Grade women's battle against Mongol myth in narratives story of

The "alien - enemy" archetype in cultural history of Iran often emerge in different forms and examples of hostility and alienation such as Tatar and Mongol. Mongol savagery and brutality on Iranians, was so severe that after a hard attack and murder and plunder, for centuries, they were an example for each type of attack. Gradually Mongol's attacks changed from historical form and remain in a mythical way in our literature and culture. This article describes, how the myth of Mongol formed in our cultural history and signifies in particular, in the works of "Bahram Beyzai". The main feature of his fctional narratives is an active participation of women in the context of the narration. The purpose of this study, is analyzing the struggle of "champion- trickster" women, against the myth of the Mongols, in the "Bahram Beyzai" narrations. Plays and screenplays that are considered in this study include: ” Fathnameye kalat”,”mire kafanpush tales”, “ayyare tanha”,”ayyarname” and “tarajname”. The research is descriptive- analytical, so that at first we will express the way that Beyzai uses to describe myth of the Mongols, then five works that in particular, are about women's struggle with Mongol in the narrations, would be analyzed.