جستجوی مقالات مرتبط با کلیدواژه « BadrShakir al- Sayyab » در نشریات گروه « علوم انسانی »

The house is not dependent on human phenomena, but it is a condition for the possibility of the emergence of other human phenomena. The nostalgia that arises in exile or away from home and motherly place or in case of forced outcast by an external force for the house, home and shelter, conveys the same motherhood and foundation of the house for all human beings, in the absence of which human beings Finds a sense of beardlessness. home explicitly places its works in our existence in such a way that it is impossible to remove these works from existence. The house is known through lived experience, and it is through this experience that its existence is realized. Without it we remain disturbed and strange, like we have no identity; because the promise is sometimes of compassion, kindness and beauty of human existence. In the house, the connection between human nature and place is created forever, and its connection with human it likes the connection of the soul with the body, and it has a constant presence and eternal existence within human beings. The method of the article is analytical-explanatory. The scope of the article is poems by the poet in which he composed the house. The house has a philosophical emergence and at the same time poetic and innovative appearance and derives its implications from the basis of the spatial existence of the house itself as well as from the depth within the poet's conscience and psyche. In Badr Shaker's poetic experience, the past is the house and homeland that it relies on as a root now, and the death of the past means death now. At a distance from home, he finds life settled in the house of death, and the greatest cover of this life is death, of which the shell is inseparable and an integral part.