جستجوی مقالات مرتبط با کلیدواژه "ode" در نشریات گروه "ادیان و عرفان"

The Shiite poetry is a fruitful branch of the tree of ritual poetry with a heroic, painful militant spirit, whose most prominent manifestation is seen in the Ashura’s poems. Yaghma Jandaqi is one of the best-known poets of the period known as “literary return” (Bazgasht-i Adabi) whose fame is due to Ashura’s poems and innovating the poetical format of elegy (noha). He created this format by making some changes in the structure of ode (qasida), and the structure of his elegies can be classified into four groups. Although Yaghma was not a scholar or scientist, not learning the rules of poetry from a teacher, his Ashura’s elegies are full of various literary techniques, and numerous literary innovations are seen in his poetical imageries. More interestingly, he – with much sagacity – has not used much formality in his poetical imagery. This has made this kind of poems understandable even for ordinary people. Having investigated literary techniques in Yaghma’s elegies in two groups of literal and semantic rhetoric, we note that since elegies were recited in group and with beating one’s chest, this poetical format has been full of alliteration, pun, and repetition, which increase the musical weight of the speech. Among the semantic literary techniques, literary devices such as contrast, symmetry, simile, and explicit metaphor – which are understandable for all people – have been mostly used.

The belief that the soul originates from the celestial world and is imprisoned in the material world as a result of neglect is a fundamental belief in mysticism. The sophis try to purify the soul through knowledge and wisdom before it unites with the God in the afterworld. Aviccina focuses on this purification in his Ode (Einieh) and the contemporary Arab poet،Nasib Arizeh،does the same in his long piece of poetry (Ala-Tarighe-Eram) and follows the example of Einieh. This paper comparatively explores the theme in these works.

The present paper first discusses interpretations of Ferdawsi’s Shahnameh in Sufi text. It then compares tow odes to show that both share discussions of Ganoosi ideologies, duality of soul and the mprisonment of soul in the body.