جستجوی مقالات مرتبط با کلیدواژه "quranic ayahs" در نشریات گروه "علوم قرآن و حدیث"

The familiarity with and the unrivaled mastery of Shah Nimatullah Wali over the Quran and religious knowledge is a well-known fact that can especially be seen in his poems. In his poetry, Quranic themes and teachings are abundant and because of his great command of the Quranic ayahs, he has used various literary devices (including adaptation, tazmin, allusion, simile, analogy, etc.) in making the most of the Quran. The present paper, aiming at analyzing the functions of the Quranic ayahs in the poetry of this distinguished figure of mysticism, sought to answer these questions: How are Quranic ayahs reflected in the poetry of Shah Nimatullah? What functions do Quranic images have in the poetry of Shah Nimatullah? The research method used is descriptive-analytical and the research corpus comprises the poetry of Shah Nematollah. This study found that the most important objectives and functions of Quranic ayahs in his poems can be categorized in four main axes: 1. Rhetorical-literary functions 2- Presenting innovative, extraordinary and personal interpretations of the Quranic ayahs 3- Using citation and examples to validate mystical topics 4- Tayamon and tabarok.

For aesthetic purposes such as the impact of words on the audience, creation of style, musicalizing and accentuating speech, writers have benefited from a variety of linguistic possibilities such as “Paratactic Structures”. In the books "Nafathat-ol-Masdūr " and "Al-Tavassol Ela al-Tarassol”, which are considered technical texts, in which Quranic ayahs are frequent, written in the sixth and the seventh centuries, the authors, through mastering the Quran and its structural and conceptual system, coordinated ayahs with their own texts. In constructions with two or multiple structures, this coordination is linked with one of the coordinating conjunctions and is formed in the layers whose structures have similar "syntactic, rhetorical and phonetic" values. Coordinating structures with syntactic values have been applied in grammatical functions such as genitive, accusative, predicate. They are also used in compound sentences having explanatory dependent, accusative, and complementary functions. In rhetorical functions, coordinating structures have used figures of speech such as internal rhythm, crossed rhyme, internal line balance, oxymoron, confrontation, metaphor, simile, and musical system. In phonetic functions, coordinating structures with inducible and sound-meaning voices in the structures of both books have created the capacity for pleasant reading. In the present study, these roles in the common structures of text and ayahs in both books were examined. Semantic relationships of structures that could convey the messages of ayahs and texts to the audience, were analyzed in a variety of relationships such as synonymy, increase, contrast, sequence, emphasis, negation, etc.