جستجوی مقالات مرتبط با کلیدواژه "فرهنگ اسلامی ایرانی" در نشریات گروه "علوم اجتماعی"

Parvin Etesami, a poetess of the era after the constitutional movement, has played an effective role in informing and developing Iranian society. The Constitutional Revolution, by creating political and social changes in Iran, provided a suitable ground for the activity and presence of the silent body of society. It was so that the leader of the revolution, Ayatollah Khamenei, also considered her as a prominent poet. An educated lady who, despite the high rank of her poems,  some have tried to cover her name and distinguised position. The main purpose of this study is to explore the lifestyle based on the original Iranian-Islamic values ​​in the poems of Parvin Etesami. This research is one of the qualitative researches and the method of collecting findings is by referring to documents, books and articles and the method of analyzing the findings is qualitative content analysis. The results of the study reveal the tangible and lasting effect of Parvin Etesami's ideas on the awakening of contemporary women and their encouragement to reconsider values ​​based on the original Iranian and Islamic lifestyle and culture.

In the Islamic Republic of Iran, cultural growth and monitoring are emphasized and the important point is to use futures studies concepts in cultural observation activities since cultural observation implies “cultural development signal scanning”, “on-time identification of cultural progressing and deterring issues”, “cultural monitoring” and “foresight and cultural policymaking support” which are not competently attended to in so-called domestic cultural observation activities. In the present paper, by clarifying cultural coordinates and observation of key components in the Islamic Republic of Iran, cultural observation morphological framework is provided to pave the way for observation of activities by cultural organizations. The present paper uses morphology as a Qualitative method; morphological analysis is used to structure multidimensional and non-quantitative issues and emphasizes on parameters and their conditions instead of causal relations. Based on this approach and by exploring relevant literature as well as forming a five-member expert group and professional discussions, 15 parameters were designed for cultural observation morphological framework and their conditions are provided under content and function parameters (culture levels, cultural elements, scanning context, key components and aspects, products and outputs and supportive function) and principal parameters (type of activity, main steps, scope, approach, frequency, time horizon, Resources, general methods, and user). To select paths for cultural observation, cultural observation Morphological Framework provides options based on parameters and conditions. Selecting such options depends on users’ relevant goals and needs.

Introduction of modern kitchen in Iran and its popularization from the 1950s brought new concept of “kitchen as heart of home” into the everyday life of Iranian women. In this article، through qualitative questionnaire and comparative analysis of responses، various aspects of cultural meaning of kitchen in the contemporary life in comparison with previous style have been studied. The focus of the study was on the religious families in the city of Qom. It was found that three ranges of meanings should be considered to explain socio-cultural concepts of kitchen in Iranian Muslim women’s life: from personal space of special privacy (for females) to a living family space، from a utility space to a place of genuine life and from a sacred place to a profane one that has clear implications in the lives of Iranian Muslim women. As a result، it can be said that now the ideal picture of a kitchen in the examined cultural context is a female personal space and، at the same time، it is a temporary private family space which definitely does not have the quality of a collective living space.