جستجوی مقالات مرتبط با کلیدواژه "the unconscious" در نشریات گروه "علوم اجتماعی"

Jameson has laid the foundation of his Political Hermeneutic on the assumption that the unconscious might take social and historical connotations into its usual reference to current individualized life. Any evidence of the social implications of the unconscious, according to Jameson, is to look for its content rather than the form of cultural text. Despite all the reliance Jameson puts on the notion of ‘reification’ and the socio-historical connotations it may have for the production of cultural texts, it is still possible in his view to detect, drawing on Freudian psychology, some faint traces of humanity left in our socially alienated way of life under complicated dehumanizing effects of present capitalist context – traces which are repressed, but not fully obliterated, beneath cultural superstructure of late capitalism. We are here to investigate, by the way of a dialectical reading through “The Political Unconscious” (1981), Jameson’s own dialectical extensions of the unconscious from, its ordinary psychological sense to the realm of mythology and literary criticism, as he aligns his own conception of History first with the Lacanian notion of the Real, and then, with Althusser’s notion of ‘structural causality’. We will also see how History, the Real, or ‘absent cause’ is discernible just after getting narratively textualized by ideology. At the end of our venture to unveil the unconscious behind “The Political Unconscious”, we will see two equivocal dimensions of The Political Hermeneutic: the relationship between History and narrativization, on the one hand, and Jameson’s diachronically analyzing the coincidence of non-synchronic-social-structures, on the other hand.

The process of identity construction has been of high interest to modern critical approaches in the human sciences in general and sociological and psychoanalytical approach in particular. The present paper seeks to explore the subjectivity formation and identity construction process in the characters of William Faulkner’s The Sound and the Fury in terms of Lacanian structuralist paradigm. Versatile theoretical standpoints concerning the definition and mechanism of the unconscious have caused different readings of the subject. The theoretical framework of the present study focuses on the critical concepts of psychoanalysis including the unconscious and identity formation in both Freud and Lacan. Also, the Lacanian concept of subjecthood in the social milieu of the subject constitutes another theoretical framework of the present paper. The study demonstrates how the parents’ behavior and attitudes towards the children in Compson family shapes the latter’s subjectivity and their ultimate state of Identity. The employment of the psychoanalytical concepts of the repressed desire, the structure of the unconscious, linguistic alienation, the name of the father and the signifiers of the lingual system fully indicates the central role and inevitable impact of both the Symbolic and the social milieu in the emergence of subjectivity. The subjectivity construction of the major characters in William Faulkner’s The Sound and the Fury is processed in and by the socio-cultural context in which they were brought up, and is represented in their unconscious desires and tangible manners.

global archetypes and symbols is one of the categories that has attracted the attention of many researchers in various sciences today. Archetypes from the earliest periods of human life to the present day have had a strong presence in the human mind and soul and have led to the creation of similar myths in all cultures and lands. The short film "Father and Daughter" by Michael Dodok de Witt, narrates the life of a girl from childhood to old age with a psychological approach and depicts many archetypal categories during its scenes, which shows the deep familiarity of its creators. With Jungian psychoanalytic concepts and mythical drinking fountains. In this regard, we have tried to first examine the foundations of Jung's theory and his views on the types and concepts of archetypes and the theory of the collective unconscious, and then to explore the film as a platform for the emergence of archetypal symbols and signs. And examine these signs and critique the archetype of this film with an analytical psychology approach; Because the study of these concepts and signs in the narrative structure of the film and their combination with other theatrical elements has an important role in understanding

The purpose of this article is to critically evaluate the book “Critical Review of the Book Contemporary Research Methods in the Humanities (Discussions on Politics of Method)", by Ahmad Mohammadpour. The context for the formation of the most important theoretical and practical streams in the humanities and their ontological and epistemological aspects has been presented in this book. From this point of view, the book can be considered as a valuable document in this field. The main message of this book is that it is research methods derived from our worldviews and lifeworld that shape our understanding and interpretation of the world, and thus the author introduces a new concept called" Politics of Method ". The results of the review of this book show that the author has not been able to convey well the key and operational points about “Politics of Method " and his new findings; Therefore, this book is not able to provide guidelines for researchers in designing a research program from the perspective of methodology. Lack of connection between chapters, different language in presenting views and topics, inadequate translation of many parts of the book, are also among the weaknesses of this book.

Through an analytical survey¡ in this paper¡ cultural elements of Iranian culture have been analyzed with a psychological point of view to find out the relation between the elements and the weaknesses in previous management models. Through historical documents¡ the survey shows that these elements have dialectical relations and whenever one element has been suppressed it has remained in people collective unconscious and rose in another time in other ways such as a revolution. It has been concluded that one dimensional model of cultural management should be avoided and replaced with the one which considers all cultural elements in cultural management.

This study aims to throw light upon the experience of meeting with The Self in “The King and The Slave Girl” From Masnavi by Persian poet Jalal Al-Din Al-Rumi. This study tries to apply Carl Jung theory of Collective Unconscious. Jung was the first who discovered the presence of the collective unconsciousmind in addition to the individual unconscious mind. He believed that menhave the power of collective unconscious mind that belongs to the society andthe culture they live in. Archetypes constitute the structure of the collectiveunconscious. The most famous archetypes are Anima (The archetype of femalein man)، Animus. (The archetype of male in woman)، Shadow (The hateful partpersonality)، Wise Old Man (Archetypal image that embodies wisdom). According to these archetypes، we can say that The King in AL-Rumi storysymbolizes a Sufi who is traveling across an inner trip to obtain trueknowledge of himself. In his trip The Sufi pass through dark tunnel of soil.

Brian Fey، divides concepts into three categories; first، concepts which we use in thinking، second، concepts which we think about، and third، concept by which we think،. According to this categories، «social imaginary» would be in third category. it means that there is fixed cultural element within each nation which confronting new developments، it affects them. «Social imaginary» is the main concept of Debry’s theory of mediology. this review tries to show that this concept is an interdisciplinary concept of Althusser’s Marxism structural theory and Jung’s unconscious theory، by using the metatheory. This methodology would help us to know more deeply about a theory. The consequence is that «social imaginary» is a synthesis of political and psychological theory developed in France.