جستجوی مقالات مرتبط با کلیدواژه « رمزپردازی » در نشریات گروه « هنر و معماری »

Meaningful attitude represents one of the most important approaches to Islamic architecture and art and states that Islamic architecture and art implies some facts that exceed from place and time limits. Islamic architecture and art from this group point of view is of super-historical realities embodied in history. Thinkers viewed the Islamic architecture and art of having mystical identity and dealt it with a meaningful attitude. Titus Burkhardt depening in traditionist movement viewed Islamic architecture and art as symbolic and secret and believed that secret is not an arbitrary sign but represents existence rule and tradition in creature and the existence is based on encoding. Burkhardt considered architecture the most important and superior emamanation appearance and encoding among Islamic arts. From his point of view geometrical decorations in Islamic architecture point to uniform thoughts of God clearly, vacancies in Islamic architecture is the secret of ubiquitous presence of God and finally there is not any secret and signs as light near to divine union. The study aims to know and study encoding in Islamic architecture and art from traditionist movement point of view specially Titus Burkhardt examined by descriptive-analytical method using valid books and articles.

One of the issues in theory field of architecture especially in Islamic architecture which has been considered in academic assemblies in recent decades is the field of symbolism and its different approaches. Basically symbolism is one of the important features of Islamic architecture, to the extent that some scholars in Islamic architecture believe that symbolism is necessary to fulfill this kind of architecture. This article deals with the problem of what is symbol and generally sign in Islamic architecture and consequently, how the symbolism can be implemented in Islamic architecture.
The purpose of this article is explaining different approaches that Muslim architects used for symbolism in their works meanwhile with explaining the nature and characteristics of each of these approaches, lessons would be learned for future symbolism in Islamic architecture. To illustrate the problem of this article, a hybrid method consisting of logical-argumentation research and qualitative content analysis research is used meanwhile the method for gathering data in this research is documents studies. The theoretical foundation of this research is based on Islamic wisdom so the research results have enough competence for the application in Islamic architecture. According to these results, in addition to credit architectural landmarks, there are genetic signs which can be manifested in various architectural components such as geometry and form and symbolism in Islamic architecture requires attention to both these two types of signs.
Using these two types of signs, two main approaches are available for symbolism in Islamic architecture which is inductive and deductive symbolism. The first approach is based on sensory tools while the second one is often based on rational and intuitive tools. In this paper, meanwhile these approaches are explained, several examples will be presented for each of them.

In the history of filmmaking, poetic films have always employed words and images to create a metaphorical and unfamiliar atmosphere conveying a deconstructive, extraordinary and abnormal sense that mold into dream-like scenes. Poetic films employ a metaphorical language, ambiguous images and complicated narrative structures to force their viewers to dig deeper into everyday experiences and to analyze the phenomena around them. Poetic films are avant-garde and experimental. They do not strictly abide by a particular genre but freely employ elements of various genres to accomplish aesthetic brilliance and a new visual language. These films are full of dramatic atmospheres, clear-cut shots and fluid camera moves. Editing is usually unconventional and a great deal of attention is paid to the structural aspects of images and the graphic effects of lighting, colors etc. Poetic cinema is full of questions, metaphorical concepts and hidden messages that can only be deciphered with knowledge of semiotics.