article we look for the epic elements, such as narration, magic, dream and etc. in romantic poems of "Gol o Norouz".

This study has been provided with attitude to mythic hero to travel in search of immortality According to that myth, in the simplest definition, is a sample story which is repeated constantly, we pay attention to the historical story of Alexander a pattern which is repeated Gilgamesh myth in the beginning of history. we have and also look after the failure of Alexander and Gil lose and prosperity immortality, the secret of khezr and utnapishdym immortality have been mentioned, that in each of the stories they benefit from immortality and its secret is that the god/gods make human only benefit from immortality to reach his/their goals. according to sumerian religion, utnaphishdym make the aim of Gods creation of man to come through, and service him/them, so he survived from a disastrous storm using the theory of collective unconscious yung and arki types and Freud comments we mentioned the symbolic journey of each of the heroes, we have life and death, in contrast to the sense we have. In short, according to the theory of nutmeg F. Campbell and Adams Lymyng all hero journeys in search of immortality, are based on repeating An example of the old pattern of mythological hero journey has been formed.