جستجوی مقالات مرتبط با کلیدواژه "اخوان ثالث" در نشریات گروه "فلسفه و کلام"

In this article, we argue that two poems of the "Khane Hastom" of Akhavan Sales are the reconstruction of the atmosphere of ancient Iran and special special attention is paid to the philosophy of Zoroaster. He seeks to revive the culture of ancient Iran and the philosophy and religion of Zoroaster and Mazdak in order to give a different meaning to the social justice or justice of the past. According to Akhavan, the view of the thoughts, existence and death of the protagonist is different from the common view of the western thinkers. On the other hand, the coexistence of Indo-European and Iranian philosophical religious myths has caused traces of western philosophy to be highlighted in his poetry; From the point of view of the heroes of poetry, existence is eternal and related to Ahuramazda, and they contrast "life" and " nonliving" which is also a part of existence. unlike western existentialists and absurdists who believe " man is alone and life is absurd". In this way, they overcome the emptiness of their time and give meaning to life. In this study,the contradictions of Akhavan about ancient Iran have also been examined. Keywords: Khane Hastom, Philosophy of Zoroaster, Absurdism, Akhavan Sales.

intertextuality is a concept that implies the existence of a basic text in the field of literature, critique, or science in relation to texts, that these texts deal directly or indirectly with the original text over time. Intertextuality and, in a sense the theory of interacting texts, is an important topic of attention of scholars and literary critics, and this new achievement in the field of literature studies the similarities, differences and the impact of a text from other texts, both in poetry and prose. The current paper aims at examining the poetic words of Mehdi Akhavan Sales and Ahmad Shamlou based on their relationship with the Qur'anic verses and narratives based on the intertextual theory of the direct or indirect borrowings of the terms. This is an applied analytical-descriptive paper based on intertextual theorists theoretical foundations to revealing the coherent structure of the work, the audience understands how the poets, with what literary tricks, include these revelatory themes in their poems and contrary to the beliefs of some critics, they have given their words a Quranic and religious tinge. In the end, it is concluded that, in spite of the critics' opinion about the thinking governing the poetry of Mehdi Akhavan Sales and especially Ahmad Shamlou, the Qur'anic and Islamic and religious beliefs are evident in their works.