جستجوی مقالات مرتبط با کلیدواژه "feminity" در نشریات گروه "علوم اجتماعی"

The presented study considers the social genealogy of body in Iranian women. In this regard, efforts have been made with an emphasis on genealogical methods of Fukui and important stages of implementation of this method pay to investigate the matter. New developments in the field of manipulating the body and the appearance of the layout from past to present, highlights the need for such a thing. In the field of culture, by searching historical sources, as well as new research, we see footprints of signs and symbols in which, human has created for himself from ancient times until now to convey meaning and exchange messages, with different practices and mechanisms, on his body. This analysis shows that women's bodies, historically have been influenced by discourses and powers in the context of social, cultural, political and religious context and have been read and manipulated and in this regard, we see changes in the realm of meanings and symbols of the body. In this study, we have tried to investigate the manipulation of the body in three different historical periods (Empire, Constitution, modernity), and in this regard, the focus is on the discovery of the body discourses, power analysis, strength analysis and accident analysis in Foucault's methodology. The results show that women's bodies in the discourse of the empire and in the modern era, is interpreted around the central slab of discipline and change.

Harold Pinter is among the most famous playwrights of the world and won Nobel Prize in 2005. How he used female characters in his plays is one of the most challenging issues in his dramatic texts. Many of these texts don't have any female personage while the others with female characters show complicated gendered and sexual functions. Many believe that these characters fit in common stereotypes of females in the world of theater. Among these challenging texts is The Homecoming which shows a unique character, Ruth, who has been controversial among critics. This essay tries to examine the representation of female character in Pinter's plays while focusing solely on The Homecoming. Given the representation of Ruth in this text, some of the critics read this text as a feminist one despite the others who believe Pinter is misogynist. In this essay, after studying the previous views on the play, I try to show how both perspectives can be seen in this text. In fact, just by this article, we cannot accuse Pinter of being misogynist neither acclaim him to be feminist. Pinter indeed wants to decentralize the patriarchal structure of family and the society, using his Pinteresque dialogues and devices.

The purpose of this research was to study the effects of sex and gender role on friendship patterns between both sexes and the main question of this project is: do gender roles have an effect on friendship patterns? A sample of 197 female students and 138 male students from the University of Tehran were selected to participate in the study. The methods used in this research were two questionnaires of the Friendship Quality (Hejaze، 1996) and Sex Role Inventory (Bem، 1981). Data was analyzed using independent t-test and correlation chi square. The results of the study showed that there is a meaningful connection between gender and friendship pattern، for example، the women are more intimate with their friends and، therefore، are more satisfied، whereas men are more trusting of their friends. Additionally، the findings do not indicate any meaningful connection between gender roles and friendship patterns. In fact gender role cannot predict friendship patterns.