جستجوی مقالات مرتبط با کلیدواژه « wedding » در نشریات گروه « علوم انسانی »

This article examines the cultural and native characteristics of marriage rituals in Fars province's southern regions, focusing on Alamarvdasht. Through ethnographic research, data was collected in the field and through interviews with locals. The study analyzes the ritual, emphasizing its unique elements and connections to "rites of passage." By showcasing the diverse customs and beauties of the region, this research contributes to understanding and appreciating Fars province's cultural heritage.

In his social life, man is bound to face wedding and mourning. How these two social customs are expressed in the poetry of the great poets of each period shows the quality of life and worldview of the people of that time and depicts the prominent manifestations of their public culture.Arafi Shirazi and Kalim Kashani, as the great and outstanding representatives of the Isfahani (Indian) style and the Safavid era, in the form of their original images and arrangements, have recorded large parts of the social life and public culture of the people of Iran and India of their time and paved the way for sociological studies. and have made a smooth anthropology.According to what comes out from the folk poetry and Kalim, the people of the Safavid era, especially the rich and wealthy, were happy and luxurious, and on various occasions, especially the wedding or the presence of the king among the people, they held Sarwar and Paikobi circles.Mourning customs are different in each region, each climate and among different religions; For example, some wear black and some wear white in mourning for their dead companions. Mourning in Iran has had special rituals from the past to the present day. These rituals have not changed much over time. Of course, the emergence of the Shia religion and its widespread promotion in the Safavid era has caused a great cha

The folk literature of each realm and region reflects and expresses thought, belief, customs, behavior, cultural and social relations and way of life. This literature, which is manifested in poetry and prose, is a mirror that reflects the social characteristics of a people. Among the different types of folk literature, poetry has a special place and among the various forms of poetry, the words in Persian literature have a long history. This form of poetry has been prevalent in the Persian language since the beginning of poetry. One of the areas in which this form of poetry has been especially developed is the city of Rostam. The Studies show that the most significant and frequent poetry form of folk literature in this city is the “Mofradat” that booklovers read themaccording to the occasion. “Mofradat” in the folk literature of Rostam city is divided into "couplet", "Saro", "Sharveh" and "Lullaby". In this research, the items called "Soro" in terms of theme are analyzed. "Soro" is the origin of women's sensitivity and voice in the wedding celebration, in which a part of the culture of the people of the city is manifested. In fact, these poems express the love and affection of mothers and women for boys and men. As they should and perhaps have been able to cope with this love and affection of the heart and have done their duty well. On the other hand, wedding culture can be seen in these poems. In other words, "Soro" is a long-standing cultural center in the wedding celebration of Rostam city. The themes of these poems are masculinity, description, advice, threat, wedding custom, humiliation, early marriage, warning, boasting, manifestation of religion.

The celebration in Iran is divided into two categories: 1- Special celebrations that took place at a particular time including Nowruz, Mehregan, Sadeh, etc.; 2- public celebrations that did not depend on a specific time, including the feasts on King's enthroning, childbirth, circumcision, and marriage. In this article, an attempt has been made to review Iranian customs during the wedding ceremony through poem books including the “Weis and Ramin” poems book composed by Fakhruddin Asad Gorgani; the customs many of which are still common in Iranian society; some were not affected or removed by the change of Iranian religion, but even were affirmed by Islam. Fortunetelling and observing the time for holding the celebration are traditions that still today are customary among people. Wedding parties at the court, like other celebrations, were accompanied by drinking and listening to music. Wedding rituals today are also celebrated with pleasant voice of the music. Scenting the party with burning of aloe wood and sugar is another custom of the wedding ceremony. Taking dowry and marriage fee from the groom, setting up the celebration and banqueting people, bride’s toilet, etc. are other marriage traditions customary among people that have been referred to in the poems of Persian language poets. A primary ritual as the introduction of the wedding in the old and even in the present time, in some places, is nominating at the birth time, which is called today "Naf Boran” (bellybutton cutting). In some cases, we see the pre-wedding customs, i.e., getting the marriage fee from the groom, and drafting a marriage deed for the bride, as well as getting dowry from the groom, which is common also today among the Iranians. As inferred by the Gorgani’s poem, the “Kabin-Khahi” ritual (requesting a marriage fee) from the bride's relatives was also widespread in the pre-Islamic Iran. As indicated by the poems, the dowry of princes was predomination over lands. Also, the one who proposed more marriage fee would win to catch the girl. A special wedding ritual that has been customary in ancient Iran is praise of God and praying for the bride and groom's happiness. It seems that the only source for this tradition is the Weis and Ramin poems book; according to Gorgani, this special praise was recited by the owner of the wedding party, such as the bride or groom's mother. Praise of God, along with other Ameshasepandan, such as the oracle, the sun, the moon, etc. at the beginning of the wedding ceremony was performed with the purpose of seeking bliss with them and cursing the devils to get rid of them. Another marriage custom was toileting of the bride at the wedding night and her ornamentation, and putting the crown on the bride’s head. The bride was toileted by beauticians; they used old makeup tools such as Sormeh, roseate cream, and indigo to ornament the bride; they trimmed her face and eyebrows, stamped her face using the empty Ghalieh (having a speckle on the corner of the lips was among the Iranian beauty standards) and arranged her hair, and scented her body with rosewater; and thus the bride was prepared to celebrate the beginning of their marital life. Another ritual customary in Iranian wedding ceremonies, just like other nations, was giving parties. At parties on the occasion of the auspicious celebration in the courts, ceremonies like banqueting, performing games such as polo, sprinkling gold and sugar over the bride and groom’s heads, scenting the party using burning aloes wood and sugar were other rituals of the parties. Sugar sprinkling was a ritual that has been mentioned in many other literary texts as a celebration ritual, which in addition to being sweet and a blessed start for marriage was taken into consideration for its expensiveness and the luxury aspect.  The remnants of this tradition can be seen in rubbing of sugar cubes over the bride and groom’s heads in the current Iranian society. By reviewing Persian poems and contrasting them, we found that among the reviewed poems books, the Weis and Ramin poems book had the most references to the wedding ceremonies, and this is due to the subject of the book, which relates to the life of two lovers called Weis And Ramin and their marriages (wedding of Weis with Mobed and Viro and Ramin) (Ramin's marriage to Gol and Weis) Ferdowsi also has mentioned to some ceremonies and traditions on the occasion of the marriage of heroes and kings. Other poets have more or less dealt with this subject; poets such as Anwari and Farokhi whose poetry was inspired by the courtiers had some references to some of the wedding customs in their poems on the occasion of the courtiers’ wedding. Poets such as Sanaei, Attar and Khaqani whose poetry has a mystical nature, though not addressed this ritual directly, but have pointed to some wedding rituals through similes and metaphors.

In this paper the analytical method and tool library is written, Along with the Legal and Judicial Study, Explaining the concept of marriage has been officiously, and Comments on this issue has been raised and examined.
Marriage is the most important contracts. In the meantime, sometimes without the knowledge of one of the parties to the marriage contract is signed. The most important question paper is: Such nuptial is null and void or legitimate?
In this case there are three different categories. The group believes in the validity of this contract, and some maintain that it is not correct, And others are believed to details.
Although not explicitly stated in the Iranian Civil Code, the correct of such a contract, But in Iranian law ,the opinion of the majority of Shia scholars, in this case, has been accepted. The end Detailed view of Ibn Hamza is consistent with caution.

In the Gnostic epistemological system, marriage is realized in all the general levels of existence. The unity of the manifestations of the Glory and the Beauty (of Allahs) are present and in progress throughout all the levels of existence, from the earthly world to the divine dominion. Marriage attains meanings, manifestations, and implications, which are specific to each of these worlds. The marriage between the two Alavite and Fatemite beings, the manifestations of epithets of Glory and Beauty, is the most luminous marriage throughout the worlds, and the nuptials of these two seas, as the epitome of the verse of the Holy Quran: " He hath loosed the two seas, they meet," has provided the world of existence with the most noble outcomes. Based on a Gnostic analysis, this article has focused on some historical details in the marriage record, proposal, and wedding of these two holy beings, and has dealt with the mystery of their heavenly wedding and the coupling in the world of existence.