جستجوی مقالات مرتبط با کلیدواژه « genre » در نشریات گروه « علوم اجتماعی »

The conflict between husband and wife seems an inseparable component and an inevitable thing in married life, which usually occurs after passing the first passionate period of joint life. Unlike in the past, women as active members of society refer to  counseling centers when conflicts arise to find effective solutions to resolve conflicts, live with less worries, learn how to face problems correctly, strive for family cohesion, and find a way out of it. The purpose of this study is to analyze the genre of experience of women with marital conflict from visiting a family counseling center. This research was carried out using Rogers' person-centered therapy, Chesler's feminist family therapy approach, White and Epstein's narrative therapy, and the typological narrative analysis method in 2021 in a counseling center in Isfahan. The participants in the research were 17 married women with marital conflict who had visited the counseling center. They were were selected using maximum variety method and subjected to narrative interviews. The findings showed that most women's experience of consulting a counselor is narrated in the genre of romance. Based on the issue that women rely on their abilities as heroes of life, they are looking for a solution to resolve marital conflicts and consider going to the counseling center as a part of this inner motivation, whether their efforts lead to solving the problem or not. A group of women who have problems, take the common life lightly and make it possible to continue the common life with skill training. On the other hand, another group who perceive marital conflicts as chronic and do not consider their efforts to continue life fruitful, also experience the divorce. It can be concluded that women's experience of visiting counseling centers is a step towards solving conflicts.

The emergence of the genre of temperament in Iran by Ebrahim Tawfiq, Seyed Mehdi Yousefi, Hesam Turkman and Arash Heydari with good ideas tries to study and categorize the content about the temperament of Iranians from the constitutional period to the years after the victory of the Islamic Revolution, the elements and components of a " Extract the "genre" from it. This article has tried to study the book in four axes of form, language, structure and content through the documentary-critical method. The results of this study show that although the authors of the book have collected very extensive and accurate information from various sources and sometimes examined it, they have not been very successful in determining the boundaries of the "genre". Nevertheless, the content of the book is full of useful but scattered data. The authors' opinions on the subject, etc., have been reorganized and made more useful for the audience in this field.

Media management is closely related to cinema because it pursues communication with the audience within the framework of established communication patterns. In this study, while explaining the importance of court drama movies in Iran, the role and method of representing crime and harm from the perspective of experts was discussed. This research is qualitative and based on the purpose is applied, through in-depth unstructured interviews with 16 experts in 15 fields of psychology, sociology, law, communication and film and was conducted to examine the role of court drama film in the representation of crime and social harms. The statistical population was the court drama films of the last 4 decades of Iranian cinema, which were selected based on the sensitivity or taboo of the subject as well as the conflict of public opinion (10 out of 22 court drama films, out of a total of 1744 films of the last four decades of Iranian cinema that were analyzed in articles by Saussure semiotics, Bart narrative analysis and three levels of Fisk method). The subjects seen in the movies of the court drama genre of the last four decades are very few compared to the total number of films produced in these years. The subjects of the court drama genre in the last four decades films were very few compared to the total films produced in these years. The reason for the low production of this genre, according to the experts interviewed, was classified into 9 categories. To produce a film in this genre, filmmakers must pay special attention to the components, reflection of reality, utilization of experts in other scientific fields, and judicial restrictions, and censorship, auditing, detraction, and the weakness of the law are some of the components that create barriers to this production.

In this article, we studied the fluidity in the division of the Iranian classical music genre related to the meaning of creativity as a "cultural process". Through a semi-structured interview with 5 musicians in the Iranian classical music genre, we analyzed how the relationship between creating creativity in the "production culture" of the Iranian music industry and the division of the Iranian classical genre. According to the results, the main themes are "celebrity-oriented creativity", which creates quasi-Dastgahi, Composite music and custom-organizational music, "pure creativity", which creates the artistic genre, and "cultural creativity", which is the original Dastgahi genre, and Creates social art. In each context, the moral and ritual codes and the position of the audience and the profit are different. Ethical and ritual codes in the context of cultural are related to moral preconditions such as modesty and rituals. The relationship with the vertical audience and in order to promote the audience's listening taste and financial gain in it is futuristic. In pure creativity, moral and ritual codes are not prominent, the audience is absent and the real creator himself is present in this genre. The reputation-oriented genre begins with the audience's perception, there is a sense of artist alienation in the genre, it is followed by rapid financial consequentialism, and the moral and ritual codes are based on technical ostentation.

The fantasy genre is of the most problematic genres in cinema and has been neglected by cinema adherents for decades. Although the first so-called fantasy works date back to the early years of cinema and the works of George Millis, by the late 1970s, for many reasons, including the relatively high cost of producing such works and the lack of progress in cinematic technology, fewer fantasy works appeared in cinema. One of the important theoretical issues about fantasy works is the confusion of such films with other works of cinema such as horror and science fiction. An accurate definition of the concept of fantasy is problematic; Therefore, considering the creation of brilliant works that carry the attribute of fantasy after the 21st century, and the audience's interest in these works in recent times, as well as the growth of cinematic technology, find specific frameworks to determine the characteristics of fantasy works and distinguish them from other similar works such as science-fiction and horror seem necessary. The Importance of “The Fantasy Film” book by” “Katherine A. Fowkes”, the translation of “Ali Zafar Ghahremani Nejad” is due to the attempt to find answers to these questions and ambiguities that this kind of works have created among cinema people and therefore it is necessary to examine how the author explains the concept of fantasy. This book was published in 2016 by Nashrbidgol in 324 pages.

Genre in Film Studies is a set of rules and common agreements among three groups of audience, filmmakers and critics to classify types of films. This set of rules and accepted characteristics directly influences film formation. A cursory look at “Musical Animation” genre shows that this type of animation, due to its potential, has gained a huge popularity among cinemagoers. By investigating different theories, the present study tries to identify the main characteristics of this genre and provide an analysis of two chosen films based on these characteristics. Its vision is to cover part of the theoretical shortcomings concerning this genre in Iran. This article aims to prove a hypothesis in which this genre is fully explainable according to five levels of Narrative, Character & Acting, Music, Song and Voice. “Beauty and the Beast” (2017) and “Fantasia” (1940) are two feature animations that are studied considering the above mentioned levels.

Artwork, including film, is a tool to represent and identify discourses in any society. Cinemas of various genres, including social, drama, sacred defense or war, have serious, transcendental contexts that reflect the qualities of social relationships and the daily lives of people. This study seeks to study the representation of the social relations commodity in cinema in the 2000s and 2010s. The conceptual framework is inspired by the ideas of Marx, Lukacs and Polanyi who have long been concerned with the domination of commodity logic and market relations over the social sphere of the modern world. Five of the films were purposely selected and reviewed. The findings show that in all the films studied and in different genres the dominance of commodity logic and market system values in individual, social, emotional, and so on relationships is evident and the social and ethical spheres are dominated by economic logic and favorable intentions. But the most common in the social and sacred genres has been the emphasis on differences in samples of the two genres.

The present research surveys on Aesthetic & Functional aspects of Reality TV genre. For this purpose, by concentrating on the hybrid essence of this genre, different related aspects like historical roots, definitions, sub-genres, various methods of hybridization and the issue of reality have been surveyed. Data have been compiled by library study of documents & observation. The survey has benefited from an analytical-descriptive approach. Using “generic hybridization” solutions indicates that the grounds & conditions of TV medium in the era of technology, justifies noticeable evolutions in different generic realms such as creators, audience, researchers & produced works.  Hybridization in Reality TV genre is an indication of creativity in TV industry for preserving its position in the competitive market (by mixing fiction & non-fiction elements or facts & pre-existing generic conventions).This leads to survival of this genre by cannibalization of past styles, genres & conventions, simultaneously considering the standardization principles & differentiation in diverse variations.

Comparative study of Indo-European poetry has been popular among Indo-Europeanists since the nineteenth century. This field, the main subject of which is the reconstruction of ancient literary texts, poetic texts, and the “Indo-European poetic language,” has been under the influence of modern literary theory, especially formalism. According to the formalistic definition, the main characteristic of a poetic text is the “poetic diction” rather than its composition in metrical form. Moreover, the antithesis of a poetic speech is an ordinary text or idiomatic speech rather than prose. Indo-Europeanists argue that there is not a clear difference between poetry and prose in illiterate societies. However, for the early Avestan scholars, like Karl Friedrich Geldner, Avestan poetic texts are identical with Avestan metrical texts. In this paper, it is demonstrated that neither the meter nor the deviance in the ordinary speech is an appropriate criterion to distinguish poetic texts from non-poetic ones in the Younger Avesta, but the best criterion is comparing the poetic devices and the common poetic-text features in the Indo-European cognate languages.

Genre in Film Studies is a set of rules and common agreements among three groups of audience, filmmakers and critics to classify types of films. This set of rules and accepted characteristics directly influences film formation. A cursory look at “Musical Animation” genre shows that this type of animation, due to its potential, has gained a huge popularity among cinemagoers. By investigating different theories, the present study tries to identify the main characteristics of this genre and provide an analysis of two chosen films based on these characteristics. Its vision is to cover part of the theoretical shortcomings concerning this genre in Iran. This article aims to prove a hypothesis in which this genre is fully explainable according to five levels of Narrative, Character & Acting, Music, Song and Voice. “Beauty and the Beast” (2017) and “Fantasia” (1940) are two feature animations that are studied considering the above mentioned levels.

Genre TV talk show is known as common and important through TV genres. This genre has specific properties, types, elements and numerous functions like all other TVs'. In order to get optimal utilization, ones should have inclusive and precise knowledge on their capabilities and challenges. So the article examines the capabilities and challenges in TV talk show on IRIB. A case study was considered and data collected from interviews. More than 40 managers, producers, and presenters were selected as interviewees based on Purposive Sampling. The results showed that the interviewees regard to genre TV talk show having the capacity and various benefits such as low production cost compared to other products, the most favorite structure for some topics and audiences, capacity and easy interaction with the audience and so on. The main challenges affecting TV talk shows include some inaccurate views on the genre, low financing, lack of technical facilities and poor planning, study and designing programs. The article indicated that proper attention to the features, requirements and benefits of a variety of talk shows and targeted use of them are the most important ways to overcome the challenges.

This study aimed to investigate the relationship between type (genre) and the Satellite Turkish language series and lifestyle. The method of this study is survey of analytical type. The society of this study consisted of female students of Islamic Azad University of Uremia in the first semester of 94-95 educational year which volume of the sample is determined by Cochran formula as 362 and way of sampling was simple random sampling and data collection tool was questionnaire that according to the theoretical framework has been designed by the researcher. Data were analyzed by SPSS software. The theoretical framework of research is based on the views of "the influence of media" such as “cultivation” theory, “media dependency” theory, “social expectations” theory and theory of lifestyle by Giddens and Bourdieu.The results showed that, in general, the majority of female respondents (56/4 %) claim that the effect of the Satellite Turkish language series on their lifestyle is low.

Qualitative research is consistent with the emerging postmodern theory، has seen extensive changes. Indeterminacy of knowledge، representations in the vast and use of mixed genres، lead to new horizons beyond those that have made a qualitative research design are crystallization opened. Providing meaningful puzzle، reflection of several contrasting approaches to understanding with the of mutually exclusive concepts together، including cases in which qualitative research can be found crystallization. Crystallization is a postmodern approach to qualitative research، that، featuring in-depth descriptions of the multiple genres، the method for integrating threads and patterns of life experiences. However، this paper aim is to outline a new approach to crystallization، and its use in connection with human phenomena to be explained in detail.

This study aims to investigate the relationship between type (genre) and amount of watching Turkish series and female students’ lifestyle. The method of this study is survey. The population of this study consists of female students in Islamic Azad University of Uremia in the first semester of 94-95 educational year. The volume of the sample is determined by Cochran formula as 362 and this is done through random sampling method. The data was collected by a researcher-made questionnaire which was analyzed by SPSS software. The theoretical framework of research is based on the views of "the influence of media" such as “cultivation” theory, “media dependency” theory, “social expectations” theory and theory of lifestyle by Giddens and Bourdieu. According to the results, the majority of female respondents (56/4 %) claim that the effect of the Satellite Turkish language series on their lifestyle is low. The most important results also show that: There is a significant relationship between amount of watching Turkish series and also, there is a significant relationship between amount of watching the Turkish series and way of spending leisure, how to dress (fashion), interpersonal relationships, religious attitude. There is no significant relationship between amount of watching Turkish series and level of consumerism.

Genres are certain types or species of cultural and artistic products having certain elements in common. These shared factors for films include cliché plot, setting, characters, style and iconography. In film studies, genre is an industrial approach and an indicator for consumers as well as a critical concept and a tool for theorizing on the relationships between different sets of films, all at the same time.
In the latter sense, film genres are considered as standard ways for representing gender, class, race and ethnicity. Genres are semantic systems with many values, and therefore, could not be deemed abstract and ideologically pure. Genres could be studied under three rubrics, i. e. industry, audience and text. At the text level, genre is considered as a part of popular culture and a useful tool for dealing with media texts from an academic perspective. Genres are studied through six major approaches: Structuralist, socio-cultural, political economy, aesthetic, family resemblances and the discursive approach.

The present study is to explore the role of female translators in the last 100 years. The research is descriptive، therefore، various tools of data collection، like questionnaire and interview with 54 experience translators، are employed. Data were organized، classified and then were analyzed through SPSS software. The findings indicate that women have played significant role in the in the history of translation and Iranian literature. They were also face with many social، financial and family problems. The favorite area for translation with them was the literature for the children and the main line of translation was English to Farsi. The level of the education of the family member of female translators was an important factor in their success and translators. Also، regarding the obstacles، their education، experience and perseverance have been instrumental for success.

This research is based on inter personal communication, following analysis of individual, symbolic violence; dialog in inter personal communication in Hollywood cinema. The purpose of this project is finding internal meaning of movies according to inter personal communication by emphasizing on social interactions and psychological subjects. In this research we use analysis context method; statistical population is American movies from 2000 to 2009. Movies are classified and sampled according to genre and are selected with regard to under study subject, drama genre and drama subset and comedic genre and comedic subset.Our questionnaire included nineteen factors for individualism variables, and seventeen factors frequency. According the obtained results from the understudy movies, individualism and symbolic violence (main characters) were observed. Also, dialogue was observed as main foundation in conversations, discussions and arguments among persons.

The goal of this research is to analyze the structural factors which are influential in formation of women cinema after 2 Khordd 1376 (23 May 1997). This research tries to answer the following questions: – What are the influential structural factors in formation of the film wave in question? – How these factors differentiate the representation of women in the Iranian cinema, especially after Khordd the second? The main hypothesis of this research is that there is a significant connection among structural conditions, change in how women are represented in films, and change in films contents. In this research which is conducted through documentary study, using Huaco’s theory in sociology of cinema, we have tried to explain four structural conditions which, in our view, are influential in construction of a new wave in film, in relation to the Iranian conditions and the film wave in question. The most important finding of this research is that in post 2 Khordd cinema, four necessary structural conditions for the formation of women cinema were present due to the following reasons: Cancellation of scenario commission; Less censorship; Special support for women subjects in scenarios; Increase in the number of women directors; Change in social status of women; and Formation of non-governmental organizations for women and the like.