جستجوی مقالات مرتبط با کلیدواژه « documentary theater » در نشریات گروه « هنر و معماری »

Contemporary documentary theater can be considered a kind of social struggle to reproduce, shape and remember history. Documentary theater is a branch of modern theater that acts as a catalyst for social and political change, addressing issues such as government, power, behavior, customs, and public opinion Documentary theater relies on documents such as reports, records, statistical tables, and interviews to develop the form of performance and tries to engage the audience, which is one of the most important elements in theater, objectively and concretely. This article aims to identify new methods in the development of documentary theater and examines the mise-en-scène and directing in the theater based on verbatim.Verbatim seeks to raise and challenge the social and political issues and problems of the present age with a new form and method and in accordance with modern technology. This article raises the main question whether the structure of the mise-en-scène and the direction of the actor in the documentary theater based on verbatim essentially follow a certain definition or not while describing documentary theater and analyzing the different forms of verbatim.Considering the fact that verbatim is a form of theater based on recording and interviewing, directing the actor in this method happens in such a way that the characters on the stage represent real characters, and therefore the actors are obliged to observe the tone and manner of expression of the person.This research is descriptive-analytical and the result shows that the structure of verbatim consists of a triangle of technology, text and body. In the relationship between these three, we can understand the importance of the position of mise-en-scène in the process of creating a verbatim play and especially in directing the actor. Also, the actor’s play in the form of this structure is believable.

This research was formed by studying the narration pattern in the plays that were performed in the form of documentary theater in order to answer a question which is "To what extent do the narration patterns contribute to the advancement of the documentary play?" The current research was conducted with a descriptive-analytical method while examining and presenting a clear and comprehensive definition of documentary theater with the aim of introducing and opening a new chapter in the field of documentary theater. The result of this research in the qualitative field is focused on issues such as narrative patterns and narrators and their types in the narratology of documentary texts to what extent they contribute to its advancement. It has become more serious since 1390 and we are facing more documentary works than in the past decades in the country's theater scenes, although the amount of these works is still not so much that we do not consider this trend weak. In this regard, it can be said that the non-payment of the narrative model of documentary theater in Iran is academic in the country's universities, therefore, students and academics are also weak and underemployed in this field, and the understanding and recognition of the model of documentary theater narration among directors and theater people is very low, and this It makes them not go to work in this field. Theater audiences are often story-loving, and due to the fact that the storytelling pattern in documentary theater is less than that of conventional theater, this type of theater has a smaller audience and it can be said that in Iran we are facing a lack of narrative pattern flow, and narrative patterns are the driving force behind documentary drama. It has a significant contribution.