جستجوی مقالات مرتبط با کلیدواژه "ode" در نشریات گروه "علوم اجتماعی"

The number of the Persian verses which have been left from Abu-Taieb Mus’abi is very few. However, even these few remaining verses have been so distorted that it is really hard to understand them, and so their recording and explaining has turned into a matter of controversy. Abu al-Taieb Mus’abi’s main Persian poem is his ode which starts with“Jahānā hamānā fosusi wa bāzi / ke bar kas napāie wa bā kas nasāzi” (the world is really full of tricks, deceptions and games / it does not last for anyone and it does not get along with anyone) which is in Beyhaqi History. One of the verses of Mus’abi’s ode which requires contemplation is its second verse that depicts the world in this way: “Cho māh az nemūdan, cho khār az pasūdan / be gāh-e robūdan cho shāhin wa bāzi” (you are like a moon in appearance, but when you are touched, you are as sharp as spur/ and when it’s time to get something away, you are as fast as hawk and eagle). This is a famous recording of this verse, or to put it more correctly, is a recording which has become famous because of being in the most common correction of Beyhaqi History (done by the late Dr. Fayāz); however, this is not its only recording. There are other recordings which are in other editions of Beyhaqi History or in other books which in one way or another have taken it from Beyhaqi History. In this paper, the author is going to scrutinize alterations in this verse. Finally. Finally, he argues that the reading “cho mār az pasudan” (when you are touched, you sting like a snake) is more compatible with Mus’abi’s word than “cho khār az pasudan (when you are touched, you are as sharp as spur).

The Urdu poets which using irainain masterpiece form and content poetries in Urdu poetry style، create notable and rich examples after mastering. From the beginning lots of these poets were published in ode intoning. Amongst whom Mirza Reza، given the title of Khaghaani of Urdu by Critics، promoted this poetic style by adding praising Prophet Mohammad and eulogy of Emams besides others of this poetry style like Dispraised، Blaming، Panegyric، Spring Serenading and Amorously to the conventional contexts this style has been applied to. In this article with Descriptive and analytical methods review of some praise and eulogy Ode his skills in could be recognized in addressing the various components and Ode such as Opening verse، Serenading، Pseudonym، Renewal opening verse، Closing verse. He is awares of praise and the position of praised sacred and Religious and most of the time it prayed by considering the sanctity. An important feature of Soudas poems is refraction and his humility in his ode in face of these noble spirit and expecting intermediacy and forgiveness instead of seeking personal and material advantages which in fact is conventionally expected from a non-religious object of praise is considered a key feature in Sauda''s poetry.