جستجوی مقالات مرتبط با کلیدواژه "jung" در نشریات گروه "علوم اجتماعی"

The influence of the mental processes of the artist during the creation of the artwork is obvious. In this regard, Carl Gustav Jung, the psychoanalyst, found ancient patterns in the human collective psyche, by studying dreams and myths, which have been manifested many times in human creations throughout the history. The expansion of this idea led to the creation of archetypal approach that has been effective in humanities and art researches. In this attitude, the artwork is considered as psycho of its creator, and the metaphors inside it are interpreted based on specific archetypes. Among the different types of art, architecture and in this research, "the architecture of the traditional houses of the central plateau of Iran during the Qajar era", has trans-physical ideas in addition to the material side. The traditional architecture of Iran has been various and rich aspects of the culture and beliefs, therefore provides an opportunity to reflect on the manifestations of collective unconscious. This research has sought to understand the implicit concepts and common themes between two archetypes of the Self and the Individualization Process, in Jung's theories and the traditional houses of the central plateau of Iran during the Qajar era. the research questions are explained as follows: What are the themes related to archetypes of the self and and the Individualization Process in the traditional houses of the central plateau of Iran? On which components of the traditional houses, the archetypes of the Self and and the Individualization Process have been manifested? The research method is qualitative content analysis with the interaction of inductive and comparative approaches with phenomenology attitude. The reliability of the research in the quantitative part is determined by applying Cronbach's alpha coefficient in Spss software. The single-sample T-test confirms the research hypotheses. The results of the research show that the common themes such as "centrality", "coexistence of opposites", "introversion", "Mandala geometry", "hierarchy" and "unity" between the archetypes of the self and the individualization process in Jung's theory and the architectural principles and components of the traditional houses of the central plateau of Iran during the Qajar era.

The present article tries to explain the relationship between concepts and social relations in Iranian society with Jung's psychological concepts and Jung archetypes by analyzing the novel "This Dog Wants to Eat Roxana" as a representation of social experience? Accordingly, using a conceptual model influenced by Jung's theories and using the method of psychoanalytic critique, archetypes; The self, the anima and the animus, the mask, the shadow, the numbers, the color, the wise old man and finally the individual unconscious are analyzed in the characters of the novel. Roxana falls with Kaveh arguing over her shirt. A shirt that represents the archetype of the mask and the mother. Kaveh is looking for her mother's arms, which she was deprived of when she was 3 years old, in this shirt. Kaveh who is looking for his anime not in Roxana (his wife) but in his mistress (Rahela). During the story, he removes the mask from his self-awareness, which begins with Roxana's fall, and faces his shadow (Mehran Bangi). The fall of Roxana leads to the revelation of Kaveh's shadow. In fact, Roxana's emotional relationship with Kaveh (Mehran Bangi) and Kaveh and Rahela (betrayal) lead to her downfall and death. A body left by Roxana who is attacked by a dog (Rahela's shadow). Raheleh's shadow is Kaye Kaveh's accomplice in Roxana's fall as a traitor. It is through the acceptance of these patterns that the individual subconscious and ultimately the pattern of social relations is manifested in Kaveh's social life.

 The growing trend of the Arbaeen March can be analyzed from various cultural , social , political , economic and managerial dimensions. In this research , an attempt is made to analyze this important ritual, which has been repeated and globalized over the past decade, with a psycho - cognitive-managerial approach .The theoretical framework of the research is taken from Jung's model of archetypes, which was later considered by management thinkers in the study of successful trademarks. Our goal is to determine the personality for the Arbaeen procession, by modeling the personality of the creators of this ceremony, which is Imam Hussein and his companions, and based on Jung's archetypes, archetypes that are transnational and are similarly perceived and influenced in different societies .The research method is an in - depth interview and documentary study , and the results of the interviews will be examined using deductive content analysis. The research's innovation in using the Jung framework in a subject beyond the trademark, that is, in a religion, is also religious and spontaneous .Thus , if the archetypes that influence the spread of this religion are discovered, these archetypes can be used in other religious rites and these archetypes can be used in their expansion and dissemination.

The present article attempts to explain the role of Jung archetypes in the formation of a comparative analysis of the two fluid Iranian novels "This Dog Wants to Eat Roxana" and "Probably Lost" as a representation of social experience. After reading the studied novels, the author observed that the narrators of both novels seek to confront their archetypes. Which are inherited in all individuals so that they can face the unknown area of their personality that is hidden and unknown to others and themselves by referring to the past and being aware of their collective subconscious, in this way communicating with themselves and their relationship with Improve others. But the way of dealing with archetypes was different in these narrators. In the novel, I am probably lost, the narrator of his knowledge wants to reconcile his shadow with his animosity. And this is how to get rid of the loss in the past and reach balance in the present life. But in the novel, this dog wants to eat Roxana And it is through the window of acceptance of Jung's archetypes that the individual subconscious, and ultimately the model of social relations, manifests itself in the social life of the novel. It is the narrator who reaches the stage of individuality by rejecting these shadows; An individual who leaves him alone but the narrator of the novel "Probably Lost" finds himself in the back and forth between animosity and shadow and understands the pattern of social relations in this regard.

global archetypes and symbols is one of the categories that has attracted the attention of many researchers in various sciences today. Archetypes from the earliest periods of human life to the present day have had a strong presence in the human mind and soul and have led to the creation of similar myths in all cultures and lands. The short film "Father and Daughter" by Michael Dodok de Witt, narrates the life of a girl from childhood to old age with a psychological approach and depicts many archetypal categories during its scenes, which shows the deep familiarity of its creators. With Jungian psychoanalytic concepts and mythical drinking fountains. In this regard, we have tried to first examine the foundations of Jung's theory and his views on the types and concepts of archetypes and the theory of the collective unconscious, and then to explore the film as a platform for the emergence of archetypal symbols and signs. And examine these signs and critique the archetype of this film with an analytical psychology approach; Because the study of these concepts and signs in the narrative structure of the film and their combination with other theatrical elements has an important role in understanding

The lover is the manifestation of anime in lyrical literature, especially sonnets. Its terrestrial image is a representation of the heterosexual element of bisexual man, and its celestial appearance corresponds to gods and goddesses, i.e. saturated image of a strange creature that is transcendental, primal, eternal, and God-like, with infinite beauty and kindness, being a nurse and a collection of all goodness. It subconsciously adapts to a mixture of aesthetic criteria of all eras and all human races. Anima is one of the most fundamental archetypes of Jung's collective unconscious, playing a fundamental role in the development of male personality, the feminine half in men, which because of the patriarchal system’s considerations is generally repressed, prevented from expressing themselves, unaware that everything we suppress is not extinguished but, rather, erupts with more energy from the subconscious at an inappropriate time and form. To prevent anima’s eruption, a man needs to learn how to strive in relation to the female half and have it engaged in a life of self-awareness, so that he can enjoy its gifts for its flourishing and transcendence. The present research employs a descriptive-analytical and statistical method to study the correspondence of "anima" archetype on the sonnets of Houshang Ebtehaj that were in harmony and capable of interpreting anime. The extent of his success is directly related to his efforts to identify the feminine element of the psyche. But it seems that the poet has not been successful in a stable relationship with the female element. While in the majority of his sonnets he has overcome the negative anime, in some of the others he has more or less gone through the unevenness of individuality..

Jung, considers the subconscious mind of man to be the female and male cross-poles of Anima and Animus. Anima's archetype is half feminine in the male psyche and Animus is half masculine in the female psyche. These archetypes are influenced by the relationships and behaviors of the family, especially the parents, in the presence of each individual, and can change his personality under the circumstances of his community and life. The oneness and homogeneity of these archetypes will cause human development, and the domination of each of these cross-poles in the individual will make a series of traits and characters that can be studied from a psychological perspective. These images are unconsciously depicted in the works of artists. GhaemMaghami,as a contemporary lady poet, has also unconsciously expressed these archetypes in his poems in various ways (positively and negatively). the frequency of positive aspect of animus is higher than that of negative side In her poems,74.74% of findings presents positive aspects of animus and25.26% of findings indicates negative aspects of animus. The initial formation of these archetypes is positive when she is single, but after marriage and quitting her child because of the divorce , the negative presentations begin to realize.

The archetype in the collective human psyche motivates the performance of various actions in his spiritual mind, and more importantly, the present article seeks to find the connection between psychoanalysis and architecture, as the art is essence of human mind and psyche. Carl Gustav Jung, the inventor of the theory of analytical psychology and the developer of the theory of archetypes, considers architecture as the human psyche. He believes that all man-made phenomena have already imagined in the mind or psyche at first. The number of archetypes, as the main topic of this discussion, is a lot. This research focuses on the two archetypes of Anima and Animus;at first to find and collect the symbols of these archetypes in ethnic thoughts, rituals and beliefs and then to create their proper correspondences in the symbols of some of the most important components of traditional houses in the Central Plateau of Iran, including; Entrance complex, Central yard, porch, Hozkhane, room, Badgir, basement, Sardab and others. The present research has been carried out with the content analysis approach in the qualitative paradigm by inductive and deductive methods. The results show that there is a correspondence between the archetypal symbols of anima and animus and the spiritual themes embedded in the components of traditional houses. As the perfect human psyche has a two-dimensional nature, there is a balance between both feminine and masculine expressions in the whole supreme art of traditional house architecture.

Mother Archetype is one of the most important archetypes in Carl Gustav Jung's theory manifested in literary works both as the character of a real mother or in the form of symbols that indicate maternal aspect. Epic is a work derived from the male-dominated society in which the heroic functions and masculine power grabs the attentions always more than the women's presence and role. However, since most of the epic poems have a mythic infrastructure, archetypically, they reflect many of the mythological themes and symbols that have emerged unconsciously in the poem. Since human life, before the epic realization and the manifestation of the male heroes, has experienced a female dominated era with female eternal holiness (mothers and women), the human subconsciousness is full of images and symbols indicating the female element of existence and reflects on the epic texts as mother archetypal symbols. According to this perspective, there has been no research on the mother archetype manifestations in the national epic and most of the researchers only referred to the mother characters in these works whose role did not go beyond giving birth and training the epic heroes. What has been emphasized on this research is that although in the Persian epic works (Shahnameh and the following epic poems), the women and mothers do not generally play a decisive role, the vacuum of the presence of women and mothers as an inevitable part of the human's existence has been filled in the epic works unconsciously in the form of archetypal images and symbols, such as water, springs, rain, wind, plants, mountains, caves, fire, etc. and the mother archetype has come into the realm of consciousness in the form of these symbols.