جستجوی مقالات مرتبط با کلیدواژه « dragon » در نشریات گروه « علوم سیاسی »

This study aims to investigate the studies done on the dragons in Iranian Islamic art, especially the signs of Ashura. On both blades of Togh, you can see a less known element, i.e. dragon’s heads.These heads have been considered as symbols of the Geniis’ army who asked Imam Hussein to let them enter the battlefield on the day of Ashura but he did not agree (as a symbol of good and help)Others consider them as the symbol of the punishment of the oppressors caught in the fires of hell and "Ghashiyah snake”)as a symbol of evil). But according to the ancient myths of Iran and old paintings, the dragon is a dual symbol of both the evil of drought and ugly temperament Like Zahak's shoulder snakes and a symbol of the life tree’s guardian and precious treasures. Since the Agh-e Quyunlus era, Togh has been used in Iran but since the Safavid period and after that, Shiites have lauded it as a special mourning tool for Sayyid al-Shuhada.This study shows that this dragon can indirectly refer to the lack of water, the martyrdom of Imam and his companions while they were thirsty or a symbol of the guards, a cypress (freedom) and hidden treasure of the universe. The research method is descriptive-analytical and its basic questions are as follows1. What does the dragon on the Ashura symbol stands for?2. How has the torpedo mouth been evolved?

When it comes to myth, we all think of strange creatures and myths, including dragons, that have playd an important rol in the sociological field of diferent nations in the past. A demonic and evil creature that has hadsignificant presence in many mythological and cultural beliefs of different nations. The aim of this researcher in this article is to study the sociology of dragon body in Ferdosi Shahname and Iranian epic texts. The research method is descriptive-analytical and based on library studies. The result of this study shows that in the culture of Iranian society in ancient times, the dragon is a symbol of evil and in the mythological culture of almost all nations, including Iran, has the property of being a sculptor and acording to its conditions and time can Transform other beings, which is a sociologically important issue. Because in a society whose culture is based on mythological culture, this issue can reflect its mythological vision in relation to human society. The dragon itself is transformed from a snake and in epic texts, it usually turns into a human in the role of Zahak, a black cloud, Fereydun and Jamshid. This evil creature has almost nothing to do with destroying human beings in almost all societies except China. In some cases, it distances itself from its demonic temperament and avoids harming human beings. However, the dragon in the culture and folk beliefs of Iran, which also interacts with society, is still going through the same demonic cours.