جستجوی مقالات مرتبط با کلیدواژه « انسان - خط » در نشریات گروه « هنر و معماری »

In the Seljuk period, the decorative motifs of metal works reached the peak of prosperity and innovation. Among the motifs , the combination of  " Man - calligraphy " as a new development in Islamic art and the Seljuk period considered . The nature of the relief only to create beautiful images and forms can not be , but the designer in the show themes difficulty trying to show the inner meaning by thinking and belief true in societies in those days, taking into account the effects of political , economic and cultural era have had The nature of these motifs cannot only be the creation of beautiful and decorative images, but the designer has tried to show an inner meaning based on the true thinking and beliefs in the societies of those days, taking into account the political, economic and cultural influences of each era . The question that is raised is : a mix designs " Man - calligraphy " on the metal works Seljuk What are the themes and meanings ? The initial assumption placed more emphasis on the decorativeness of most of these motifs, but with the research and investigation, it was realized that that the motifs in addition to the themes inscriptions include prayers, good wishes , advice and coded meanings and underlying belief in witchcraft to meet Bella and repel evil eye , friendship , support and desire to communicate and life products . also have their effect . Muslim artists based on their religious teachings us to understand the concepts and ideas of these people they lead and influence of religion in his art . The aim of this study the roots of the secret and inner meanings fine print "Man - calligraphy " is . This research is descriptive - analytic and data from literature , articles and websites are valid.

The combined and decorative motifs of the "human-script" in the artificial arts of the Seljuk period are a combination of the head and body of human in a stylized and abstract manner in various moods and situations, along with the common script lines of that era, such as Kofi and Naskh script lines. These motifs have been used with a diverse structure of the earlier motifs of that era, in harmony with the components, frame, and even painted place. Visual elements and geometric motifs play a major role in the various parts of this decorative composition, which made it as a distinctive and appropriate motif in many fields of graphic design. Reviewing the structure and articulation of these illustrated-lines , which became very close to the illustration and were less addressed in the Islamic art researches, in addition to the familiarizing with the innovations and the specific quality of the artistic practices of this era, due to the high graphical capabilities of the structure of these compounds can be considered as a new approach in order to use in the variety of artworks including graphic arts and animated graphics.
● Research Questions
1. How is the jointing in "human-script" compounds?
2. Which calligraphy techniques and sensitivity Method were the most effective one in "human-script" compounds?
● Hypotheses
In these combined motifs, the Jointing (fastening) method human motifs to inscriptions are seen in four general modes: the complete joint of human faces to the stems of written letters, the division of space into two upper and lower parts, the combination of human figures and script lines, and, finally, placing the human motifs between the words and phrases separately.
In these inscriptions, Nask script is more commom than the other calligraphy technique. Also, at the beginning of the work, in terms of the authors, using the variety of motifs in the composition of words and positioning in a specific form, as prominent methods, have been very effective in the general structure and the sensitivity of the "human-script" compounds.
The purpose of this research is recognizing the basis of the structure of combined "human-script" motifs in the artificial arts of the Seljuk era, which can have great visual features in various branches of contemporary arts. So far, no specific research has been done on the structure and articulation of combined "human-script" motifs of the Seljuk era. This research was done by descriptive-analytical method and also library resources, articles and valid websites were used.

Artists of the early Islamic period achieved on skills and high accuracy to provide new ways of decorative motifs. Decorative motifs and composite of "Man-calligraphy" created a new development decoration of description outstanding in metal works and new ways of ornaments in Seljuk period. These designs are a combination of calligraphy during the same period and stylized human heads or bust beauty of human connections and with inner concepts and meaning but evident. Each of which has specific visual usage and Properties in these works. The questions that arises are: 1. What applications are in the style of "Man-calligraphy" in the Seljuk metalwork? 2. What are relationship visual Properties of “Man-calligraphy” in the metal works of the Seljuk period with their content? "Man-calligraphy" motifs with visual and conceptual applications are among the works of the Seljuk period. The visual Properties of these motifs are related to the meanings and content validity of the underlying belief in amulets and talisman are effective for its owner .Previously, in the thesis of the authors of this research, the applications of combined “Man-calligraphy” have been investigated. the aims of this can be cited: 1. Study on the conceptual and visual uses motifs “Man-calligraphy” in the Metalwork of Seljuk period. 2. Study on the relationship conceptual and visual uses motifs “Man-calligraphy” in the Metalwork of Seljuk period. This research has been done with analytical and descriptive study and using data library, articles and prestigious sites.