جستجوی مقالات مرتبط با کلیدواژه « خاک » در نشریات گروه « هنر و معماری »

Art has always played a significant and important role in the effective transmission of ideas and judgments.The Wisdom of the Soil in Khayyam Neyshabouri's Artistic MysticismTo explain the aspects and dimensions of Iranian Islamic art, the discovery of mystical and esoteric foundations and contemplation on the inner aspects of this art is an undeniable necessity. Iranian art cannot be identified without mysticism. Mystics and artists reach common ground in the field of Iranian art; Both mysticism and art reach the nature of existence through the path of discovery and rational intuition - that is, the reflection of absolute existence (absolute light). Both the mystic and the artist consider the universe as a manifestation of God's love. The difference is that mystics have no obligation to share their mystical findings with everyone, and this is the reason for using the code language. But artists have to convey their mystical findings in a tangible way. As a result, the most serious topics of nominal art in mystical texts have been highlighted and the most magnificent works of art in Islamic culture belong to those who have walked the path. Since in the field of art and mysticism we see traces of each of these phenomena in the other, we can examine this relationship in the worldview of mystics and mystical artists. The traditionalists who emerged in the world of modernity with the element of tradition seek to create a world using the world of art and mysticism to guide the modern man from the turmoil of the modern world which leads to the originality of the partial intellect to the general intellect. They believe in the influence of art and mysticism on each other and challenge works of art in a mystical context. Mystics and artists look at all phenomena of existence from the perspective of intellectual intuition and consider them as symbols of God's grace. Among these cases we can mention the soil. In the artistic mysticism of the sage Khayyam Neyshabour - whose artistic experiences are in the light of mystical teachings - we sometimes come across words that he has repeated many times in his poems; A repetition that may be a kind of reminder. Among these words are soil, mud, jar, pottery, and the like, the explanation of which can lead to a broader understanding of the valuable foundations of Iranian Islamic art. Khayyam; First and foremost, he is a man of wisdom, and his poetry finds meaning under wisdom. Therefore, he seems to consider poetry - an imaginative and explanatory expression - and a compound for a specific purpose. But what he does is the product of an artistic will in the form of a quatrain — as a capacity for concise, solid, and complete expression. He makes the most of the symbolic capacities of soil and jars to institutionalize his ruling destination. This article is a post-structuralist approach, written by descriptive-analytical studies with the aim of explaining symbols such as soil and jars in his poems, and the author has tried to collect written evidence with a qualitative approach.Keywords: soil, artistic mysticism, Khayyam, world,jar

Raw clay was one of the first elements that human beings achieved and made with their own hands and in the architecture of their residential, prayer, functional and protective buildings such as houses, mosques, Hosseiniyahs, towers, fortifications, castles, refrigerators and even the upper part. Reservoir to use.
 These materials are still used in the construction of houses and walls in some parts of Iran, especially in the arid and desert areas of Iran. One of the healthiest brick buildings in the world, the winding and multi-storey castle of Narin is the castle of Meybod, which has survived centuries of history and wind and rain. Another famous brick building in the world was Bam Citadel, which unfortunately lost a large part of the castle and its citadel in a severe earthquake in 1392.
  This bibliography is a good guide to accessing books and articles written on raw clay; It is compiled in two parts: book (either independent or part) and article.

Nowadays, according to existence of issues such as the energy crisis, environmental pollution and increased housing demand caused by the continuous growth of population in the world, innovative solutions such as earth shelter building can be considered an alternative to Aboveground building to reduce building energy needs, land use and climate issues. Taking refuge in the earth and the use of thermal properties of the soil, is one of the strategies that have been used in the past the present study is addition of introducing and how different types of earth shelter buildings, to express the ecological benefits and the possibility of pre-fabricated these buildings, especially in hot and dry climate. The research questions are raised: what effect can have been existence of plants in these buildings? How can we improve the efficiency of these buildings? The method of research is qualitative and a primary All the contents research have been Collected based of library studies, the Internet and the websites.

This paper provides a new system of understanding the relationship of man and the built environment. This new system is adopted from Iranian traditional medicine, which is based on philosophy of physics and traditional wisdom. In wisdom and medicine alike, anything manifested in the material world—such as humans, artifacts, and everything in their surrounding environment—has qualities known as temperaments or humors. Since these qualities are present in humans as well as the built and natural environment, they can be employed in a holistic approach to understand and explain the relationship of humans and the surrounding environment in a theoretical system of architecture. It will be named "Temperamental Architecture." In this paper, by means of logical reasoning, applicability of this approach and its issues are assessed. The paper is composed of four main parts. The first part provides an introduction and background information. The second part discusses architectural topics in traditional medicine, and how to adopt the system for architectural purposes. The third part is a brief description of philosophy of physics and the tetrad (the four elements, temperaments, or humors). Finally, the presence of the four elements in architecture is explained.