جستجوی مقالات مرتبط با کلیدواژه « احمد غزالی » در نشریات گروه « علوم قرآن و حدیث »

This article examines the influence of the Quran and the hadiths of Imam Jafar Sadiq (AS) on the mysticism of Ahmad Ghazali and provides a sociological analysis based on Antonio Gramsci's theories. The initial sections of the article explore the lives and works of Imam Jafar Sadiq (AS) and Ahmad Ghazali, analyzing their roles in the development of Islamic mysticism. The direct and indirect impacts of Imam Jafar Sadiq's (AS) hadiths on Ahmad Ghazali's mystical thoughts are thoroughly examined. Furthermore, the Quranic texts utilized by Ahmad Ghazali and their interpretation and application in his mystical works are analyzed. Using Gramsci's theories, the article also investigates the role of Ahmad Ghazali's mysticism in establishing and reinforcing cultural and social hegemony. This study demonstrates that Ahmad Ghazali's mystical teachings, influenced by the hadiths and teachings of Imam Jafar Sadiq (AS) and the Quran, functioned not only as a spiritual and experiential endeavor but also as a tool for creating and strengthening cultural and social hegemony in society. Finally, the social and cultural impacts of Ahmad Ghazali's mysticism in his time and contemporary societies are analyzed, and suggestions for future research are provided.

The Sufism of Sheikh Ahmad Ghazali is a love-based mysticism in which virtue and love are considered as the main elements of a mystical journey. Virtue follows manifestation, tajalli, and love follows virtue. A mystic, having seen virtue, attain the love-based passion. Love, therefore, always follows the manifestation of virtue. In this article, first, we have explained love and virtue as viewed by Ghazzali and, then, we have examined some of their main features in relation to one another as: love`s state of being for mankind, inviting glance of virtue and that of being loved, derivation of lover and loved from love and manifestation of virtue respectively and gradual state of virtue and love. Finally, we have discussed art as viewed by Ghazali. He relates art with simile. An artist sees virtue and represents it in his work; an artist, therefore, as sees virtue, is lover and as represents virtue is of simile. In the end, we speak Ghazali's desirable art; the one coming from the selflessness of the artist, and is technically called "artless art".

The Scared Texts are the most valuable source for recognizing Islamic rules and knowledge; however, there is disagreement over the way these texts are understood in between Scholars where each group has looked at them from their own special standing point as the mystical interpretation deals with esoteric and spiritual aspects of the Divine Texts and discovery of secrets and references. This means that mystics, with perspectives different from others have come to realize the proper understanding of the texts through the inward and have sought to realize through interpretation. The present research deals with investigation and comparison of the Ahmad Ghazali and Ibn Arabi's styles based on rules and criteria of interpretation. These philosophers deal with the issue of "understanding" with emphasis on "understanding texts" within their most focal point of their discussions. The issues raised by them involve huge qualification that could fall effective in the mechanisms and ways of the Muslims neothinkers. In this respect, can we state that there is a difference or a similarity between the views of Ghazali and those of Ibn Arabi? Consequence of the research in some points implies a unity of interpretational style between Ghazali and Ibn Arabi and some sort of hermeneutic modality. In some cases, there are ways in which the Ahmad Ghazali's perspectives are unique of him. Mirzaye Qomi as one of the great " Osuliyun " based on the same basis of canonists were not optimistic about philosophy and tightly take the cavil to them. He has deal with practical mysticism amd associated withfamous mystics of his time; and he counts " spirituality " and " pure monotheism " the culmination of the evolution of mystical and summary and deep extracts and wondrous and wonder of pure Islam.