A Stylistic Analysis of Fervent Prayer of Khmas Ashar: The Symbol of Perfect Connection between the Worshipper and the Worshipped

One of most effective way of disseminating eminent knowledge, culture and ethics of humanity is through prayers and prayer texts. Prayer and holy communication are kind of lovely resorting to the beloved and connection of little and weak being to the existing infinitely big and strong. From pure reed of selected people of God, prayers come out containing knowledge and realities that are accompanied by sadness, excitement and sweet music. One of these prayers is “khaefin Almanghoul” by Imam Sajad which is reflection of fearful qualities of God. The present study tries to in a descriptive-analytical way, analyzes “khaefin” prayer under the framework of structural stylistics based on classification of the “Balaghat alkhetab” book and “Elmo Nasl by Salah Fazl”, in three levels of vocal, syntactic, expressive and degree of connection of these three levels with each other. A stylistic analysis of prayers illustrate all triple structures of the text with acceptance of connection supremacy from disconnection and connection binary in amazing joint are formed next to each other and with creating single and harmonious structure are moving across central axis of prayer (communication with God).