جستجوی مقالات مرتبط با کلیدواژه "گلستان سعدی" در نشریات گروه "علوم اجتماعی"

In the present paper, the author has studied a verse in one of the anecdotes in Sa›di›s Golestan: Gar nabinad be rooz Shab pare chashm / Chashmeye Ᾱftab rā che gonāh (If the bat can›t see during the day/ it›s not sun›s fault). He has tried to infer the meaning of the words «Shab pare» and «Shab pare-ye chashm». He states that the word «Shab pare»/»Shappare» and its other forms of writing which means bat has long been used in Iranian language and literature; however, it can be seen that, at the present time, the meaning bat has gradually turned to be obsolete and other meanings, including butterfly, have replaced it. He provides different examples in order to confirm this opinion.Following this, he examines the spelling of the word along with the structural form of the verse. Finally, he presents Omid Majd›s interpretation from this verse.

In the form of the eighth article of a series of publications titled “Scattered papers”, the author has presented several matters which are as follows:A note on the fifth anecdote of Sa›di›s Gulestān (love and youth chapter)
A short note on Salim Neisāri›s book, and about its report of Hafiz› ghazals
The correction of a common mistake in a ghazal attributed to Hafiz.
A brief look at Hafiz-e Delhā, by Muhammad Mahdi
Fulādvand, which is a book in the area of Hafiz studies.
The incorrect orthography of one of Hafiz›s verse.

The thirteenth anecdote of the second section of Sa’di’s Gulistān is on the dervishes’ ethics. This article is going to explain Sheikh-e Shirāz’s intention of using the adverb ‘by the sea’ in the mentioned anecdote.

Neo Gulistānby Pedrām Ibrāhimi is a humorous narrative of some parts of Sa’di’s Gulistān as well as some anecdotes of his Bustān. Neo Gulistān, besides the preface and glossary, is composed of fifty three stories. The first chapter of the book, entitled “Dar Ma’nā” (meaning), includes twenty stories. The second chapter, titled “Dar Parāntiz” (in parentheses), incorporates anecdotes number twenty one to twenty six. The third chapter, named “Dar Surat”, has covered the rest of the stories. This article is going to review the book, and to discuss some parts of its content.

The collapse of the Timurid Dynasty in the 16th century and the independence movement by Uzbek nations led to the separation of Ma wara al nahr, and consequently Bukhara, from Iran. The Uzbeks, who selected Bukhara as their political capital, paved the way for the development of the local art of miniature painting in the region. AS a result of the extensive contacts between migrating craftsmen and the local miniature painters of Bukhara, a new school called "Bukhara School of Miniature Painting" was established. A considerable portion of the miniatures in Bukhara School are inspired by the instructive anecdotes of the Persian Literature especially the stories of Gulistan and Bustan by Sadi. The present paper seeks to analyze two of such miniatures.