جستجوی مقالات مرتبط با کلیدواژه « طنزپردازی » در نشریات گروه « علوم اجتماعی »

 This research attempts to have a critical discourse analysis of the works of the post-Islamic Revolution Period by four female satirists based on Van Leeuwen model. The study is conducted based on the poems of Robab Tamadon in "Ahangar" magazine, the book "Scrap Iron, Crispbread, Old Slippers!" by Azardokht Bahrami, "H, Like Understanding” by Roya Sadr, and "Letter to the Thief" by Nasim Arab Amiri. The main issue in this research is to find out what effect the political and social currents, powers, and ideologies of the last four decades have had on the discourse of female satire as well the degree of explicitness and implicitness of the words of female satirists. It also deals with how "male" actors are represented in these work. The works of female satirists have often been neglected in the field of research, thus this article intends to compensate this shortcoming by examining the works of female satirists. The research explains and analyzes the relationship between the representation methods of actors in satirical works and ideologies and power relations, using the components of Van Leeuwen's model. These include categorization, impersonalization, nomination, etc. The results of the study show that female satirists tend towards implicitness with conservatism in the field of political satire. In many instances of the categorization component, "Sadr" represents ​​actors based on gender, and negative appraisement aggressive men; Bahrami criticizes the masculinity system by using the components of categorization, specification, association, and differentiation; "Arab Amiri" uses a subset of inversion to humiliate the beloved; and "Tamadon", unlike the other three satirists, pays less attention to women's concerns.

This study aims to explain the basic criteria of satire in TV series has been compiled, has a qualitative nature and using analytical explanatory method, inferentially and explanatorily seeks to answer the basic question of what are the basic criteria of satire in TV series? To answer this question, an attempt has been made to base the explanation of the criteria on meta-theory. That is, the basic criteria can be explained with a macro view through the "Triangulation Method" of the basics of Islamic thought, rational teachings and theories of satire in the dramatic literature. The findings of this research indicate that the criteria for satire are general and specific. General criteria based on the monotheistic theory of happiness, bliss, reformism, and epistemology must be the basis of proceeding, the specific criteria that play a major role in constructing the world of the story and given circumstances, are truth in choosing the subject, Advice and benevolence in creating dramatic situations and adhering to norms such as maintaining human dignity, respect for privacy, avoiding insults to individuals and sacred things, in characterizing and writing dramatic dialogues.